Chordal Dissonance Flashcards

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1
Q

chordal dissonance

A
  • when we find dissonance in the chord, in 18th century counterpoint we use this on purpose to have seventh chords to add to a piece
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2
Q

the seventh chord structure and resolution (the five seven chord (V7) resolve to the root (I))

A
  • the 7th in the V7 resolves down to the 3rd in the I
  • the 3rd in the V7 resolves to the root in the I
  • the root in the V7 resolves to the root in the I
  • the 4th of the scale always resolves down to the 3rd
  • the leading tone always resolves up to the tonic
  • resolutions of the m7, M2, d5, and A4 in the seventh chord. (in scale degrees)
  • the M7: the 4th resolves down tot he 3rd, the 5th resolves up to the tonic
  • the M2: the 4th resolves down to the 3rd, the 5th carries
  • the d5: the 4th resolves down to the 3rd, the 7th resolves up to the tonic
  • the A4: the 4th resolves down to the 3rd, the 7th resolves up to the tonic
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3
Q

dominant seventh chords (V7) are built on the _____ scale degree

A
  • 5th
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4
Q

the 7th of every chord must resolve

A
  • down
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5
Q

dissonances are created by ______ chords. the resolution of dissonant chords must resolve to _____ harmonic intervals

A
  • seventh; dissonant
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6
Q

an augmented 4th wants to resolve: _____ by contrary motion

A
  • out
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