Connecting Dominant and Tonic Areas Flashcards

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1
Q

connecting correctly

A
  • always keep a watch on tendency tones. watch where your leading tone is
  • voice doubling: the shared pitch will be retained in the same voice for smooth voice leading
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2
Q

several rules for part writing that carry over from counterpoint

A
  • parallel motion remains acceptable with a 3rd or 6th
  • an parallel motion between any two pars involves a 5th or 8th, the same problems appear
  • self-checking becomes a time-consuming task because we must consider the relationship between all combination of parts. S-A, S-T, S-B, A-T, A-B, and T-B
  • repeated 5ths are ok
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3
Q

remember the following when connecting V to I

A
  • resolve the leading tone up to tonic
  • keep common tone (V) in the same voice and move other voices to the nearest possible chord member
  • always self-check. better for oblique motion and similar motion
  • pay attention to spacing and doublings
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4
Q

when writing a V-I or V-i progression, what scale degree tendency tone must resolve tot onic

A
  • 7
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5
Q

is there a statement below that does not apply when connecting a V-I or V-i

a. approach perfect intervals by oblique motion
b. keep common tone in same voice 5
c. follow principles of good voice leading
d. approach perfect intervals by contrary motion

A
  • no
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6
Q

except for the bass, it’s ideal to move voices the smallest distance between chord tones for smooth voice-leading

A
  • true
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