Final Cut Pro X (6) Flashcards

1
Q

To connect connected clips (B-roll clips) so that you can Ripple trim them, select them, then…

A

…control-click any of them, and from the shortcut menu, choose Create Storyline, or press Command-G

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2
Q

Once the connected clips (B-roll clips) are contained in a _________ for ripple trimming, a ____ ____ or handle above the clips becomes an outline of a container surrounding the clips

A

gray bar

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3
Q

Only when connected clips (B-roll clips) have been contained in a __________ will they have a _________, ________ relationship similar to the primary storyline clips

A

storyline

horizontal, magnetic

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4
Q

As you ripple trim the edit points of connected clips contained in a storyline, a ___-__ _______ appears in the Viewer

A

two-up display

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5
Q

A ____-__ _______ allows you to see both sides of the edit so that you may match action between the two clips

A

two-up display

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6
Q

A ____ ____ achieves a net-zero duration change by removing frames on one side of the edit point while inserting frames on the other side of the edit point

A

roll trim

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7
Q

A ripple trip focuses on ______ of action at the edit, while the roll trim focuses on ______ the cut happens

A

continuity

when

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8
Q

From the ____ ___-__ ____, choose the Trim tool.

A

Tools pop-up menu

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9
Q

The roll trim function requires the ____ ____ to be selected when working with storyline clips

A

Trim tool

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10
Q

With the Trim tool on the ____ _____, the Trim tool becomes the Roll trim with filmstrips pointing at both clips to indicate that the end point and the start of the clips are about to be changed

A

edit point

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11
Q

In the Libraries pane, select the Pre-Flight _______ ___________

A

Keyword Collection

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12
Q

Connect button (shortcut)

A

Q

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13
Q

To enable the Connect button when it is dimmed, move the mouse pointer back into the _______ to activate the _______ ____. The _ keyboard shortcut works when the button is dimmed.

A

Browser
Browser pane
Q

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14
Q

To append a clip from the Browser to a connected clip (B-roll clip), you must create a storyline for the connected clip (B-roll clip), and you must select the storyline’s handle rather than the connected clip (B-roll clip) inside the storyline. If you only select the connected clip (B-roll clip) and not the handle for its storyline, when you append the clip from the Browser it will append to the _______ __________, not to the connected clip (B-roll clip.)

A

primary storyline

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15
Q

____ the following ______ for each listed clip

A

Mark the following ranges

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16
Q

You may need to disable _______ to get the desired duration. Press _ while dragging the edit point to disable ______ without releasing the mouse button, and then engage _______ for the next step

A

snapping

17
Q

Don’t forget that you have two ______ (file types i.e. GoPro or Card) in the library

A

events

18
Q

Audio clips are typically edited “_____ ___ ____” meaning physically beneath the video

A

below the line

19
Q

The music will be a little too loud, or “___”

A

hot

20
Q

Every audio clip has a ______ _______: a black, horizontal line that overlays the clip’s _____ _________.

A

volume control

audio waveforms

21
Q

This is not the final volume setting for the music, this is simply a “______” adjustment so the rest of the audio clips are audible while editing

A

sanity

22
Q

Open Inspector (shortcut)

A

Command + 4

23
Q

Press _ to set a marker at that dramatic visual moment

A

M

24
Q

You want to set a marker at the music swell in the music clip, but it’s a little hard to hear with the other clips playing. SO…select the music clip, then click the ____ button, or press ______-_

A

Solo

Option-S

25
Q

Now that you can hear the music in the music clip clearly, using the Select tool, click the music clip, ____ to the music swell, and then press _ to set a marker

A

skim

M

26
Q

GPS

A

frames per second

27
Q

PAL

A

Phase Alternating Line
A color encoding system for analogue television used in broadcast television systems in most countries broadcasting at 576i. PAL has 576 visible lines compared with 480 for NTSC (National Television System Committee). Most TV output for PAL and NTSC use interlaced frames meaning that even lines update on one frame and odd lines update on the next frame.