Final Cut Pro X Ripple 2 - XXXXXXXXXXX - AUDIO Flashcards
print/inks, you ________ to get white
subtract
digital, you ___ to get white
add
8 bit = for each RGB channel, there are ___ shades (0-255) available, or 2 to the 8thzero counts as one shade
256
___, _____, and ____ are the primary colors available in the RGB color space
red, green, and blue
255 shades of one of those colors makes it a _______ color
primary
If you add all three primary colors together (Red, Green, and Blue), you get _____.
white
If you add just two primary colors together, you get a _________ color. Magenta = Red + Blue. Cyan = Blue + Green. Yellow = Green + Red.
secondary
If you add just two primary colors together, you get a secondary color. Magenta = Red + Blue. Cyan = Blue + Green. Yellow = Green + Red. This is important to know because, if you had something with a Blue cast, you would add ______ to get more to White.
Yellow
Another way to think about this: the secondary colors are _____________ to primary colors.
complimentary
COLOR PICKER (in the inspector for a generator of a circle, that you get to by clicking on the FILL COLOR color square in the inspector) is very much like the diagram above (colors in the same place) with gradations as they blend together. The slider on the right side controls the brightness, but it basically brings the color up and down on a _________ level for all three colors and subsequently, secondary colors:
universal
So every color in digital space can be described as a combination of red, green, and blue _____ values.
pixel
Bottom of WAVEFORM scopes is ______ or no brightness..
Black
For EXPOSURE, the best scopes is:
WAVEFORM
The VERTICAL AXIS OF THE WAVEFORM represents the ____________ of the image
BRIGHTNESS
The HORIZONTAL AXIS represents the different _____ of the image itself. So as you move from left to right, you’re moving from left to right across the image.
areas