Final Cut Pro X Ripple Lesson - Mastering The Soundtrack 2 - SOUND Flashcards
Viewing Roles
But for audio, roles are most useful for controlling how the audio gets exported. Lets take a look. Open a Project and as you select various clips in the Timeline you’ll see in the info inspector that they are assigned to different roles. I’ll create some custom roles and assign sounds to them accordingly.
In the Inspector click the Roles menu and select ____ _____.
Edit Roles
Viewing Roles
But for audio, roles are most useful for controlling how the audio gets exported. Lets take a look. Open a Project and as you select various clips in the Timeline you’ll see in the info inspector that they are assigned to different roles. I’ll create some custom roles and assign sounds to them accordingly.
In the Inspector click the roles menu and select edit roles. This option is also available via the ______ menu.
Modify
Viewing Roles
But for audio, roles are most useful for controlling how the audio gets exported. Lets take a look. Open a Project and as you select various clips in the Timeline you’ll see in the info inspector that they are assigned to different roles. I’ll create some custom roles and assign sounds to them accordingly.
In the Inspector click the Roles menu and select Edit Roles. This option is also available via the Modify menu. At lower left you can click to create new audio or video roles. In this case however, we want to create new audio effect roles, but we want to distinguish between Foley effects and background effects. So instead of creating a new role category, we’ll create a ___ ____ category.
Sub Role
Creating Subroles
Select the effects roll category then click the add Subrole button. Rename the subrole “background” and then create another subrole called “Foley”. That’s it! You can now select different audio clips in the Timeline and assign appropriate Roles in the Info Inspector.
Notice too that for video with accompanying audio you can select distinct roles for both the audio and video media associated with a clip and for the most common presets you can use the _______ ______ hotkeys to quickly assign them without having to visit the inspector.
CONTROL OPTION
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly ______ and _______ various media elements, as well as ________ them, right from within the Timeline Index.
ENABLE, DISABLE, MINIMIZE
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the ________ _____. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
TIMELINE INDEX
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the Timeline Index. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
From the File menu choose > Share > Master File (or Press _______ _).
COMMAND E
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the Timeline Index. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
From the File menu choose > Share > Master File (or Press Command E).
Click the ________ button to look at the available options.
SETTINGS
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the Timeline Index. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
From the File menu choose > Share > Master File (or Press Command E).
Click the Settings button to look at the available options. Using the _____ ___ __, you can choose to export roles as a multitrack QuickTime file, break each role out as a separate file or export just the audio as separate files - sometimes called D, M and E tracks or stems.
These options give you a huge amount of flexibility when working with a professional sound engineer. It allows you to give her exactly what she needs to finalize the mix without the risk of forgetting an audio element tucked away in your Timeline somewhere.
Choose Audio Roles as Separate Files then choose which roles are exported and whether they’ll be treated as mono, stereo or surround files. Click the minus button next to any roll you don’t want to export. Click Next and choose a location for the export. That’s it. Final Cut Pro X exports exactly what you need thanks to the convenience of roles.
ROLES POP UP
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the Timeline Index. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
From the File menu choose > Share > Master File (or Press Command E).
Click the Settings button to look at the available options. Using the Roles pop-up, you can choose to export roles as a multitrack QuickTime file, break each role out as a separate file or export just the audio as separate files - sometimes called D, M and E tracks or _____.
STEMS
Creating Subroles
…
Okay, so you’ve assigned the appropriate roles to your various audio clips, what now? Well to begin with, you can quickly enable and disable various media elements, as well as minimize them, right from within the Timeline Index. This is a great feature for quickly toggling between different language versions for example, but the real power for audio comes during export.
From the File menu choose > Share > Master File (or Press Command E).
Click the Settings button to look at the available options. Using the Roles pop-up, you can choose to export roles as a multitrack QuickTime file, break each role out as a separate file or export just the audio as separate files - sometimes called D, M and E tracks or stems.
These options give you a huge amount of flexibility when working with a professional sound engineer. It allows you to give her exactly what she needs to finalize the mix without the risk of _________ an audio element tucked away in your Timeline somewhere.
Choose Audio Roles as Separate Files then choose which roles are exported and whether they’ll be treated as mono, stereo or surround files. Click the minus button next to any roll you don’t want to export. Click Next and choose a location for the export. That’s it. Final Cut Pro X exports exactly what you need thanks to the convenience of roles.
forgetting
Creating Subroles
…
Choose Audio Roles as Separate Files (Stems option) then choose WHICH roles are exported and whether they’ll be treated as ____, ______ or ________ files. Click the minus button next to any roll you don’t want to export. Click Next and choose a location for the export. That’s it. Final Cut Pro X exports exactly what you need thanks to the convenience of roles.
mono, stereo, surround
Creating Subroles
…
Choose Audio Roles as Separate Files then choose which roles are exported and whether they’ll be treated as mono, stereo or surround files. Click the _____ button next to any roll you don’t want to export. Click Next and choose a location for the export. That’s it. Final Cut Pro X exports exactly what you need thanks to the convenience of roles.
minus
