Chapter 24 the romantic generation: song and piano music 1815 Flashcards
19th century musicians
- freelancers, less courts to work for- Virtuosos specialized in one instrument with displays of technical mastery. Composers specialized Verdi- Opera Chopin- piano
PIano- home, women Clara Schumann
Publishing
and music store increased in the 19th century. Use of lithography 1796 print music cheaply with elaborate illustrations
Music 19th century ideas
MUsic- accessible, tuneful melodies, attractive accomp, little counterpoint, uniform rhythm evocative titles, national or exocitc association, 4 bar phrasing but competition to be published also led to nonharmonic tones, unexpected progressions, chromatin chords ROMANTIC STYLE
Beethoven between classical and romantic.
Instrumental music the ideal for romantic art because it was free from the concreteness of words could evoke impressions, thoughts and feelings beyond the power of words
Absolute music
independent of words, drama, visual images, or any kind of representational aspects. New in the 19th century
Characteristic/ descriptive
instrumental music that depicts or suggests a mood, personality or scene, usually indicated in its title
Program music
instrumental music that tells as tory or follows a narrative or other sequence of events, often spelling out in an accompanying text called a program.
Program text
to accompany an instrumental work of program music, describing the sequence of events depicted in the music
Character piece
a piece of characteristic music, especially for the piano
German lied
most influential and prestigious repertoire of the 19th century. A fusion of music and poetry, centering around expression of individual feeling with aspects of folk style. Theme was an individual confronting the greater forces of nature or society or nature as a metaphor for human experience. Lyric- type of poem, shorts trophic on one subject expressing a personal feeling or viewpoint.
Ballad
- poetry, imitation of folk ballads, alternate narrative and dialogue, romantic,longer, wider palette of moods. Great for lieder
Liederkreis /song cycle
Liederkreis /song cycle all songs were to be performed in order. Common theme, texts by same poet, could tell a story through a succession of songs.
Franz Schubert
LIED 1797-1828 LIED wrote over 600 (Schubertiad performances) Two most famous song cycles are Die Schone Mullerin 1823 and Winterreise 1827 with poems by Wihelm Muller. Music is = to the words. Often used strophic form ex Heidenroslein 1815. Erlkonig 1815- through composed. Gretchen am Spinnrade 1814 piano represents the spinning 16th notes. OFten switches between major and minor Standchen
Modified strophic
c form contrast or change is depicted where music reapers for some strophes but other vary it or use new music. Der atlas AAB
Robert 1810-1856 and Clara Schumann
Robert 1810-1856 and Clara Schumann LIED successor of Schubert
Wrote over 120 songs in 1840. LOve songs including the song cycles Dichterliebe (poems by Heinrich Heine) and Frauenliebe und leben. Voice and piano are equal parts. Single figuration throughout to convey the central emotion. First song in dichterliebe Im wunderschönen Monat Mai - tentative feelings are expressed in harmonic ambiguity in the opening. Also the music signals that his love may remain unrequited by refusing to settle into a key and ending on a dominant 7th.
Parlor songs
- Canada and USA song for home music making sometimes performed in public concerts as well, strophic or in verse refrain form, with piano preludes and postludes. Piano is accomp not equal. Ex Home! Sweet Home! By Henry Bishop 1786-1855. From the opera Clari. Canada- James P cLarke 1807-1877 Lays of the maple lead 1853