HIST - Impressionism, Post-Impressionism, Symbolism, Synthetism Flashcards
a movement in French painting sometimes called “optical realism” because of its scientific interest in the actual visual experience and effect of light and movement
Impressionism
a landscape impressionist and leader of the pleinarists; adapted the practice of painting a single subject a number of times in varying lights and seasons
Claude Monet
people who believed in working outdoors
Pleinarists
painted with full brush and full strokes; placing a concentration of light on an important feature of the picture to record the impression of the eye naturally and immediately receives
Edouard Manet
worked with pastels and oil; favorite subject was ballet
Edgar Degas
artist of genre and portrait of real people; interested in the interplay of colors caused by flickerings of sunshine and shadow; tone harmonies by light refractions
Pierre August Renoir
a sculptor; interested in conveying dynamic experimental process rather than in the finished work itself
Rodin
a movement in French painting that reacted against the empirical realism of Impressionism by relying on systematic calculations and scientific theory to achieve predetermined visual effects
Post Impressionism
originated the pointillism technique (also confettiism)
George Pierre Seurat
the skillful putting side-by-side touches of pure color; the practice of applying small strokes or dots of color to a surface so that from a distance they visually blend together
Pointillism
a movement providing an intellectual alternative to the purely visual painting of the impressionists, inspiring surrealists
Symbolism
he applied paint smoothly; colors are bright in flat, unmodeled shapes; he painted tropical landscapes and brown-skinned natives
Paul Gaugain
a theory of art that posted works of art ought to blend three primary elements: the outward appearance of the subject, the artist’s emotional reaction, and artistic choices of color, form, and line
Synthetism
pre-cubism: simple handling of masses and planes given depth by structure, color, and unconventional perspective
Paul Cezanne