Introducing the Submediant Flashcards
1
Q
The Submediant
A
- the vi chord
- the vi chord can be used as a substitute for the tonic. this is known as Tonic Substitution
- the most common use of a vi chord is when we substitute the vi chord in order to delay a cadence
- we use a (Ts) to annotate a tonic substitution
- we’ll see a 5-6 motion in order add to the substitution. this is done by taking the whole chord down a step
- when annotating a piece we now have Tonic Expansion which is when we delay changing the functionality of the tonic chord (T)
- Subdominant expansion is using the IV chord to delay a half cadence
- Submediant expansion is when we use the vi chord to delay a full cadence
- We sometimes use Tonic to predominant to dominant and back to tonic (T-PD-D-T) in the expansion in order to tease the listener into thinking they’ll hear a functional tonic chord. this is called Embedding
2
Q
the submediant triad vi (VI in minor) shares two scale degrees with the tonic triad. in G major what pitches are they?
A
- G; B
3
Q
the submediant chord of a tonic expansion (I-vi6) can be very brief. often, the vi6 not heard as a new chord
A
- true
4
Q
if the duration of the vi6 chord is very short, it may be more appropriate to label this tonic expansion by 5-6 _______ motion
A
- linear
5
Q
a PD-D-T progression may be within the over-arching tonic expansion of a T-PD-D phrase
A
- true