Exam 2 Part 8 Flashcards

1
Q

Method to assess signs and symptoms of dysregulated laryngeal muscle activity; pressure using the index finger and thumb

A

Palpation

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2
Q

What areas do you do palpations on?

A

Major horns of hyoid bone, superior cornu of thyroid cartilage, thyrohyoid space, anterior border of sternocleidomastoid

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3
Q

Incorporates the patient perspective related to the voice disorder. Describes the physical, functional, and emotional implications.

A

Patient self assessment

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4
Q

Why do we use clinical instruments (6)?

A

Identifies existence of a voice problem (detect/screen), differential source of the voice problem (diagnose), primary treatment tool (treat), assesses severity or stage or progression of the voice problem, determines success/failure of behavioral, surgical, medical interventions, reference to know the affects of voice therapy

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5
Q

Includes the camera, microphone, electrode, flow or pressure transducers

A

Signal detection

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6
Q

Filtering, amplification, digitalization

A

Signal manipulation/conditioning

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7
Q

Numerical form, visual display, speaker; converting something that we are able to see/quantify

A

Signal reconversion

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8
Q

Converting acoustic sound energy into mechanical energy, and then change it again into electronic energy.

A

Transduction (conversion of one form of energy into another form of energy)

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9
Q

Increasing the magnitude of a signal, while keeping the waveform shape intact. A larger signal magnitude may be necessary for signal analysis or playback.

A

Amplification

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10
Q

Exact magnitude of the amplification, usually expressed as ratio of signal input to signal output (after amplification); Difference between input signal and output signal

A

Gain

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11
Q

The degree to which gain is constant across all input magnitudes. Non-linear means if the amplifier gain is not equal across all frequencies, which leads to signal distortions;

A

Amplifier linearity

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12
Q

A signal distortion that occurs when amplification (gain) exceeds the linear limits of the microphone. The amplitude peaks of the waveform are cut off or flattened, and the resulting acoustic signal is both incomplete and inaccurate; microphone can handle 70 dB but speaker sends a 90 dB signal, signal is cut off and distorted

A

Peak clipping

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13
Q

Range of frequencies that can be detected by a component. If the range is too small, then the signal will be distorted. 20 Hz – 20KHz; what is said

A

Frequency response

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14
Q

Reshape the acoustic waveform to eliminate selected energy above or below a certain frequency range. Eg: low-pass, high-pass, and band-pass;

A

Filter

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15
Q

Boost specific frequencies but do not touch other frequencies which causes distortions

A

Amplifying non-linearity

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16
Q

Passes low frequencies and cuts off high frequencies

A

Low-pass

17
Q

Passes high frequencies and cuts off low frequencies

A

High-pass

18
Q

Passes a certain range of frequencies

A

Bad pass

19
Q

Conversion of analog signals into a digital format

A

Digitization

20
Q

What are the 2 steps of changing from an analogy to digital signal

A

Sampling, quantization