Final Cut Pro X (Shortcuts) Flashcards
Preferences
Command-Comma
Commands / Command Editor
Option Command K
Jump playhead to the in-point of a selected range
Shift-I
Jump playhead to the out-point of a selected range
Shift-O
Connect Edit
Q
Video only
Shift-2
Audio only
Shift-3
All (Video and Audio)
Shift-1
To move a clip and either leave a gap and/or overwrite another clip, use the _________ tool
Position
Fade shape LINEAR
Fade to Black
Fade shape S-CURVE
Produces a smooth and “musical” sounding fade out from original volume to silence by applying a doubly-curved (S-shape) fade and fading out the higher frequencies a little quicker than the lower frequencies. It gives a “going off into the distance” type of sound rather than sounding like a “mechanical” fade out. This technique has found favor in recording studios for CD and LP tracks
Fade shape +3dB
Cross fading between two clips. Despite their names these effects do not perform an automatic “crossfade” between two tracks or adjoining audio, where the audio coming to an end would fade out at the same time the following audio fades in. Instead Cross Fades apply a curve that is different from the linear Fade in and Fade Out. The curve used is one that will result in equal RMS (average) volume throughout the faded section once the faded in and faded out sections are mixed. If the two waveforms above (Cross Fade In and Out) were on separate tracks then rendered so as to mix the waveforms together, a section of audio with equal average volume (the inner light blue part of the waveform) would result as below. The peak volume of the crossfade (the outer dark blue part) does increase, but the volume still sounds constant because average volume level is a much stronger indicator than peak levels of “perceived” loudness.
Fade shape -3dB
Masking something
To display everything in the Timeline on the Timeline
Shift-Z
To collapse an audio or video clip
Control-S