art app mid term quiz 1 Flashcards

1
Q

The most expressive element and appeals to the
emotion.
◦ It has distinct qualities: hue, intensity and value.

A

colors

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2
Q

are only seen when light surrounds an
object.

A

◦ Colors

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3
Q

discovered this when a beam of
light passed through a prism and breaks into
visible color of spectrum.

A

Isaac Newton

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4
Q

is the color itself.

A

◦ Hue

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5
Q

is the hue’s lightness or darkness and
changes when white or black is added to it. It
pertains to the absence of white or black.

A

Value

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6
Q

is the aspect of
brightness and purity of a color. High
colors are bold and bright. Low colors are faint and duller.

A

Intensity or saturation

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7
Q

which are red, yellow and blue.. They are
called what because these colors cannot be
produced by the mixture of any other colors.

A

Primary Colors

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8
Q

is the result of the combination of two
primary colors in equal amounts. For example, when red
and yellow combined the result is orange.

A

Secondary Colors

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9
Q

these colors can result from a
combination of primary and secondary color. For example,
red-orange [R + (R+Y)] or yellow-green [Y + (Y+B)]

A

Intermediate Colors

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10
Q

they show no color quality or do not
share the same characteristics of any color in the
spectrum. which are white, grey and black.

A

Neutrals

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11
Q

is created by
combining any two secondary colors or by adding neutralizing one color by
adding its complement or opposite color is in the color wheel. For example, brown
and olive green colors.

A

tertiary

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12
Q

colors that are associated
with the sun and fire

A

Warm Colors

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13
Q

colors that are associated with
air and sky, earth and water

A

Cool Colors

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14
Q

make us happy and
excite while cool colors make us feel relax
and encourage us to take it slow.

A

Warm and bright colors

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15
Q

is a mark which moves
from one place to another.

A

line

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16
Q

straight lines that move from left
to right or vice versa

A

Horizontal Lines

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17
Q

straight lines that move from top to
bottom or vice versa.

A

Vertical Lines

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18
Q

lines that are between vertical or
horizontal as if they are rising or falling.

A

Diagonal Lines

19
Q

diagonal form angles and change
direction

A

Zigzag Lines

20
Q

wiggly lines; lines that are organic,
natural and adjust direction regularly, curvilinear.

A

Curved Lines

21
Q

the artist intentionally shows the lines to give the viewer
an interesting aspect of the composition.

A

Actual lines

22
Q

are used
by the artist to make the viewer feel their involvement in interpreting
the composition by seeing and connecting lines where none actually
exists.

A

implied lines

23
Q

result from the coming together of
lines enclosing an area and
separating it from its surrounding

24
Q

refers to regular and precise
shape. (i.e. square, triangle, cylinder etc.)

A

Geometric Shapes

25
are said to have a natural appearance and are usually curvilinear and irregular. (i.e. shape of snail, leave, fruits etc.)
Organic Shapes
26
manifest some qualities of biological organisms
Biomorphic Shapes
27
exist without any basis from either nature or geometry.
Amorphous Shapes
28
is a sense of depth or distance.
Space
29
gives the viewer a perception of depth because the distance between the two eyes.
Stereoscopic vision
30
The distance allows the viewer to see two presentations of the object, one from each eye.
retinal disparity
31
involves the movement of the eyes when looking at or viewing the object. The more ocular movements occur when the object is near, and less when the object is far.
◦ Kinesthetic vision
32
when objects are grouped, not all parts of some objects will be seen.
Overlapping
33
objects that are big will be perceived as near compared with objects that are far.
Relative Size and Linear Perspective
34
This is also known as aerial perspective. The illusion of depth is created by techniques known as gradient (a gradual change)
Atmospheric Perspective
35
is the appearance and feel of a surface. can be an illusion or physically felt. can be rough, smooth, bumpy, abrasive, scaley etc.
Texture
36
Texture is derived from Latin
‘weaving
37
refers to the real feel and look of the surface of the object.
Actual Texture
38
refers to a surface character that looks real but is not
Simulated Texture
39
the artist would focus on one aspect of the real texture of the whole composition.
◦ Abstract Texture
40
is a product of the artist’s imagination. This presentation is usually seen in abstract artwork.
Invented Texture
41
can show direct actions in which movement perceived immediately or show an intended path for the viewer to follow.
Motions
42
artist incorporates actual movement in art known as kinetic art.
Actual Movement
43
showing a variety of lines may be used together with some degree of repetition, changes in position, scale, or size of objects, and varying proportions that can create the perception on movement or passing time in a two-dimensional piece of static art.
◦ Implied Movement
44
Artist is using light to make viewing any artwork possible and explore how he may use the characteristics of light to add quality and depth to his composition. ◦ When light is discussed, it always follows its counterpart, shadow
VALUE