NEO 55 Flashcards
ephemeral
lasting for only a short time:
example:Some Paleolithic artwork was ephemeral—only six
examples of open-air engravings survive—but the fine-art engravings and paintings that decorate caves were made to last and did last
comparison
the act of comparing two or more people or things:
example: available for comparison to people who had some notion of historical time and were developing a sense
of their ancestry
notion
a belief or idea:
example: available for comparison to people who had some notion of historical time and were developing a sense
of their ancestry
conjecture
conclusion based on guess
example: . The conjecture, therefore, is that artists usually worked by torchlight.
scaffolding
a structure of metal poles and wooden boards put against a building for workers to stand on when they want to reach the higher parts of the building:
example: others required elaborate scaffolding, no different in principle
sheer
(of size or weight) very large:
example: The sheer scale of the art is daunting
daunting
tending to overwhelm or intimidate
example: The sheer scale of the art is daunting
betray
SHOW, INDICATE
example: is betrayed by sockets cut into the walls, but assistants.
fabricated
to produce a product, especially in an industrial process:
example: where important works were fabricated and artists trained
collective
of or shared by every member of a group of people:
example: that artists needed the collective support of something very like a studio
humanoids
a machine or creature with the appearance and qualities of a human
example: as humanoids and abstractions or signs
interlocking
firmly joined together, especially by one part fitting into another:
example: These interlocking galleries, unfolding one by one
monumental
very big:
oscillating
to move repeatedly from one position to another:
example: The art is both detailed and monumental, oscillating designedly between simplification and elaboration, between stasis and extreme dynamism.
stasis
a state that does not change:
example: The art is both detailed and monumental, oscillating designedly between simplification and elaboration, between stasis and extreme dynamism.