PE - MIDTERMS Flashcards

1
Q

The traditional recreational dance of an indigenous
society showing the cultural characteristics of a specific
people at a given time and place.

A

FOLK DANCE

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2
Q

Traditional, social expression through movements with
rhythmic accompaniment which are characteristics of the
community life of the people of different nationalities.

A

FOLK DANCE

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3
Q

 To foster patriotism and nationalism through the study of
our dance.
 To arouse better appreciation of Philippine music and folk
dances.
 To provide through dancing, a healthful form of relaxation
and recreation.
 To develop a graceful and rhythmic coordination of body
movements that will improve posture.
 To preserve for posterity, folk dances and music
indigenous to the different regions of the Philippines.
 To demonstrate the growth of Filipino culture through the
evolution of Philippine dances.

A

OBJECTIVES IN FOLK DANCE

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4
Q

These are dances of the kalingas,
ifugaos and other ethnolinguistic groups of the cordillera
mountains. They are known for their distinct costumes such as
g-strings and tapis and grounded movements which is a
reflection of their daily routine.

A

CORDILLERA DANCES

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5
Q

5 GONGS AND GANGSA (BBUTP)`

A

BANGA
BENDIYAN
UYAOY
TURAYEN
PATTONG

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6
Q

BANGA
BENDIYAN

A

KALINGA
BENGUET

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7
Q

UYAOY
TURAYEN
PATTONG

A

IFUGAO
APAYAO
BONTOC

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8
Q

5 CLASSIFICATION OF PH FOLK DANCE

A

CORDILLERA
SPANISH-INFLUENCED
MUSLIM
TRIBAL
RURAL

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9
Q

These dances are a
reflection of Spanish culture merged with that of ours. From
the costumes alone, you can really tell whether it’s aSpanishinfluenced Folk Dance or not. Males wear barongtagalogandfemales wear the maria clara of different elaboratedesigns.

EX. JOTA

A

SPANISH INFLUENCED DANCES

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10
Q

These are dances of the exoticsouthernpart of the country. They mirror the character andcolorfulculture of Muslims as seen in their discrete expressionandbrightly colored silk Costume.

 Influenced by Malay, Javanese & Middle
 Eastern Traders (Islam)
 Mysticism, royalty, and beauty
 Uses intricate hand & arm movement
 The fingers express feelings & emotions
 Uses shimmering costumes

EX:
SINGKIL (MINDANAO)
PANGALY (SULU)

A

MUSLIM DANCES

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10
Q

These dances are of tribal origin. They reflect the culture and ways of a specific tribal group in any point of the country. They may be from Luzon, Visayas and Mindanao

 Intricate craftsmanship in metal, clothing, and Jewelry
 Reflects rituals & animals, belief in “spirits” & shamans, nature - “anito

EX:
KADAL TAHAW (SOUTH COTABATO)
BANGKAKAW (ZAMBALES)

A

TRIBAL DANCES

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11
Q

These are dance which reflect the true spirit and character of the Filipino people. They wear peasant occupational costumes but reflect in their movements activities of fishing, farming, courtship and merrymaking. Some mimic movements of animals like birds, fish and others.

EX:
a) Maglalatik (Binan)
b) Saut Sa Rarug (Sulu Archipelago)

A

RURAL DANCES

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12
Q
  • traditional dances throughout the
    Philippines with a common basic movement or pattern but
    with slight variations

Examples:
Carinosa Kuratsa Balitaw
Rigodon Pandango Surtido

A

NATIONAL DANCES

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13
Q

THE PHILIPPINE FOLK DANCES ARE CLASSIFIED ACCORDING TO:

A
  1. GEOGRAPHICAL LOCATIONS
  2. NATURE OF THE DANCE
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13
Q

dances found in certain localities
or regions only

Examples:
Alcamfor (Leyte)
Maglalatik (Binan)
Basulto (Pampanga)

A

LOCAL OR REGIONAL DANCES

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14
Q

GEOGRAPHICAL LOCATION HAVE 2 TYPES

A

NATIONAL
LOCAL OR REGIONAL

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15
Q

Pagtatanim Paggapas Paggiik
Paglulugas Paghangin Pagbabayo

the largest number of dances

A

RICE FESTIVAL

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15
Q

9 NATURES OF DANCES
(ORCWFWCGS)

A

OCCUPATIONAL
RELIGOUS/CEREMONIAL
COURTSHIP
WEDDING
FESTIVAL
WAR
COMIC
GAME
SOCIAL

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16
Q

dances that depict actions, characteristics, occupations, industries, and phases of human
labor.

A

OCCUPATIONAL D

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17
Q
  • depicts the stages of gold panning.
A

PABIRIK

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18
Q

tuba gathere

A

MANANGUETE

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19
Q

performed in connection
with religious vows, practices, and ceremonies. A religious
dance may be performed to drive awayevil spirits, ask for a
favor to have a child, give thanks for having recovered from
sickness, favors granted and vows fulfilled.

Examples:
Obando Dugso Sinurog

A

RELIGIOUS/CEREMONIAL

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19
Q

dances that depict love-making or the love theme.

