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CPAR Quiz Flashcards

1
Q

Our ancestors often told stories about their hunt as most of them were hunter-gatherers. They imitated the movement of animals and prey, and the sounds they made.

A

Story telling

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2
Q

An example would be when they partitioned what they hunted and gathered and feasted on the fish they caught or the pig that they slew.

A

Performing RItuals

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3
Q

It marked the beginnings of literature. In time, they would learn to devise an alphabet and write stories about what they’ve hunted.

A

Oral Story telling

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4
Q

Imitation of the movements of the animals they’ve hunted.

A

Theater or Play Acting

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5
Q

Our ancestors learned to add drum beating and attach a rhythm to their movements

A

Music and Dance

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6
Q

A Ritual found in Batanes.

A

Mayvanuvanua

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7
Q

A ritual found in the Cordillera Autonomous Region which is officiated by a shaman or mumbaki, the ____ also involves anima sacrifice, where the entrails are read through a process of divination that is performed either for healing, to announce the birth of a child, or a coming of age during wakes, weddings, and burial ceremonies.

A

Kanyaw

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8
Q

A ritual in Lake Lanao in Mindanao to ensure abundance during rice planting and harvesting, which is still observed and performed. This ritual involves a reenactment of the pact made by the ancestors of the community and the unseen spirits that inhabit the lake.

A

Kashawing

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9
Q

Found in Palawan, this ritual believes that every thirteenth moon, three goddesses descend from heaven to bless the planting of rice. The shamans go into a trance amidst ritual chanting and dancing and are believed to be taken over by the goddesses themselves.

A

Tagbanwa

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10
Q

A three stringed guitar.

A

Kudyapi

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11
Q

An array of bossed gongs

A

Kulintang

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12
Q

The Flat Gong

A

Gansa

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13
Q

A Large Bossed Gong

A

Agong

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14
Q

A Dance from the Sulu Archipelago that is mimetic of the movement of Seabirds.

A

Pangalay

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15
Q

Imitates the movement of predatory birds.

A

Mandaya’s Kinabua, The banog-banog of the Higaonon, and the B’laan communities, and the man-manok of the Bagobos

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16
Q

A dance of the Ifugao which is used in courtship and is mimetic of the movements of the wild fowls

A

Talip dance

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17
Q

represent the comedic movements of monkeys.

A

Inamong and Kadaliwas

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18
Q

The popular Tagalog folk dance, which is often showcased for toursists, is evocative of the movements of the crane, balancing itself on stilt-like legs or flitting away from the clutches of the bamboo traps.

A

Tinikling

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19
Q

A carving from the people of Cordillera that is regarded as a granary god that plays an important role in rituals. The anthropomorphic _____ appears in containers, bowls, and spoons.

A

Bulul

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20
Q

A wooden bench from the Ifugaos that marks socioeconomic status of the owners.

A

Hagabi

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21
Q

Christianized communities in Laguna and Pampanga are known for carving sculptures of saints as well as other wooden sculptures of secular or non-religious orientations.

A

Santos

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22
Q

Curvilinear decorations in the Southern Philippines.

A

Okir/Ukil

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23
Q

Sensous figures sometimes painted in primary colors follow their basic designs.

A

Sarimanok, Naga Pako Rabong

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24
Q

Discovered in the Manunggul Cave, Lipuun Point, Palawan, is dated to the late Neolithic Period (890 – 710 B.C.). It is a secondary burial vessel, where buried and exhumed bones are placed.

A

Manunggul Jar

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25
Q

Featured representations of various ethnolinguistic groups in the 16th Century. An upper class Tagalog couple was portrayed wearing gold jewelry while the Visayans are shown as “Islas de los Pintados”.

A

Boxer Codex

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26
Q

The design is achieved through a special technique of metal casting process which involves the use of moulds filled with liquefied metal that eventually hardens.

A

Lost Wax or Cire Perdue

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27
Q

A vessel used for pouring liquids. It has a round body with no handle, while the gadur is a container with tapered top, a round body, and a flared base.

A

Kendi

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28
Q

Unity of God
This believe emphasizes the impermanence of nature and the incomprehensible greatness of the divine Being

A

Tahwid

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29
Q

2 Aspects of Tahwid

A

1 - The object perceived by the ordinary sense.
2 - The sense of nothingness, a space or a void empty of all things, to evoke that God is above and beyond all things.

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30
Q

Example of architecture (Philippine Muslims)

A

Mihrab or Qibla

31
Q

The dome tells us about how the order of the universe is imagined.

A

The Great Mosque of Mecca

32
Q

Symbolizes the spirit

A

Octagonal Base

33
Q

Refers to the earth or material world

A

Four sided main base

34
Q

Located in the courtyard, a black shrine believed to be built by the Prophet Muhammad himself.

A

Ka’bah

35
Q

The direction that should be faced when a Muslim prays

A

Qiblah

36
Q

Serves the function of ablution, or cleansing before one enters the sacred space of the Mosque.

A

Fountain

37
Q

Decorations found in Tausug and Sama houses, traditional boats, weapons, sunduk or gravemakers.

A

Ukkil or Okkir

38
Q

Inclined to project, grow, or have an upward orientation, in tune with the regard for heaven and to veer from the ‘material world’

A

Sakili

39
Q

A place where natives were relocated, became a means of organizing and gaining control of the native complex.

