art app mid term quiz 1 Flashcards

1
Q

The most expressive element and appeals to the
emotion.
◦ It has distinct qualities: hue, intensity and value.

A

colors

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2
Q

are only seen when light surrounds an
object.

A

◦ Colors

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3
Q

discovered this when a beam of
light passed through a prism and breaks into
visible color of spectrum.

A

Isaac Newton

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4
Q

is the color itself.

A

◦ Hue

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5
Q

is the hue’s lightness or darkness and
changes when white or black is added to it. It
pertains to the absence of white or black.

A

Value

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6
Q

is the aspect of
brightness and purity of a color. High
colors are bold and bright. Low colors are faint and duller.

A

Intensity or saturation

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7
Q

which are red, yellow and blue.. They are
called what because these colors cannot be
produced by the mixture of any other colors.

A

Primary Colors

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8
Q

is the result of the combination of two
primary colors in equal amounts. For example, when red
and yellow combined the result is orange.

A

Secondary Colors

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9
Q

these colors can result from a
combination of primary and secondary color. For example,
red-orange [R + (R+Y)] or yellow-green [Y + (Y+B)]

A

Intermediate Colors

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10
Q

they show no color quality or do not
share the same characteristics of any color in the
spectrum. which are white, grey and black.

A

Neutrals

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11
Q

is created by
combining any two secondary colors or by adding neutralizing one color by
adding its complement or opposite color is in the color wheel. For example, brown
and olive green colors.

A

tertiary

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12
Q

colors that are associated
with the sun and fire

A

Warm Colors

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13
Q

colors that are associated with
air and sky, earth and water

A

Cool Colors

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14
Q

make us happy and
excite while cool colors make us feel relax
and encourage us to take it slow.

A

Warm and bright colors

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15
Q

is a mark which moves
from one place to another.

A

line

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16
Q

straight lines that move from left
to right or vice versa

A

Horizontal Lines

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17
Q

straight lines that move from top to
bottom or vice versa.

A

Vertical Lines

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18
Q

lines that are between vertical or
horizontal as if they are rising or falling.

A

Diagonal Lines

19
Q

diagonal form angles and change
direction

A

Zigzag Lines

20
Q

wiggly lines; lines that are organic,
natural and adjust direction regularly, curvilinear.

A

Curved Lines

21
Q

the artist intentionally shows the lines to give the viewer
an interesting aspect of the composition.

A

Actual lines

22
Q

are used
by the artist to make the viewer feel their involvement in interpreting
the composition by seeing and connecting lines where none actually
exists.

A

implied lines

23
Q

result from the coming together of
lines enclosing an area and
separating it from its surrounding

A

Shape

24
Q

refers to regular and precise
shape. (i.e. square, triangle, cylinder etc.)

A

Geometric Shapes

25
Q

are said to have a natural
appearance and are usually curvilinear and
irregular. (i.e. shape of snail, leave, fruits etc.)

A

Organic Shapes

26
Q

manifest some qualities of
biological organisms

A

Biomorphic Shapes

27
Q

exist without any basis from
either nature or geometry.

A

Amorphous Shapes

28
Q

is a sense of depth or
distance.

A

Space

29
Q

gives the viewer a perception of
depth because the distance between the two eyes.

A

Stereoscopic vision

30
Q

The distance allows the viewer to see two
presentations of the object, one from each eye.

A

retinal disparity

31
Q

involves the movement of the
eyes when looking at or viewing the object. The more
ocular movements occur when the object is near, and
less when the object is far.

A

◦ Kinesthetic vision

32
Q

when objects are grouped, not
all parts of some objects will be seen.

A

Overlapping

33
Q

objects
that are big will be perceived as near
compared with objects that are far.

A

Relative Size and Linear Perspective

34
Q

This is also
known as aerial perspective. The illusion
of depth is created by techniques known
as gradient (a gradual change)

A

Atmospheric Perspective

35
Q

is the appearance and feel of a
surface. can be an illusion or
physically felt. can be rough,
smooth, bumpy, abrasive, scaley etc.

A

Texture

36
Q

Texture is derived from Latin

A

‘weaving

37
Q

refers to the real feel
and look of the surface of the object.

A

Actual Texture

38
Q

refers to a surface
character that looks real but is not

A

Simulated Texture

39
Q

the artist would
focus on one aspect of the real texture
of the whole composition.

A

◦ Abstract Texture

40
Q

is a product of the
artist’s imagination. This presentation
is usually seen in abstract artwork.

A

Invented Texture

41
Q

can show direct actions in which
movement perceived immediately or show
an intended path for the viewer to follow.

A

Motions

42
Q

artist incorporates actual
movement in art known as kinetic art.

A

Actual Movement

43
Q

showing a variety of lines
may be used together with some degree of
repetition, changes in position, scale, or size of
objects, and varying proportions that can
create the perception on movement or passing
time in a two-dimensional piece of static art.

A

◦ Implied Movement

44
Q

Artist is using light to make viewing any
artwork possible and explore how he
may use the characteristics of light to
add quality and depth to his
composition.
◦ When light is discussed, it always
follows its counterpart, shadow

A

VALUE