Tom Macy's Liquor Guide: How Spirits Are Made Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Overview of how spirits are made

A

Spirits are the product of distilled fermented beverages, such as wine and beer. So if you distill wine and beer, you will get brandy and whiskey, respectively. There are several categories of spirits, the biggest ones are gin, rum, whiskey, vodka, tequila, and brandy. What differentiates one from another is the base ingredient and the specific production methods used to make it.

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2
Q

The three primary stages of spirit fermentation

A

There are three primary stages of spirit production: fermentation, distillation, and post-distillation.

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3
Q

Ethanol vs. other types of alcohol

A

Chemically speaking, when one speaks of alcohol, it is referring to a class of chemical compounds including isopropanol, methanol, and ethanol. But in the context of beverages, when we say alcohol, what we’re specifically talking about is ethanol, aka common alcohol. Ethanol is the best tasting, easiest to process and safest alcohol for human consumption. There are a few other alcohols that factor into booze-making, such as methanol, but ethanol is what we’re really after.

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4
Q

The chemical structure of ethanol:

A

CH3CH2OH

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5
Q

The Base Ingredients of Whiskey

A

Whiskey: Grain, typically barley, corn, wheat or rye.

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6
Q

The Base Ingredients of Gin

A

Gin: Usually grain, but can technically be anything. It’s also infused with an assortment of botanicals, particularly juniper.

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7
Q

The Base Ingredients of Vodka

A

Vodka: Usually grain, can be anything, potatoes, for example.

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8
Q

The Base Ingredients of Rum

A

Rum: Sugar cane - usually in molasses form, but sometimes fresh cane juice of syrup.

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9
Q

The Base Ingredients of Tequila and Mezcal

A

Tequila and Mezcal: Agave

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10
Q

The Base Ingredients of Brandy

A

Brandy: Most commonly grapes, which are used for Cognac and the majority of aged brandies, but technically brandy can be made from any kind of fruit, in which case it will be called “apple” brandy, “apricot” brandy, “pear” brandy, etc.

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11
Q

ABV vs. Proof

A

ABV and proof are two measurements used to denote how much alcohol a spirit (any alcoholic beverage) is, and they essentially are the same.

ABV, Alcohol by Volume - This is the most common metric used. It refers to the percentage of a beverages volume is alcohol. So 40% ABV means that 40% of that bottle is alcohol (aka ethanol) and 60% of it is water and congeners. Alcohol used to sometimes be measured by weight as well, which would be labeled as ABW, though that is not as common anymore.

Proof - A spirits proof is simply double it’s ABV. It is expressed in degrees, so 40% ABV is 80º proof, 50% ABV is 100º proof, and so on. It is more common on labels in the U.S., and while it’s somewhat redundant as a measurement, the term “proof” is widely. People often describe something is high or low “proof”.

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12
Q

Why is it Called Proof?

A

Why is it Called Proof?
Proof used to mean something different than ABV. Initially, when the term It was conceived in England, proof measured the alcoholic density, or specific gravity, of booze, relative to its water content. On that scale, 100 proof equaled about 57% ABV.

This used to be measured by a test that involved soaking gunpowder with booze. If the booze was 57%, the gunpowder would still light. So if it ignited, that was “proof”, that the booze was 57%, aka “at proof”. Naturally, this test has been since replaced by more accurate (and less fun) methods of measuring alcohol strength.

But in its day, this gunpowder method of ensuring the strength of booze was very important for taxation purposes, as well as for ships that were carrying spirits, which was one of their primary means of transportation through the 16th and into the 20th century. Spirits traveling by sea were often required to be “at proof”, which is why today spirits that are 57% ABV are known as “navy strength”. You will still find navy strength gins and rums bottled at 57% ABV, or 114 proof by today’s measures.

The modern definition of proof is a descendant of a separate system developed in the United States in the 19th century which was based on alcohol percentage from the beginning, just using the word proof. As far as I can tell, proof is only printed on labels today out of tradition. That, and for the fact that 100 proof sounds way cooler that 50% ABV.

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13
Q

Geographic Indications and Designations of Origin

A

Geographic Indications and Designations of Origin
Many styles and categories of spirits possess a Geographic Indication (GI), meaning they can only be made in a particular country or region. For example, Cognac is a brandy that must be made in the delimited “Cognac region” of France, tequila must be made in Mexico, and bourbon must be made in the United States.

