Brainscape's Knowledge GenomeTM

Browse over 1 million classes created by top students, professors, publishers, and experts.


See full index

Esthe > Makeup Design Skills > Flashcards

Makeup Design Skills Flashcards

1
Q

Makeup steps

A

Pre-cleanse
Analyze
Match color
Prepare skin
Apply makeup (base, eyes, cheeks, lips)
Set makeup

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Analyzing skin and face shapes helps you

A

Determine skin type and condition; face shapes and features
Choose products and determine color placement

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

How to analyze face shape

A

Decide into 3 areas: hairline and forehead, cheeks, and jawline + chin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Analyzing the forehead determines

A

If it is the widest or most narrow area of face
If the hairline is high or low

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

How to analyze the eyebrows

A

Brush upward and check length + natural arch position

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

How to analyze the eyes

A

Determine if there is the width of one eye between them + if the crease is visible
Asses eye size
Determine if eyes are recessed or protruding
Examine direction of outer corners

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

How to analyze the nose

A

Determine if area is wide or if there’s a well-defined bridge

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

How to analyze the cheekbones

A

Determine if area is round or defined/angular

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

How to analyze the lips

A

Determine lip size and whether top or bottom is fuller
Examine direction of lip corner

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

How to analyze the chin

A

Consider appearance of double chin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

How to analyze the neck

A

Determine neckline of clothing and length of neck

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

When selecting a concealer…

A

Can be chosen to be corrective (neutralize) or fresh-toned (lighten specific area)
To neutralize undesired color, use concealer in a complementary color (red = green)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

When selecting a foundation, consider what

A

Skin type/condition
Level of coverage
Type of finish required
Time of day and year
(See which undertones client has by examining skin and hair color)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

When matching concealer and foundation…

A

Test concealer/foundation in natural daylight; foundation shade should disappear into skin

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

How to prepare skin

A

Re-cleanse test area; makeup remover on color swatch spots
Tone
Moisturize/SPF
Apply primer (not too much to avoid shifting under foundation)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Base makeup encompasses

A

Foundation
Concealer
Highlight
Contour
Powder

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Areas for concealer

A

Under-eye circles
Dilated capillaries
Blemishes \dark-shadowed areas of face
(Neutral concealer may be applied over corrective concealer for additional coverage

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

4 sections where foundation is applied before blending

A

Forehead
Nose + cheeks
Around mouth/chin/jawline
Neck (blended into)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Highlight (not shimmer) and contouring light source

A

Above and in from of clients face

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Chose highlighter shade ______ shades _______ than foundation

A

1-2 shades lighter

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

Choose contour shade _____ shades ______ than foundation

A

1-2 shades darker

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Face powder general guidelines

A

Avoid powdering over eyebrow hairs and too close to lower lash line
Always apply before mascara

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

“Baking” def

A

Technique that uses excess face powder to sit under eyes and at high points of face; powder is absorbed then blended away to reveal a brighter matte finish

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Eyebrow color guidelines

A

Keep natural brow shape in mind
Use sharp pencils to create hairlike strokes
Use a brow brush to soften edges
Complete with a clear brow gel

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

Smokey eyes def

A

Gradually diminish from deepest color at lash line to lightest at brow

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

Bracing def

A

Technique used during makeup application to keep hands steady and client safe

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

Daytime colors

A

Neutral colors that match skin undertones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

Evening colors

A

Deep, intense colors

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

Eyeshadow application guidelines

A

Apply primer
Build intensity with a chisel brush
Blend with blending brush
Contour with crease brush

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
30
Q

Eyeliner guidelines

A

Avoid cross-contamination
Apply close to lash line
Apply liquids and powders with a brush
Apply pencil with short strokes
Avoid tear duct

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
31
Q

Mascara must be applied with

A

Disposable mascara wand

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
32
Q

Mascara guidelines

A

Use eyelash separator or comb after mascara to avoid clumps
Avoid using curler too close to lash line and over squeezing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
33
Q

