Lecture 8: Expert Performance in Everyday Life Flashcards

1
Q

play

A

activities that aim to foster the inherent enjoyment of the activity

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2
Q

work

A

public performances, competitions, or other performance motivated by money

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3
Q

naive practice

A

doing repeatedly and expecting repetition to result in improvement

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4
Q

purposeful practice

A
  • Practice that is goal-oriented, thoughtful, and focused
  • Well-defined specific goals
  • Focused; requires full attention
  • Involves feedback
  • You must get out of your comfort zone
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5
Q

deliberate practice

A
  • Activities designed to push you beyond your current level
  • Requires a field that is relatively well-developed
  • Can measure differences in performance
  • There exist accepted training methods
  • Requires expert instruction
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6
Q

Ericsson’s research and types of practice

A

Ericsson’s research combined purposeful and deliberate together under the term deliberate

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7
Q

why is deliberate practice so important?

A
  • Goal to attend to the task and improve performance
  • Explicit instructions about the best methods of improvement
  • Immediate feedback on one’s performance
  • Repeatedly performs the same or similar tasks
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8
Q

surprising fact

A
  • In most domains, years of experience with an anctivity is only weakly related to the level of performance
  • This includes accountants, therapists, medical doctors
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9
Q

how can you use deliberate practice to become a better therapist?

A

You can become a better therapist by recording and transcribing your sessions, and then reflecting on how you could have improved

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10
Q

The monotonic benefits assumption

A

performance is a monotonic function of the amount of deliberate practice accumulated since these individuals began deliberate practice in the domain

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11
Q

Accumulated deliberate practice

A

the amount of weekly practice and the age at which the individual began

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12
Q

critical study as described in peak

A
  • Violinists at the best music school in Germany
  • 3 groups of 10 performers identified by profs
  • Also included 10 adult members of the philharmonic
  • Carefully assessed time doing deliberate practice until the age of 18
  • Found that there was a monotonic relationship between the level of the violinist and their number of hours of deliberate practice
  • There was no example of any naturals (people who didn’t practice much but performed well) or grinders (people who practiced a lot and didn’t perform well)
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13
Q

message for the aspiring expert

A

“Crucial challenge is to avoid the arrested development associated with generalized automaticity of performance by deliberately acquiring and refining cognitive mechanisms to support continued learning and improvement.”

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14
Q

expertise among older performers

A
  • 20- and 50-year-olds amateur and professional pianists performed general and piano-specific speed tasks
  • Found that the 20-year-olds were generally much faster but in terms of a specific piece, the two groups were equally as fast
  • Some 50-year-olds start slipping but others maintain their high level of performance
  • This is mostly a function of deliberate practice
  • For older musicians, it is important to maintain deliberate practice to avoid an age-related decline in performance
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15
Q

deliberate practice in non-experts

A
  • Deliberate practice may sometimes be useful to just help individuals participate and to blend in
  • This applies to everyday life (ex. Swimming, faculty meetings, etc.)
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16
Q

key takeaways

A
  • Playing doesn’t help you get better
  • Competing doesn’t help you get better
  • Only deliberate practice helps you get better
  • We must discover what is the best deliberate practice in each area
  • These insights will be especially helpful in our everyday lives, as workers, amateur performers, and parents
17
Q

deliberate practice among those at the top

A
  • Deliberate pratice even differentiates those at the top
  • Wayne Gretzky & Sidney Crosby trained harder than the rest of the NHL