A common subcategory of GI is a Designation of Origin (DO). These are based on more the concept of terroir, meaning some facet of the surrounding environment, be it the soil, climate, water source, etc., contributes defining characteristics to the spirit that would be inimitable elsewhere. These also often include production guidelines. Broadly speaking, the difference is philosophical. A Geographic Indication simply protects a country/regions right to their intellectual property, whereas a DO insinuates that property would be impossible to replicate elsewhere. They are meant to ensure quality and maintain the integrity of the property itself. But the lines of truth here can be gray, more on that below.

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14
Q

Appellation O’origine Contrôlée (AOC)

A

Appellation O’origine Contrôlée (AOC)
Countries have their own internal systems and titles (often it’s simply Designation of Origin in their native language) that govern these certifications. Globally, they are all presided over by the World Trade Organization (WTO). One of the best-known examples is France’s Appellation d’origine contrôlée (AOC) system, aka “Controlled Designation of Origin”. It originated in the 1400s and set the benchmark for many of the DO systems that exist today. A vast array of French products are protected under an AOC. In addition to location restrictions, they also contain highly detailed specifications on production which are forcefully upheld. Cognac, Armagnac, Calvados and Agricole Rhum from Martinique are all spirits that possess AOCs.

Why is all this important you ask? Because it often the best way parsing out the differences between spirit categories and styles, even if it’s purely technical. This is especially great for nerds like me who is obsessed with classifying everything.

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15
Q

GIs and DOs Aren’t Everything

A

GIs and DOs Aren’t Everything
Keep in mind, since each country has a different system, the standards are not all the same. This is particularly true of DOs. For example, in Mexico, but only 9 states have a DO that allows them to make an agave spirit labeled as Mezcal, though fantastic Mezcal is made all throughout Mexico, even if it can’t be labeled as such. The reason for this has more to do with bureaucracy than terroir. This is all to say, the lines between these Geographic Indications can be blurry.

On that note, remember that while these systems can be helpful and often raise the bar for many categories, there’s no certification for quality. Just because something is made in a certain place in a certain way doesn’t make it better. Nor does the fact that it was made somewhere else make it bad. Take Japanese whisky, it was created in the 1930s in the image of scotch, and for decades was dismissed as a cheap imitation. But in the last 25 years, Japan has come to be recognized for making some of the best whisky in the world. Keep an open mind. Labels aren’t everything.

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16
Q

How fermentation works

A

Fermentation is the one and only way booze can be created, and that is why we love it. It occurs between yeast and sugar. Under the right conditions - moist and warm is ideal - the yeast will consume the sugar, converting it into energy and excreting out alcohol (specifically, ethanol) in the process. Yeast will keep on devouring sugar, and thus producing alcohol, until all the available sugars are consumed, or the alcohol levels reach around 15-17% ABV, at which point the yeast can no longer survive and die off. To get the proof any higher, distillation is needed.

In addition to alcohol, yeast also expels carbon dioxide, which is what bakers utilize these to make bread rise and some brewers still rely on for carbonation in their beer.

A third byproduct of fermentation is the creation of congeners, which are a catch-all term for a variety of organic compounds that supply alcoholic beverages with flavor. Because ethanol on its own doesn’t taste like much. Brewers, winemakers, and distillers rely on congeners and employ a variety of techniques to manipulate the kinds that are created while maximizing the alcoholic output.

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17
Q

Lactic Acid Fermentation

A

Lactic Acid Fermentation
- This is another type of fermentation that it has nothing to do with making booze. It occurs when bacteria in dairy, fruits, and vegetables, or muscles cells in animals, find themselves in an environment with no available oxygen. As a last resort, these organisms ferment any available simple sugars to use as an alternative energy source and create lactic acid in the process. This method is responsible for producing many of your favorite fermented food products like yogurt, pickles, and kimchi. It is also why your muscles are sore after exerting yourself while exercising.

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18
Q

Yeast

A

Yeast
Yeast is type of single-celled fungus, not a bacteria, and a relative of mold. It exists pretty much everywhere - there are yeasts floating around aimlessly in the air around you - and there are hundreds of different species. Some cause infection, some spoil food, and some make alcohol. Most alcohol-making yeasts are members of the Saccharomyces genus. The species S. cerevisiae specifically supplies the strains commonly known as brewer’s and baker’s yeast.