Examples:
Rogelia Lulay Hele-Hele Bago Quiere

A

COURTSHIP D

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20
Q
  • performed by newly weds, by friends and
    relatives of the bride and groom, or by the father of the bride
    and the mother of the groom. Examples:
    PANTOMINA (BRIDE AND GROOM)
A

WEDDING D

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21
(bride and groomand friends or relativesofeach side
PANDANG PANDANG
22
(dance by the parents of the future groom, thevisitofthe parents of the bride)
SORYANO
23
performed in connection withcelebrations,a feast, a barrio fiesta, good harvest and good fortune. Examples: Kuratsa La Jota Putong
FESTIVAL D
24
intended to show imaginary combat orduelwith the use of fighting implement like bolo, kris or spear. Examples: Inabaknon Sagayan
WAR D
25
- dances with funny and humorous movements mainly intended for entertainment
COMIC D
26
MOVEMENTS OF A MONKEY
MAKONGGO
27
MOVEMENTS OF PERSON BITTEN BY ANTS
KINOTON
28
dances that have some play elemetsandarefor recreational purposes. Examples: Lubi-Lubi Gayong-Gayong Pabo
GAME DANCE
29
dances performed during social gathering. Examples: Rigodon Lanceros
SOCIAL DANCES
30
CLASSIFICATION OF GROUP DANCES
CORDILLERA MINDANAO
31
acronym for Bontoc, Ifugaos, Benguets, Apayao,Kalinga, Itneg, Ilonggot, and Gaddang.
BIBAKIIG
32
occasions for the presentation of Cordillera dances. Classification: ceremonial, courtship, war, festival; imitative in nature.
PESHITS & KANYAO
33
flirtation, love or wedding, dance from Western Bontoc
TAKIK
34
danced by one or two warriors
PATTONG
35
from Lagawe Ifugao, it Is a dance festival performed by men and women during a major feast.
DINUYYA
36
among the Benguets, dance imitating the “woodpeckers”
TAREKTEK
37
VICTORY DANCE
BENDIAN
38
among the Apayaos, dance imitating a high flying bird.
TURAYEN
38
A KALINGGA WORD FOR DANCE
TADECK
39
a work dance of Kalingga women they carry baskets on their heads or sometimes layered claypots.
RAGRAGSAKAN
40
victory dance performed after a head-hunting spree.
TAKILING
40
among Maranao, is danced with the use of a beautifully decorated umbrella
KAKULANGAN
41
Dances have touches of Hindu, Javanese, Chinese, and Arab-Persian culture.
DANCES OF MINDANAO GROUPS
42
FUNDAMENTAL DANCE POSITION
FUNDAMENTAL DANCE POSITION
42
is a war dance which dramatizes the hero-warrior prince.
SAGAYAN
43
A DOLL DANCE FOR GIRLS
ASIK
44
■ Integral to rituals with Hindu, Japanese, Chinese, and Arab-Persian influences. ■ Features agongs, kulingtang, bamboo xylophones, and drums.
NON-CHRISTIAN FILIPINO DANCES
45
Includes stylized movements influenced by Islamic culture.
MUSLIM GROUP
46
■ Focused on foot movements, with simple and free arm gestures. ■ Uses bamboo sticks, clappers, and native instruments. ■ Types include ritual, courtship, animal, game, and war dances.
AETAS OR NEGRITOS
47
○ Influenced by Spanish colonization and European culture (e.g., waltz, mazurka, jota).
CHRISTIAN AND LOWLAND FILIPINO DANCES
48
A courtship dance using fans or handkerchiefs, symbolizing flirtation.
CARINOSA
49
The national dance of the Philippines, involving bamboo poles and showcasing rhythm and agility.
TINIKLING
50
Three racial groups shaped dance even before Magellan’s arrival in 1521.
(Pygmies, Indonesians, Malays)
51
Early dances were mostly __________, depicting daily life activities.
PANTOMIMIC
52
HIGHEST FORM OF KANYAW
PESHITS
53
TERM FOR FEAST
IBALOY
54
A general term for a feast celebrated by the Igorot people, involving community gatherings for social and spiritual purposes.
KANYAW
55
Shows traces of Hindu-Vedic influence and depicts the sounds of the gandingan (a type of drum).
SILONG SA GANDING
56
From Jolo, Sulu, showcasing various life activities.
PANG-ALAY
57
A dance for noble Samal women
MAGLANKA
58
A martial arts dance in the Mindanao tradition.
BURONG TALO
59
Mimics the movements of a fish.
PINDULAS
60
A Manobo dance depicting the movements of a hawk.
BINANOG
61
The Westernization of Filipino culture brought new dance forms, incorporating styles like the pandango, habanera, jota, valse, and rigodon.
SPANISH/EUROPEAN/WESTERN INFLUENCED
62
A dance for married couples from Botolan, Zambales.
HABANERA BOTOLENA
63
A festival dance from Bicol, portraying a happy and contented life.
PANDANGO RINCONADA
64
Informal, light dances representing the lifestyle of farmers and rural communities.
DANCES FROM COUNTRYSIDE
65
A dance requiring skillful balancing of wine glasses.
BINASUAN
66
Performed during Easter Sunday.
BATI
67
A GAME DANCE
GAYONG GAYONG
68
A Pangasinan dance that incorporates sticks, showing Chinese influence .
BINISLAKAN
69
A Tiboli dance imitating bird movements.
KADAL BLELAH
70
A COURTSHIP DANCE
KARASAGUYON
71
Represents a bird in the forest..
KADAL TAJO
72
Dance contributes to fitness, joy, satisfaction, coordination, and self-expression.
IMPORTANCE OF DANCE