Art History "Early Renaissance" Flashcards

0
Q

Foreshortening

A

A method of drawing or painting an object or person that is not parallel to the picture plane

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1
Q

Tondo

A

A round-shapes painting

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2
Q

Comminssion

A

Order for the paintings and various artworks to be made

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3
Q

Patron

A

A wealthy and/or influential supporter of an artist or writer

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4
Q

Relief

A

A sculptural surface which is not freestanding, but projects from a background

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5
Q

Contrapposto

A

Technique of sculpting a human figure in a pose that shows the weight of the body on balance
The shoulders and hips counterbalance each other

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6
Q

Foreground

A

Part of the picture plane that appears closest to the viewer
Usually at the bottom of a picture

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7
Q

Middle ground

A

An area in a picture between the foreground and the background

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8
Q

Background

A

Part of the picture plane that appears farthest from the viewer

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9
Q

Allegory/Allegorical

A

Symbolic of truths or generalization about the human nature

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10
Q

Still-Life

A

A group of inanimate objects arranged to be painted or drawn; also, a painting or drawing of such an arrangement

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11
Q

View Finder

A

A piece of paper or poster board with an area cut from the middle

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12
Q

Cupola

A

A rounded convex roof on a circular base

A dome of small size

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13
Q

Baptistery

A

An area in which the Sacrament of Baptism is administered, either within an area of a church or as a separate building

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14
Q

Fresco

A

A method of painting in which pigments suspended in water are applied to a thin layer of wet plaster so that the plaster absorbs the color and the painting becomes part of the wall

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15
Q

Free-Standing

A

Refers to sculpture that can be viewed from all sides/angles; also called in-the-round

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16
Q

Linear Perspective

A

A system of drawing or painting to give the illusion of depth on a flat surface
All parallel lines receding into the distance are drawn to one or more imaginary vanishing points on the horizon in such a work

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17
Q

Aerial Perspective

A

A method of creating the illusion of distance by representing objects further away with less clarity of contour and in diminished color
Also called “atmospheric perspective”

18
Q

Portrait

A

The image of a person’s face, made of any sculptural material or any two-dimensional medium

19
Q

Landscape

A

A work of art that shows the features of the natural environment

20
Q

Filippo Brunelleschi

A

Designed the “crown jewel” of the Florentine landscape, the CUPOLA

21
Q

Cupola

A

140 feet in diameter

300 feet above the floor

22
Q

Lorenzo Ghiberti

A

Designed the doors for the north side of the baptistry of Florence

23
Q

Gates of Paradise

A

The doors that Ghiberti designed for the baptistry are called this
They use relief

24
Donatello
Greatest sculptor of his time
25
Medici
Donatello was closely intertwined with this family
26
What did "David" symbolize
The victory of the small and self-sufficient over the brute force of much larger opponents God's victory over evil and sin
27
What is significant about David
First life-size free-standing nude since ancient times
28
Masaccio
Used light as never before seen in a painting
29
Tribute Money
done by Masaccio | three-part yet one painting (tells three parts of one whole story)
30
Fra Angelico
Florentine master of LANDSCPAE painting
31
Guido di Piero
Fra Angelico's real name
32
Fra Angelico
painted the "Adoration of the Magi" which is a fresco painting and "The Annunciation"
33
Paolo Uccello
Made a linear diagram of a 72-sided polyhedron-(solid form made of planes faces)
34
The Battle of San Romano
Shown in the museums Ufizzi Louvre National
35
Peiro Della Francesca
Spent several years around 1439 in Florence studying the works of Massaccio, Fra Angelico, and Brunelleschi
36
Form from Massaccio Light from Fra Angelico Scientific Perspective from Brunelleschi
This is what Della Francesca learned from the three artists
37
Legend of the True Cross
Peiro painted this and it uses depth and precision
38
Sandro Botticelli
A master of delicate lines
39
Venus
Goddess of love
40
Spring
This symbolizes Christ, Baptism, and John the Baptist in "The Birth of Venus"
41
Andrea Mantegna
Master in FORM and ANATOMY
42
Dead Christ
Uses extreme foreshortening
43
Giovanni Bellini
Developed a richness of color and depth of value with OIL PAINTING unequaled in Italy at the time