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2C - BSN - SEM 1 > PE - MIDTERMS > Flashcards

PE - MIDTERMS Flashcards

1
Q

The traditional recreational dance of an indigenous
society showing the cultural characteristics of a specific
people at a given time and place.

A

FOLK DANCE

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2
Q

Traditional, social expression through movements with
rhythmic accompaniment which are characteristics of the
community life of the people of different nationalities.

A

FOLK DANCE

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3
Q

 To foster patriotism and nationalism through the study of
our dance.
 To arouse better appreciation of Philippine music and folk
dances.
 To provide through dancing, a healthful form of relaxation
and recreation.
 To develop a graceful and rhythmic coordination of body
movements that will improve posture.
 To preserve for posterity, folk dances and music
indigenous to the different regions of the Philippines.
 To demonstrate the growth of Filipino culture through the
evolution of Philippine dances.

A

OBJECTIVES IN FOLK DANCE

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4
Q

These are dances of the kalingas,
ifugaos and other ethnolinguistic groups of the cordillera
mountains. They are known for their distinct costumes such as
g-strings and tapis and grounded movements which is a
reflection of their daily routine.

A

CORDILLERA DANCES

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5
Q

5 GONGS AND GANGSA (BBUTP)`

A

BANGA
BENDIYAN
UYAOY
TURAYEN
PATTONG

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6
Q

BANGA
BENDIYAN

A

KALINGA
BENGUET

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7
Q

UYAOY
TURAYEN
PATTONG

A

IFUGAO
APAYAO
BONTOC

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8
Q

5 CLASSIFICATION OF PH FOLK DANCE

A

CORDILLERA
SPANISH-INFLUENCED
MUSLIM
TRIBAL
RURAL

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9
Q

These dances are a
reflection of Spanish culture merged with that of ours. From
the costumes alone, you can really tell whether it’s aSpanishinfluenced Folk Dance or not. Males wear barongtagalogandfemales wear the maria clara of different elaboratedesigns.

EX. JOTA

A

SPANISH INFLUENCED DANCES

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10
Q

These are dances of the exoticsouthernpart of the country. They mirror the character andcolorfulculture of Muslims as seen in their discrete expressionandbrightly colored silk Costume.

 Influenced by Malay, Javanese & Middle
 Eastern Traders (Islam)
 Mysticism, royalty, and beauty
 Uses intricate hand & arm movement
 The fingers express feelings & emotions
 Uses shimmering costumes

EX:
SINGKIL (MINDANAO)
PANGALY (SULU)

A

MUSLIM DANCES

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10
Q

These dances are of tribal origin. They reflect the culture and ways of a specific tribal group in any point of the country. They may be from Luzon, Visayas and Mindanao

 Intricate craftsmanship in metal, clothing, and Jewelry
 Reflects rituals & animals, belief in “spirits” & shamans, nature - “anito

EX:
KADAL TAHAW (SOUTH COTABATO)
BANGKAKAW (ZAMBALES)

A

TRIBAL DANCES

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11
Q

These are dance which reflect the true spirit and character of the Filipino people. They wear peasant occupational costumes but reflect in their movements activities of fishing, farming, courtship and merrymaking. Some mimic movements of animals like birds, fish and others.

EX:
a) Maglalatik (Binan)
b) Saut Sa Rarug (Sulu Archipelago)

A

RURAL DANCES

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12
Q
  • traditional dances throughout the
    Philippines with a common basic movement or pattern but
    with slight variations

Examples:
Carinosa Kuratsa Balitaw
Rigodon Pandango Surtido

A

NATIONAL DANCES

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13
Q

THE PHILIPPINE FOLK DANCES ARE CLASSIFIED ACCORDING TO:

A
  1. GEOGRAPHICAL LOCATIONS
  2. NATURE OF THE DANCE
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13
Q

dances found in certain localities
or regions only

Examples:
Alcamfor (Leyte)
Maglalatik (Binan)
Basulto (Pampanga)

A

LOCAL OR REGIONAL DANCES

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14
Q

GEOGRAPHICAL LOCATION HAVE 2 TYPES

A

NATIONAL
LOCAL OR REGIONAL

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15
Q

Pagtatanim Paggapas Paggiik
Paglulugas Paghangin Pagbabayo

the largest number of dances

A

RICE FESTIVAL

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15
Q

9 NATURES OF DANCES
(ORCWFWCGS)

A

OCCUPATIONAL
RELIGOUS/CEREMONIAL
COURTSHIP
WEDDING
FESTIVAL
WAR
COMIC
GAME
SOCIAL

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16
Q

dances that depict actions, characteristics, occupations, industries, and phases of human
labor.

A

OCCUPATIONAL D

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17
Q
  • depicts the stages of gold panning.
A

PABIRIK

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18
Q

tuba gathere

A

MANANGUETE

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19
Q

performed in connection
with religious vows, practices, and ceremonies. A religious
dance may be performed to drive awayevil spirits, ask for a
favor to have a child, give thanks for having recovered from
sickness, favors granted and vows fulfilled.

Examples:
Obando Dugso Sinurog

A

RELIGIOUS/CEREMONIAL

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19
Q

dances that depict love-making or the love theme.

Examples:
Rogelia Lulay Hele-Hele Bago Quiere

A

COURTSHIP D

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20
Q
  • performed by newly weds, by friends and
    relatives of the bride and groom, or by the father of the bride
    and the mother of the groom. Examples:
    PANTOMINA (BRIDE AND GROOM)
A

WEDDING D

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21
Q

(bride and groomand friends or relativesofeach side

A

PANDANG PANDANG

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22
Q

(dance by the parents of the future groom, thevisitofthe parents of the bride)

A

SORYANO

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23
Q

performed in connection withcelebrations,a feast, a barrio fiesta, good harvest and good fortune.

