PE - W2 - FOLK DANCE DEF

Question 1

(1) THE TRADITIONAL RECREATIONAL DANCE OF AN INDIGENOUS SOCIETY SHOWING THE CULTURAL CHARACTERISTICS OF A SPECIFIC PEOPLE AT GIVEN TIME AND PLACE.

Answer 1

FOLK DANCE

Question 2

FOLK DANCE IS

Answer 2

(1) THE TRADITIONAL RECREATIONAL DANCE OF AN INDIGENOUS SOCIETY SHOWING THE CULTURAL CHARACTERISTICS OF A SPECIFIC PEOPLE AT GIVEN TIME AND PLACE.

Question 3

(2) TRADITIONAL, SOCIAL EXPRESSION THROUGH MOVEMENTS WITH RHYTHMIC ACCOMPANIMENT WHICH ARE CHARACTERISTICS OF SOME COMMUNITY LIFE OF THE PEOPLE OF DIFFERENT NATIONALITIES.

Answer 3

FOLK DANCE

Question 4

(2) TRADITIONAL, SOCIAL EXPRESSION THROUGH MOVEMENTS WITH RHYTHMIC ACCOMPANIMENT WHICH ARE CHARACTERISTICS OF SOME COMMUNITY LIFE OF THE PEOPLE OF DIFFERENT NATIONALITIES.

Answer 4

FOLK DANCE

Question 5

FOLK DANCE (3)

Answer 5

(3) THE VIVID INTIMATE BOND OF CUSTOMS, IDEALS, AND TRADITIONS OF THE PAST THROUGH WHICH A MULTITUDE OF NATIONAL CHARACTERISTIC IN MUSIC, STEPS, AND COSTUMES ARE PRESERVED.

Question 6

(3) THE VIVID INTIMATE BOND OF CUSTOMS, IDEALS, AND TRADITIONS OF THE PAST THROUGH WHICH A MULTITUDE OF NATIONAL CHARACTERISTIC IN MUSIC, STEPS, AND COSTUMES ARE PRESERVED.

Answer 6

FOLK DANCE

Question 7

(4) A DANCE DEVELOPED SPONTANEOUSLY AND NATURALLY BY SPECIFIC FOLK, USUALLY HANDED DOWN FROM GENERATION TO GENERATION AND FOLLOWING A FIXED BASIC PATTERNS.

Answer 7

FOLK DANCE

Question 8

FOLK DANCE (4)

Answer 8

(4) A DANCE DEVELOPED SPONTANEOUSLY AND NATURALLY BY SPECIFIC FOLK, USUALLY HANDED DOWN FROM GENERATION TO GENERATION AND FOLLOWING A FIXED BASIC PATTERNS.

Question 9

ORIGIN OF DANCE IN THE PHILIPPINES ACCORDING TO FILIPINO LEGEND

Answer 9

ACCORDING TO PHILIPPINE LEGEND, THE FIRST MAN AND THE FIRST WOMAN WENT UP TO THE HILL TO MAKE THEIR FIRST HOME. THEY BEGOT MANY CHILDREN AND LATER BECAME THE ANCESTORS OF DIVERSE TRIBES.

Question 10

THE ETHNIC DANCES OF THE PHILIPPINES ARE CLASSIFIED INTO TWO MAJOR CATEGORIES:

Answer 10

THE DANCE OF THE NON-CHRISTIAN FILIPINOS.

THE DANCES OF THE CHRISTIAN AND LOWLAND FILIPINOS OR WESTERN-INFLUENCED.

Question 11

2 THE DANCE OF THE NON-CHRISTIAN FILIPINOS.

Answer 11

DANCES OF THE TRADITIONALIST OR “PAGAN” GROUPS.

DANCE OF THE MUSLIM GROUPS

Question 12

often integral to their rituals and cultural practices.

Answer 12

DANCES OF THE TRADITIONALIST OR “PAGAN” GROUPS

Question 13

HAVE CULTURAL INFLUENCE FROM HINDU, JAPANESE, CHINESE AND ARAB-PERSIAN CIVILIZATIONS

ARE ORIENTAL, EXOTIC AND STYLIZED

THE MUSICAL INSTRUMENTS ARE AGONGS, KULINGTANG, BAMBOO XYLOPHONES AND DRUMS.

Answer 13

DANCE OF THE MUSLIMS

Question 14

THEY ARE FOCUSED ON THE FEET.
THE ARM MOVEMENTS ARE SIMPLE AND FREE.
MUSICAL INSTRUMENTS INCLUDE BAMBOO AND WOODEN STICKS, CLAPPERS, SHEILDS AND NATIVE LUTES (kudyapi, kettle drums, mass metal drums, bronze gongs.)

Answer 14

DANCES OF THE AETAS OR NEGRITOS

Question 15

DANCES OF THE AETAS OR NEGRITOS ARE: (6)

Answer 15

DANCE ARE:
1. RITUALS 6. DUEL OR WAR DANCE
2. FLIRTATION
3. COURTSHIP
4. GAME DANCE
5. ANIMAL DANCE

Question 16

dances coming from places with Western influences such as that of the Tagalogs, Ilokanos, Pampangueños, Pangasinense, Bisayans, and Bicolonas. Thee dances are influenced by Hispanic and European cultures.

Answer 16

LOWLANG CHRISTIAN DANCES

Question 17

The Spanish colonization of the Philippines brought many ____________________ including religion, social customs, dress, dance and music. European dances like the waltz, mazurka, the Spanish jota, paso doble, fandango and others were transformed to suit the climate and the temperament of the people.

Answer 17

Western influences

Question 18

DANCE ARE SAVAGE, VIGOROUS AND MIMETIC IN CHARACTER.
SOME ARE LIGHT-HEARTED AND MIMETIC.
SOME ARE PERFORMED WITHOUT MUSIC OR MELODIC ACCOMPANIMENT.

Answer 18

WESTERN - INFLUENCED