Introducing the Submediant Flashcards

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1
Q

The Submediant

A
  • the vi chord
    • the vi chord can be used as a substitute for the tonic. this is known as Tonic Substitution
  • the most common use of a vi chord is when we substitute the vi chord in order to delay a cadence
    • we use a (Ts) to annotate a tonic substitution
    • we’ll see a 5-6 motion in order add to the substitution. this is done by taking the whole chord down a step
  • when annotating a piece we now have Tonic Expansion which is when we delay changing the functionality of the tonic chord (T)
    • Subdominant expansion is using the IV chord to delay a half cadence
    • Submediant expansion is when we use the vi chord to delay a full cadence
  • We sometimes use Tonic to predominant to dominant and back to tonic (T-PD-D-T) in the expansion in order to tease the listener into thinking they’ll hear a functional tonic chord. this is called Embedding
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2
Q

the submediant triad vi (VI in minor) shares two scale degrees with the tonic triad. in G major what pitches are they?

A
  • G; B
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3
Q

the submediant chord of a tonic expansion (I-vi6) can be very brief. often, the vi6 not heard as a new chord

A
  • true
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4
Q

if the duration of the vi6 chord is very short, it may be more appropriate to label this tonic expansion by 5-6 _______ motion

A
  • linear
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5
Q

a PD-D-T progression may be within the over-arching tonic expansion of a T-PD-D phrase

A
  • true
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