Glasses considerations

A

Avoid long artificial lashes
Near-sighted glasses - enhance eyes with highlighting products and eyeliner (eyes look smaller)
Far-sighted glasses - apply muted colors (eyes look larger)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
34
Q

Contacts considerations

A

Use and recommend non-allergenic makeup
Use more cream than powdered products

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
35
Q

How to apply cream/liquid/gel blush

A

Apply 3 small dots to apples of cheeks using a buffing brush, face contour brush, or ring finger

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
36
Q

How to apply powder blush

A

Use a blush brush or fan brush that is same size or smaller than cheek area

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
37
Q

Bronzer description

A

Adds warms to cheeks
Achieve a “sun-kissed glow” by applying to high points of face powder

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
38
Q

Darker lip liners are chosen to do what

A

For evening to balance with more intense eye makeup

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
39
Q

Lip color application

A

Apply with a disposable lip brush

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
40
Q

What can be used to block out natural lip line or lip color

A

Foundation or lip primer

41
Q

Why would you put foundation or lip primer on your lips

A

Block out natural lip line or lip color
Prevent color bleeding
Make lip color last longer

42
Q

Clear lip gloss does what

A

Adds shine

43
Q

Lighter shade lip gloss does what

A

Highlighter over color

44
Q

Darker shade lip gloss does what

A

Sheen with depth

45
Q

Applying lip gloss to center does what

A

Illusion of fullness

46
Q

Day makeup is meant to

A

Enhance natural beauty

47
Q

Day makeup eyes guidelines

A

Apply “powder catch” under eyes when applying eye shadow to avoid transference of color to concealer and foundation

48
Q

Day makeup cheeks guidelines

A

Color selection should be soft and natural

49
Q

Day makeup lips guidelines

A

Finish should be matte with a little sheen

50
Q

Bridal makeup guidelines

A

Updos can alter appearance of face shapes
Oily skin = avoid face, cheek, and eye products with orange or strong yellow undertones
Photographic lighting tends to be cool; stay with palettes that are neutral to warmer
Powder skin in exposed areas so light reflections are similar in the face and upper chest
Use waterproof liner and mascara
Schedule mu run through no later than 6 weeks before wedding

51
Q

Evening makeup guidelines

A

Intense colors are used to create dramatic effects seen in softer, more indirect lighting
Darker of heavier colors can make features look smaller
Some mua’s do eyes before base so no dark shadow falls onto concealer

52
Q

Corrective makeup incorporates technique for

A

Color correction
Diminishing negative shadows and prominent areas
Neutralizing unwanted undertones
Correcting facial shapes and features
Camouflaging disfigurements and skin markings/scarring

53
Q

Neutralizing discoloration

A

Choose primer or concealer in a complementary skin color

54
Q

Camouflage makeup products are

A

Opaque, waterproof, and formulated to adhere to smooth scar tissue

55
Q

3 types of recommended camouflage makeup products

A

Cream that is oily, light, and less opaque
Prep that is waxy and more opaque
Product that is powdery and talc-based

56
Q

Oval face contour and highlight correction

A

Does not require much corrective application
Contour around the hairline and under the cheekbones
Highlight the center forehead, above cheekbones and center chin
(In most instances, the oval shape represents the ideal)

57
Q

Round face shape contouring and highlighting correction

A

Contour along sides to reduce face width
Highlight center to add vertical emphasis

58
Q

Square face shape contouring and highlighting correction

A

Contour to soften angularity
Contour area directly below cheekbones to reduce width; blend toward center of jawline
Highlight center of forehead and center of chin to elongate face

59
Q

Oblong (rectangle) face shape contouring and highlighting correction

A

Contour under chin and horizontally at hairline and temples to visually shorten face
Contour directly below cheekbones to add dimension to middle of face
Highlight horizontally to add visual width
Highlight and contour horizontal lines at eyebrow
Emphasize horizontal lines in eyebrow shape, cheek color, and lip shape to add width whenever possible

