PDX_28_Acoustics Part 3 Flashcards

0
Q

A unit of sound of sorption, 1 ft.² of 100% absorbing material is one unit

A

Sabin

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1
Q

The ratio of the sound intensity absorbed by the material to the total intensity reaching the material. Varies with the frequency of sound/material

A

Coefficient of absorption (A)

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2
Q

The persistence of sound in an enclosed space after the source of stopped. Continuous reflection.

A

Reverberation

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3
Q

The time it takes the sound level to decrease 60 dB after the source is stopped producing sound

A

Reverberation time

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4
Q

The return of soundwaves from a surface

A

Reflection

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5
Q

Soundwave that is been reflected with sufficient magnitude in delay so that its heard as a sound as distinct from that transmitted directly

A

Echo

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6
Q

Random distribution of sound from a surface that occurs when the surface dimension is equal to the wavelength of the sound striking it

A

Diffusion

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7
Q

The bending of a soundwave around an object or through an opening

A

Diffraction

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8
Q

Tendency of a system to vibrate at increasing amplitude at certain frequencies

A

Resonance

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9
Q

Result of multiple reflections and enclosed space in a short period of time

A

Persistence

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10
Q

Reduction of sound energy levels through the use of material that absorbs reverberant sound and block airborne sound because of their high sound transmission loss factor.
Example: acoustical panels, foam curtains, fibrous material.

A

Sound insulation

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11
Q

Minimizing sounds transmission from one area of the building to another through building design.

Example: location mechanical rooms, partition detailing, using dampers/pads/insulating materials

A

Sound isolation

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12
Q

Process of dissipating sound energy by converting it to heat

A

Sound absorption

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13
Q

Indicates a soundwave on the opposite side of the wall

A

Wall vibration

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14
Q

Room who’s boundaries absorb all of the sound

A

Free Field Road (Anechoic Room)

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15
Q

Phenomenon which occurs when sounds in a room that are within a narrow band of frequencies tend to sound louder and sounds of other frequencies

A

Room resonance

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16
Q

Surface area of room

x Absorptivity of surfaces

A

Sabins

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18
Q

(Total surface area of Barrier or component Between rooms, S) x (Coefficient of absorption, a)

A

Acoustical Absorption A (sabins)

19
Q

(Total sabins, sound observing units, A)

/ (Total service area in the room, S)

A

Noise reduction coefficient

20
Q

0.05 (the speed of sound) x

[ (Room volume, V)
/ (total acoustical absorption at that frequency, ∑A) ]

A

Reverberation time (Tr)

*speed of sound depends on material

21
Q

Low-frequency control usually requires allowance for:

A

Thicker partitions or more space to apply detailing that absorbs low-frequency sounds.

22
Q

A sized furred panel @ certain distance from wall to absorb low-frequency energy + reflecting mid & high frequency energy:

A

Panel Resonator

23
Q

A large airspace filled with absorptive material and a sized small opening to absorb specific low frequency range:

A

Cavity resonators (Helmholtz)

Ex. A CMU block, with narrow slit opening into the cavity of block

24
Q

Tipping point of reflective and absorptive in regards to ‘coefficient of absorbency’ occurs @ value:

A

0.2

Less is reflective.
More is absorbing.

25
Q

Changing room reverberation characteristics WITHIN the room effects noise level in adjoining spaces:

A

Minimally effect on adjoining spaces

26
Q

Absorptive materials are usually better at reducing the transmission of:

A

High frequencies better than low frequencies

27
Q

The effectiveness of absorptive materials dependents on:

A

The type of material, the method of installation, the area, rather than the thickness

28
Q

The absorptivity per sqft of given surface varies 0 to 1:

A
  1. 0, all sound reflected

1. 0 Sabin, all sound absorbed

28
Q

Offices might have reverberation times between

A

0.3–0.6 seconds

29
Q

Very reverberant spaces often called:

Spaces with short reverberation times called:

A

‘Live’ = long reverberation

‘Dead’ = short reverberation

30
Q

Concert halls might have recommended reverberation times between:

A

1.6–2.1 seconds

31
Q

Two measures intended only for open office situations where speech is the primary sound concern:

A
Articulation class (AC)
Articulation index (AI)
32
Q

Gives a rating of system component performance does not account for masking sound

A

Articulation class (AC)

34
Q

Measure the performance of all the elements of a particular configuration working together:

A

articulation index (AI)

Ceiling absorption, wall partitions, space dividers, background masking systems, furniture, HVAC systems, light fixtures

35
Q

Critics the intelligibility of speech for a group of talkers and listeners and gives a result in a single number rating:

A

Articulation index (Ai)

Ranges from 0.00, complete privacy

To 1.00, no privacy

36
Q

Ai 0.30 =

A

No privacy

36
Q

Each doubling of the amount of absorption in a room results in:

A

Noise reduction of only 3 dB

Reduced reverberation time by 50%

37
Q

The average absorption coefficient for a room should be at least:

A

0.2

Typically above 0.5 is not desirable or economically justified.

38
Q

The amount of absorption of a porous type of sound absorber (EX: fiberglass, mineral wool) is dependent on:

A

Material thickness, density, porosity and orientation of fibers

39
Q

Ceiling treatments are best for ___,

Wa treatments are best for____.

A

Ceiling treatments @ large rooms

Wall treatments @ small rooms

41
Q

To reduce mechanical noise from vibrating device in direct contact with structure:

A

– Resilient mountings & flexible bellows
– Flex connections between ducts/pipes/equipment
– Maximize distance between diffusers in adjacent spaces
–locate noisy equipment away from quiet spaces

42
Q

To limit noise at plumbing systems:

A

– Use expansion valves & FlexLoop connections to reduce rattle
– Seal pipe penetrations through walls & floors w/ flexible packing

43
Q

Limit noise with building materials by:

A
– Use fibrous materials
– Deep air space w/in wall cavity
– Stagger studs
– Seal openings in wall
– Avoid back/back wall outlets
– Sound attenuation above headers