Connecting Dominant and Tonic Areas Flashcards
1
Q
connecting correctly
A
- always keep a watch on tendency tones. watch where your leading tone is
- voice doubling: the shared pitch will be retained in the same voice for smooth voice leading
2
Q
several rules for part writing that carry over from counterpoint
A
- parallel motion remains acceptable with a 3rd or 6th
- an parallel motion between any two pars involves a 5th or 8th, the same problems appear
- self-checking becomes a time-consuming task because we must consider the relationship between all combination of parts. S-A, S-T, S-B, A-T, A-B, and T-B
- repeated 5ths are ok
3
Q
remember the following when connecting V to I
A
- resolve the leading tone up to tonic
- keep common tone (V) in the same voice and move other voices to the nearest possible chord member
- always self-check. better for oblique motion and similar motion
- pay attention to spacing and doublings
4
Q
when writing a V-I or V-i progression, what scale degree tendency tone must resolve tot onic
A
- 7
5
Q
is there a statement below that does not apply when connecting a V-I or V-i
a. approach perfect intervals by oblique motion
b. keep common tone in same voice 5
c. follow principles of good voice leading
d. approach perfect intervals by contrary motion
A
- no
6
Q
except for the bass, it’s ideal to move voices the smallest distance between chord tones for smooth voice-leading
A
- true