60
Q

Pear (trapezoid) face shape contouring and highlighting correction

A

Highlight forehead for visual width
Contour bottom of face to reduce width
Shade directly on or below cheekbones to contour natural fullness on sides of face and balance smaller forehead with larger jaw area

61
Q

Heart (triangle) face shape contouring and highlighting correction

A

Contour across forehead to minimize width
Avoid contouring lower part of this face shape; extended point of chin can be contoured if needed
Highlight jawline to visually add width

62
Q

Diamond face shape contouring and highlighting correction

A

Contour cheekbones to minimize width
Contour high points of forehead and extended portion of chin if needed
Highlight jaw and forehead to visually add width

63
Q

Correcting high or broad foreheads; visually shorten and visually reduce width

A

Shorten = contour along top of forehead

Reduce width = contour along outside edges to narrow forehead

64
Q

Correction techniques for enhancing almond eyes

A

Smudgy eyeliner application over entire upper and lower lids defines natural shape
Neutral shadow on lids into natural crease adds structure

65
Q

Correction techniques for small eyes (making look larger)

A

Use brighter colors and soft shaving on upper and lower lids; creates definition without closing eyes off
Contour above natural eyelid crease to leave eyelid free of shading: creates an open, spacious feeling

66
Q

Correction techniques for wide-set eyes to visually pull them closer to center of face

A

Use darker colors and eyeliners near inner corners (inner half) of the upper eyelid
Blend softly toward bridge of nose

67
Q

Correction techniques for close-set eyes to visually increase space between eyes

A

Use lighter eye shadow on inner part of upper eyelid
Use eyeliner on outer edges of top and bottom lids; extend lines outward; use darker eye shadow at outer part of upper eyelid; leave inner corners void of heavy color to create a lighter and brighter area with illusion of space
Extend outer edges of eyebrows to widen the appearance

68
Q

Correction techniques for deep-set eyes to bring eyes forward

A

Use light and bright shadows
Generally, requires very little contouring since they are already more recessed
Rich, colored eyeliners add definition
Eyeliner can be applied to midsection and extended outward on top and bottom

69
Q

Correction techniques for prominent/protruding eyes to create a flatter appearance

A

Use deeper and matte colors to contour protruding lid
Use deep eyeliner of same color on lower lids and tops of eyelids, connected at inner corners
Use shadow graded from dark at lids to light toward brow bone
Brow bone can be highlighted
Blend shadows in horizontal fashion

70
Q

Correction techniques for downturned eyes to visually lift outer eyes

A

Use darker shadows and eyeliners that move in an upward motion away from outer edges of eyes
Extend eyeliner on upper eyelid upward at outer corner
Connect eyeliner on top and bottom to lift drooping outer edges
Draw attention to inner eye with highlighter

71
Q

Correction techniques for mono-lid eyes to visually enhance crease area

A

Add a deep-colored eyeliner along base of lash line; increases thickness toward inner part of eye
Apply thicker eyeliner on lower lid at outer edges; gradually decrease thickness near inner part of lower lid
Apply a neutral contour color to inner corners of eye to just above iris to create dimension

72
Q

Correction techniques for hooded eyes to visually minimize hooded area

A

Use a medium shading color in inner-eyes area to make flashy areas of upper lids recede
Blend shading color into inner portion of eyebrows
Balance and add contour to outer portion of eyes by using a deep contouring shadow to push back outer edges and upper portion of hooded eyebrow skin
Line only outer edges of upper and lower eyelids

73
Q

Correction techniques to visually reduce width of a wide nose

A

Apply darker tone/shade alongside of nose
Apply thin line of highlighter down center of nose

