Modulations - Examples Flashcards
1
Q
big idea
A
- a few examples of the various situations in which you will find modulations
- note: presence of pivot chords and length of modulation
2
Q
examples
A
- when a modulation occurs from major to minor
- keep track of accidentals creating the leading tone tonicizing the minor
- look at the chord progression and determine function and use your prior knowledge to determine if the progression makes sense
- move the dominant
- adds a sharp or loses a flat
- four possible pivot chords (I, iii, V, or vi in the original key)
- minor keys like to move to dominant, and they still use raised leading tone. minor v is not as common
- moving through the dominant using the secondary
- the secondary leading tone chord provides us with enough to hear the shift in tonic
- direct modulation is an unprepared modulation
- AKA an abrupt modulation or (if it happens at the opening of a phrase) a phrase modulation
- very common in chorale writing
- phrase ending with a fermata, then new phrase is a new key
- no preparation and no pivot chord
3
Q
modulations are a common occurrence in music
A
- they happen all the time, you may not notice them or if you do you think nothing of them
- modulation, when done well, adds interest to the music
- modulation, when done poorly, can destroy the flow of a piece of music
- a great “go-to” when you are stuck writing music…use it carefully
- gradual modulations are smoother than abrupt modulation
- stay with closely related keys, unless you want to attack the listener
4
Q
one of the most common types of modulations is to modulate to the ________ of the home key
A
- relative minor
5
Q
modulating to a key’s dominant is usually very smooth because it is ___________ sharp(s) or flat(s) away from the home key
A
- 1
6
Q
any chord in the home key can be used as a pivot chord
A
- false