Chapter 6 Key Terms Flashcards
the focusing of conscious awareness on a particular stimulus, as in the cocktail party effect
selective attention
ability to attend to only one voice among many
cocktail party effect
failing to see visible objects when our attention is directed elsewhere
inattentional blindness
lack of awareness of happenings in their visual environment
change blindness
focusing on words being said, failing to notice a change in the speaker
change deafness
people pick more attractive photo, photo is switched and shown to the person, person explains why they chose the photo; seldom noticed deception. This is an example of
choice blindness
when a strikingly distinct stimulus draws our eye; stimuli demands our attention
pop-out
the tendency for vision to dominate the other senses
vision capture
an organized whole (or form); these psychologists emphasized our tendency to integrate pieces of information into meaningful wholes
gestalt
the organization of the visual field into objects that stand out from their surroundings
figure-ground
the perceptual tendency to organize stimuli into coherent groups
grouping
group nearby figures together
proximity
group together figures that are similar to each other
similarity
perceive smooth, continuous patterns rather than discontinuous ones
continuity
uniform and linked, seen as a single unit
connectedness
fill in gaps to create a complete, whole object
closure
the ability to see objects in three dimensions although the images that strike the retina are two-dimensional; allows us to judge distance
depth perception
laboratory device for testing depth perception in infants and young animals
visual cliff
depth cues, such as retinal disparity and convergence, that depend on the use of two eyes
binocular cues
binocular cue for perceiving depth: by comparing images from the 2 eyeballs, the brain computes distance - the greater the disparity (difference) between the two images, the closer the object
retinal disparity
binocular cue for perceiving depth; the extent to which the eyes turn inward when looking at an object; the greater the inward strain, the closer the object
convergence
depth cues, such as interposition and linear perspective, available to either eye alone
monocular cues
if we assume that two objects are similar in size, we perceive the one that casts the smaller retinal image as farther away
relative size
if one object partially blocks our view of another, we perceive it as closer
interposition