74
Q

Correction techniques to visually lengthen short noses

A

Highlight from bridge down length of nose to tip

75
Q

Correction techniques to visually shorten long noses

A

Apply darker shade to top of nose

76
Q

Correction techniques to visually straighten uneven/crooked noses

A

Contour protruding side with slightly darker shade

77
Q

correction techniques to reduce a bump on nose

A

Apply darker shade over bump

78
Q

Correction techniques to minimize indentation on nose

A

Apply highlighter to indentation

79
Q

Correction techniques to reduce the appearance of nasolabial folds

A

Use concealer in this area that is one shade lighter than the natural skin color

80
Q

Correction techniques to create more dimension in undefined cheekbones

A

Apply highlighter over very top of cheekbone
Contour hollow under cheekbone where cheekbones naturally indent

81
Q

Correction techniques to minimize a full top lip

A

Line upper lip slightly inside natural shape
Highlight midsection of lower lip with color or gloss to create volume

82
Q

Correction techniques to minimize a full bottom lip and/or make top lip appear fuller

A

Bottom lip = line lower lip within natural lip line, more muted lip color; choose darker more muted color

Top lip = leave upper lip unlined o lined slightly outside natural lip line; use a lip color that is a shade or two lighter

83
Q

Correction techniques to minimize appearance of full lips

A

Outline just inside natural lip line
Choose darker more muted lip colors
Blend carefully within “new” lip line

84
Q

Correction techniques to create balance in uneven/asymmetrical lips

A

Build up areas that are uneven or not clearly defined using liner

85
Q

Correction techniques to make thin lips look fuller

A

Use brighter, lighter, and pearlized colors
Apply gloss for volume
Outline just outside natural lip lie with a soft curving line
Avoid darker colors which will make loops appear thinner
Extend curve of lower lip to balance shape of mouth
Build up curve of upper lip to balance shape of mouth

86
Q

Correction techniques to make a small mouth look larger

A

Build up outside edges of upper and lower lips
Lightly line outside natural lip line
Extend corners of mouth upward
Apply gloss for volume

87
Q

Correction techniques to minimize defined Cupid’s bow

A

Line upper lip by rounding off sharp peaks and widen curve of upper lip

88
Q

Correction techniques to invert downturned lips

A

Create line that extends just above natural fall of lips on outer corners

89
Q

Correction techniques to minimize width of a broad or square jaw

A

Contour along jaw and through sides of face with a darker color
Use deeper foundation than on the rest of the face to balance between upper and lower parts of face
Contour with a deeper shade from below the cheeks

90
Q

Correction techniques to recede a prominent chin

A

Contour prominent area with a darker shade
Blend underneath and onto neck
Apply shader to top of chin

91
Q

Correction techniques to accentuate a receding chin/jawline

A

Apply highlighter along jawline on and under chin

92
Q

Correction techniques to minimize a pointed chin

A

Contour with slightly darker color
Apply shader to prominent area

93
Q

Correction techniques to reduce appearance of a double chin

A

Contour heavier area with darker colors at midsection
Blend outward

94
Q

Correction techniques to add width to a thin neck

A

Apply highlighter to sides of neck

95
Q

Correction techniques to reduce width on a thick neck

A

Apply contour to sides of neck

96
Q

Strip lashes application and removal

A

Ensure adhesive reaches both ends of eyelash strip
Allow glue to get tacky
Have client look down and apply to lash line

Place gel pad on top of lower lashes
Ensure client keeps eyes closed

97
Q

Cluster lashes application and removal

A

Natural- use 4-5 clusters
Avoid overloading with adhesive
Have client look down slightly and apply ensuring symmetry between eyes

Gel pad under each eye on top of lower lashes
Ensure clients eyes are closed
Apply remover at base of lashes and move toward ends

98
Q

Eyebrow and lash tinting takes ~ how long

A

~30-40 min

99
Q

Eyebrow and lash tinting steps

A

Cleanse - remove makeup
Analyze - contraindications; assess direction of hair growth and brow color, density, and texture
Prepare skin - apply barrier along lash line or around brows and apply eye shields
Prepare tint - mix tint and developer
Apply tint - use disposable spoolie or angle brush
Process tint - lashes=10-12 min brows=5-10 min
Remove tint - use cotton swab/round and remove

Esthe (38 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2024 Bold Learning Solutions. Terms and Conditions