Sensation and Perception 5 Flashcards
perception
method by which brain takes all sensations person experiences at any given moment and allows them to be interpreted in some meaningful fashion
some individually to it
cocktail party effect
ability to focus attention on a specific stimulus while filtering out a myriad of other stimuli
hear what is important to you and filter out (innate) what perceive as less important stimulus
size constancy
form of perceptual constancy
tendency to interpret object as always being the same size, regardless of distance from viewer or size of image casts on retina
shape constancy
tendency to interpret shape of object as constant, even when changes on retina
brightness constancy
tendency to perceive apparent brightness of object as same even when light conditions change
gestalt principles of perception
tendency to group objects and perceive whole shapes
following
prox, sim, clos, contin, contig, common region (later)
necker cube
problem = conflicting sets of depth cues, so viewer never sure which plane or edge in back and which in front
figure-ground relationships
tendency to perceive objects or figures as existing on a background
reversible figures
reversible figures
figure and ground seem to switch back and forth
proximity
tendency to perceive objects that are close to one another as part of same grouping
nearness
similarity
tendency to perceive things that look similar as being part of same group
closure
tendency to complete figures that are incomplete
continuity
tendency to perceive things as simply as possible with a continuous pattern rather than with a complex, broken up pattern
contiguity
tendency to perceive two things that happen close together in time as being related
first event seen as causing second
ventriloquy
common region
not one of original principles
palmer
tendency to perceive objects that are in a common area or region as being in a group
depth perception
capability to see world in three dimensions
present in infants at young age
cues for perceiving depth = monocular cues and binocular cues
visual cliff study
babies on table with pattern on half of top and bottom of other half, babies don’t want to go where pattern is on bottom, have some depth perception
gibson and walk
monocular cues
depth cue
use of only one eye
aka pictorial depth cues bc artists can use cues to give illusion of depth to paintings and drawings
linear perspective, relative size, overlap, aerial perspective, texture gradient, motion parallax, accommodation
binocular cues
depth cue
need both eye visual fields
convergene, binocular disparity
linear perspective
tendency for lines that are actually parallel to seem to converge on each other
people assume converging lines indicate ends of lines are great distance away from where people are
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relative size
size constancy
objects that people expect to be of a certain size appear to be small and are, therefore, assumed to be much farther away
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overlap
aka interposition
if one object seems to be blocking another object, people assume blocked object is behind first one and, therefore, farther away
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aerial (atmospheric) perspective
farther away object is, hazier the object will appear to be due to tiny particles of dust, dirt, and other pollutants in the air
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texture gradient
used by artists to give illusion of depth in painting
close things distinctly textured, but farther things = texture smaller and finer
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