Examples:
Kuratsa La Jota Putong

A

FESTIVAL D

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24
Q

intended to show imaginary combat orduelwith the use of fighting implement like bolo, kris or spear.

Examples:
Inabaknon Sagayan

A

WAR D

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25
Q
  • dances with funny and humorous movements mainly intended for entertainment
A

COMIC D

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26
Q

MOVEMENTS OF A MONKEY

A

MAKONGGO

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27
Q

MOVEMENTS OF PERSON BITTEN BY ANTS

A

KINOTON

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28
Q

dances that have some play elemetsandarefor recreational purposes.

Examples:
Lubi-Lubi Gayong-Gayong Pabo

A

GAME DANCE

29
Q

dances performed during social gathering. Examples:
Rigodon Lanceros

A

SOCIAL DANCES

30
Q

CLASSIFICATION OF GROUP DANCES

A

CORDILLERA
MINDANAO

31
Q

acronym for Bontoc, Ifugaos, Benguets, Apayao,Kalinga, Itneg, Ilonggot, and Gaddang.

32
Q

occasions for the presentation of Cordillera dances. Classification: ceremonial, courtship, war, festival; imitative in nature.

A

PESHITS & KANYAO

33
Q

flirtation, love or wedding, dance from Western Bontoc

34
Q

danced by one or two warriors

35
Q

from Lagawe Ifugao, it Is a dance festival
performed by men and women during a major feast.

36
Q

among the Benguets, dance imitating the
“woodpeckers”

37
Q

VICTORY DANCE

38
Q

among the Apayaos, dance imitating a high
flying bird.

38
Q

A KALINGGA WORD FOR DANCE

39
Q

a work dance of Kalingga women they carry
baskets on their heads or sometimes layered claypots.

A

RAGRAGSAKAN

40
Q

victory dance performed after a head-hunting
spree.

40
Q

among Maranao, is danced with the use of a
beautifully decorated umbrella

A

KAKULANGAN

41
Q

Dances have touches of Hindu, Javanese, Chinese, and
Arab-Persian culture.

A

DANCES OF MINDANAO GROUPS

42
Q

FUNDAMENTAL DANCE POSITION

A

FUNDAMENTAL DANCE POSITION

42
Q

is a war dance which dramatizes the
hero-warrior prince.

43
Q

A DOLL DANCE FOR GIRLS

44
Q

■ Integral to rituals with Hindu, Japanese,
Chinese, and Arab-Persian influences.
■ Features agongs, kulingtang, bamboo
xylophones, and drums.

A

NON-CHRISTIAN FILIPINO DANCES

45
Q

Includes stylized movements influenced
by Islamic culture.

A

MUSLIM GROUP

46
Q

■ Focused on foot movements, with
simple and free arm gestures.
■ Uses bamboo sticks, clappers, and
native instruments.
■ Types include ritual, courtship, animal,
game, and war dances.

A

AETAS OR NEGRITOS

47
Q

○ Influenced by Spanish colonization and
European culture (e.g., waltz, mazurka,
jota).

A

CHRISTIAN AND LOWLAND FILIPINO DANCES

48
Q

A courtship dance using fans
or handkerchiefs, symbolizing flirtation.

49
Q

The national dance of the
Philippines, involving bamboo poles and
showcasing rhythm and agility.

50
Q

Three racial groups shaped dance even before
Magellan’s arrival in 1521.

A

(Pygmies, Indonesians,
Malays)

51
Q

Early dances were mostly __________,
depicting daily life activities.

A

PANTOMIMIC

52
Q

HIGHEST FORM OF KANYAW

53
Q

TERM FOR FEAST

54
Q

A general term for a feast
celebrated by the Igorot people,
involving community gatherings for
social and spiritual purposes.

55
Q

Shows traces of
Hindu-Vedic influence and depicts the
sounds of the gandingan (a type of
drum).

A

SILONG SA GANDING

56
Q

From Jolo, Sulu,
showcasing various life activities.

57
Q

A dance for noble Samal
women

58
Q

A martial arts dance in the
Mindanao tradition.

A

BURONG TALO

59
Q

Mimics the movements of a
fish.

60
Q

A Manobo dance depicting
the movements of a hawk.

61
Q

The Westernization of Filipino culture
brought new dance forms, incorporating
styles like the pandango, habanera,
jota, valse, and rigodon.

A

SPANISH/EUROPEAN/WESTERN INFLUENCED

62
Q

A dance for
married couples from Botolan,
Zambales.

A

HABANERA BOTOLENA

63
Q

A festival dance
from Bicol, portraying a happy and
contented life.

A

PANDANGO RINCONADA

64
Q

Informal, light dances representing the
lifestyle of farmers and rural
communities.

A

DANCES FROM COUNTRYSIDE

65
Q

A dance requiring skillful
balancing of wine glasses.

66
Q

Performed during Easter Sunday.

67
Q

A GAME DANCE

A

GAYONG GAYONG

68
Q

A Pangasinan dance that
incorporates sticks, showing Chinese
influence .

A

BINISLAKAN

69
Q

A Tiboli dance imitating
bird movements.

A

KADAL BLELAH

70
Q

A COURTSHIP DANCE

A

KARASAGUYON

71
Q

Represents a bird in the
forest..

A

KADAL TAJO

72
Q

Dance contributes to fitness, joy,
satisfaction, coordination, and
self-expression.

A

IMPORTANCE OF DANCE

2C - BSN - SEM 1 (50 decks)

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