Crossfit Level 1 - DEADLIFT - Nine Foundational Movements (Movement Guide) Flashcards

1
Q

The deadlift is the foundation to what?

A

All pulling lifts.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What is the setup for the DEADLIFT?

A

-hip to shoulder width stance
-hands just outside hips
-eyes on horizon
-full grip on bar
-shoulders slightly in front of or over bar
-arms straight and in contact with the shins

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

What is the execution of the deadlift?

A

-lumbar curve maintained
-hips and shoulder rise at the same rate until the bar passes the knee
-hips then open
-bar moves over the middle of the foot
-heels down

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What is the finish of the DEADLIFT?

A

-complete at full hip and knee extension

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What fault is displayed here?

A

-loss of lumbar curve due to flexion of the spine

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What corrections can you give to the fault (loss of lumbar curve) displayed here?

A

Corrections:
* abort current lift and decrease the load to where the lumbar curve can be maintainted
* at a lower weight, cue the athlete to “lift the chest” and do not relent

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What fault is displayed here?

A

Weight on, or shifting, to toes.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What correction can be made to the fault (shifting on toes) displayed here?

A

Have the athlete pull the hips back and settle on the heels. Have him or her focus on dirving through the heels.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What fault is displayed here?

A

Shoulders behind bar in set up.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What correction could you give to the fault (shoulder behind bar in set up) displayed here?

A

Raise the hips to move the shoulders over, or slightly in front of, the bar.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What fault is displayed here?

A

Hips to high in setup.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

What correction can be given to fault (hips to high in setup) displayed here?

A

Lower the hips to move the shoulders over, or slightly in front of, the bar.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

What fault is displayed here?

A

Hips to not move back in descent.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What correction can be given to the fault (hips don’t move back on descent) displayed here?

A

Cue the athlete to initiate the return by pushing the hips back and delaying the knee bend until the bar passes below the knees.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What fault is displayed here?

A

Bar loses contact with legs.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What correction can be given to the fault (bar loses contact with legs) displayed here?

A
  • cue “pull the bar into your legs the whole time”
  • Use tactile cue to help engage the upper back
17
Q

What fault is displayed here?

A

Hips rise before chest.

18
Q

What corrections can be given to the fault (hips rise before chest) displayed here?

A
  • cue “lift your chest more aggressively
  • give a tactile cue at the hips and shoulders so they rise in unison
19
Q

What fault is displayed here?

A

Shoulders rise without hips. Bar travel around the knees instead of straight up.

20
Q

What corrections could be given to the fault (shoulders rise without hips) displayed here?

A
  • Cue “push the knees back as your chest rises”
  • be sure the athlete is setup correctly and that the hips are not too low
  • give a tactile cue at the hips and shoudlers so they rise in unison