A

Plaza Complex

40
Q

Designed according to the prescriptions of the government office and the church.
Designed according to the prescriptions of the crown.

A

Municipio

41
Q

Established its importance in people’s lives through its imposing scale and overall visual appeal.

A

Church

42
Q

Follows the shape of how the Latin cross were built.

A

Cruciform Church

43
Q

Characterized as grandeur, drama, and elaborate details that purposely appealed the emotions.

A

Baroque style Churches

44
Q

The façade features St. Christopher surrounded by reliefs or relieves having tropical motifs like palm fronts and papaya trees.

A

Miag-ao Church

45
Q

Example of Baroque styled Churches

A

San Agustin Church (Manila)
Morong Church (Rizal)
Paoay Church (Ilocos Norte)
Sto. Tomas de Villanueva Church (Miag-ao, Iloilo)

46
Q

as it is sometimes called —or the biblical narration of Christ’s passion chanted in an improvised melody

A

pasyon/pabasa

47
Q

These were musical forms that were chanted stories based on European literature. (Christian communities of Pampanga, Ilocos, Bicol, and Iloilo)

A

awit and corrido

48
Q

usually spoke of resignation and fatalism

A

kundiman

49
Q

used to compose short poems that tell of courtship and other emotional concerns.

A

Baybayin

50
Q

-was an operetta which features singing and dancing interspersed with prose dialogue which allowed the story to be carried out in song.

A

Zarzuela or sarsuwela

51
Q

play was written in 1704 by Gaspar Aquino de Belen. It is about Christ’s passion and death on the cross, adapted into verse form and translated into the local language. It is performed during Lent and in some cases, may last for three days.

A

Senakulo or Passion

52
Q

is another local theater form that emerged during this period

A

komedya

53
Q

In the visual arts, paintings served an instructive function through visual interpretation of biblical texts central to Catholic devotion. An example is

A

Heaven, Earth, and Hell (1850), a mural by Jose Dans in Paete Church, Laguna

54
Q

was printed in 1593 in Spanish and in Tagalog by Dominican priests. ___________ is the first printed book in the Philippines compiling song lyrics, commandments, sacraments, and other catechetical material.

A

Doctrina Christiana (The Teachings of Christianity)

55
Q

is the first scientific map of the Philippines by Fr. Pedro Murillo Velarde ,Francisco Suarez and Nicolas de la Cruz Bagay

A

Carta Hydrographica y Chorographica de las Yslas Filipinas, (1734)

56
Q

extensive compilation of Philippine plants by Augustinian botanist Fr. Manuel Blanco

A

Flora de Filipinas in 1878

57
Q

the magnificent interior of the family’s home, the mother’s jewelry, the delicate fabric and embroidery of their clothing, and their dignified poses.

A

Portrait of the Quiazon Family, by Simon Flores (1800)

58
Q

which features a woman teaching a child how to read

A

Primeras Letras, 1890

59
Q

“genius knows no country’’-

A

Jose Rizal

60
Q

eaturing two women ascending a flight of stairs. Personified by a woman in a flowing red gown, Mother Spain patronizingly leads her charge, a petite brown-skinned woman representing Filipinas, the duo presumably making their way toward the path of enlightenment.

A

España y Filipinas, 1886

61
Q

which originated from France, was another form of theater which the Americans introduced that became popular in the Philippines during the 1920s.

A

Vaudeville

62
Q

It’s a collection of slapstick, songs, dances, acrobatics, comedy skits, chorus girls, magic acts, and stand-up comic acts would be known locally as

A

bodabil

63
Q

The most well-known proponent of Modern Art in painting was

A

Victorio Edades

64
Q

is known for his magisterial murals, particularly, Filipino Struggles Through History 1964

A

National Artist Carlos “Botong” V. Francisco and Galo Ocampo. “Botong” Francisco

65
Q

which sets the mother and child in a native, tropical environment

A

Brown Madonna 1938

66
Q

which portrays a group of women harvesting fruits in a field. At the center of the painting is a papaya tree and heavenly beings hovering from above

A

Mother Nature’s Bounty Harvest

67
Q

If art was strictly policed during the Second World War, it brings us little surprise that _________ paintings, many of which showed little or no indication of war’s atrocities, continued to be favored.

A

Amorsolo’s paintings

68
Q

consists of the image of two women with emaciated bodies, their forlorn faces set against a dark background capturing the dreariness of poverty.

A

Manansala’s The Beggars, 1952

69
Q

paintings are characterized by transparent cubism, a style marked by the soft fragmentation of figures using transparent planes instead of hard-edged ones

A

Manansala

70
Q

discussed Lesson 1 is a distinct figurative work which exposes dire human conditions amid the backdrop of modernity.

A

HR Ocampo’s The Contrast, 1940

71
Q

is more recognized however, for his paintings that combine geometric and biomorphic shapes with vibrant colors.

A

Ocampo

72
Q

What was typical of Arturo Luz’s works is the use of stark _____________as seen in Street Musicians,1952 which pared down the figures into lines and basic shapes.

A

linear elements

73
Q

who took her art studies at the UP, in the United States, and in Spain, is known for her canvases filled with circles and cell-like forms.

A

Nena Saguil

74
Q

is a form of protest art that exposed the sociopolitical issues and struggles of the times.

A

Social Realism

Reviewer (50 decks)

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