All types, or strains, of yeast behave differently in different environments. Which strain a booze producer uses depends on the results they are after. Some producers use natural or “wild” yeasts, meaning they allow whatever yeasts are hanging around nearby to do the job, though most carefully select yeasts, or cultivate their own strains for optimal control of the flavor profile they are after. For those producers, yeast is a closely guarded proprietary commodity.

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19
Q

Simple Sugars

A

Simple Sugars
Sugar is a type of carbohydrate that takes on many forms in nature. Yeasts can only digest what are called simple sugars which are the most basic type of sugar molecule, common examples include glucose, fructose, and sucrose, the latter we know as table sugar. Each of their chemical structures is across the page, which are relatively simple and short.

Simple sugars exist in virtually all fruits as well as some plants - notably sugar cane. Thus, most fruit will easily ferment on its own. If you lightly crush a few grapes and leave them in a loosely covered container, a few days later it will have turned to wine (this seemingly magical phenomenon is probably one reason why wine is affiliated with divinity).

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20
Q

Starches - Complex Sugars

A

Starches - Complex Sugars
Another form that sugar takes is as a starch, such as the ones found in grains like corn, rye or wheat. Of course, grains like these are relied upon are the bases of two of life’s most indispensable delights: beer and whiskey.

But grains will not ferment naturally on their own, because starches are too complex for the yeast to digest. They are made up of multiple simple sugars strung together, this is illustrated across the page by two the most common starch molecules: amylose and amylopectin. As you can see, the chains are much longer and more elaborate. To ferment grains, starch needs to be separated into smaller easily-consumable simple sugars first.

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21
Q

Breaking Down Starches into Simple Sugars

A

Breaking Down Starches into Simple Sugars
Starches can be broken down into simple sugars by enzymes called amylase or diastase. Accessing these enzymes is done in one of three ways: Malting, Koji, and Human Saliva

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22
Q

Malting

A

Malting
As luck would have it, many grains already contain the amylase necessary to break down their starches, it just has to be activated. This is done by a method called malting, steeping the grain in water which convinces it that it’s time to germinate. This effectively releases the enzymes and the breakdown begins. In nature, the purpose of these enzymes is to create food and energy for the growing plant. But before actual germination can take place, the grains are dried, encapsulating the sugars for fermentation.

The most commonly malted grain is barely because it contains the highest concentration of amylase. Barley that has been malted is called, as you might imagine, malted barley, or simply “malt”.​

Malting is the traditional approach in the west for starch breakdown and is employed in the majority of whiskey and beer production.

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23
Q

Koji

A

Koji
Koji, aka Aspergillus oryzae, is a particular species of fungus that grows as a mold which contains the precious amylase. In this method, the koji is added to whatever is being fermented. This inoculates the batch with amylase and facilitates the breakdown.

This method was developed in the far east and is used to make sake, shochu, and other traditional Asian alcoholic beverages, though it can be used anywhere. Some Canadian whiskeys use koji, for example.

Koji fungus is usually cultivated with moldy rice cakes called “qus”. These often have yeast added to them so when introduced to a batch, the breakdown of starch and fermentation can happen simultaneously.

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24
Q

Human Saliva

A

Human Saliva
The third way to convert starch into fermentable sugars is the weirdest, but also the simplest. Chewing it! Human saliva contains the enzymes that do the trick. In fact, there’s a traditional drink in South America called Chicha which is made by chewing corn. Strange to be sure, but if I had no other option, I’d definitely I’d give it a shot.

It probably goes without saying that this method, thankfully, is not used for mass production.

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25
Q

Congeners

A

Congeners
As mentioned above, congener is an umbrella term for a collection of organic chemical compounds created during fermentation that supply spirits, wine, and beer with their particular flavors. Congeners make up for about 25% of a fermentation batch, the rest of which is alcohol (ethanol) and water. Some taste good, some taste bad, and some are downright toxic. Here are some examples of common congeners:

Methanol - A toxic type of alcohol that I like to call “bizarro ethanol”. Too much of it will make you go blind. Though it is ok in small amounts and is present in most spirits.

Acetaldehyde - A type of aldehyde (which is an oxidized alcohol) that has a sharp, metallic-y green apple flavor.

Acetone - A ketone that smells like nail polish remover.

Esters - A class of organic compounds that have varying fruity and floral aromas. You might say they are the brass ring of congeners. More on these below.

Sulfurous Compounds - A collection of compounds containing sulfur that have off-putting aromas of eggs and cabbage. Copper helps to strip these compounds out, which is why it is the go-to material for constructing stills.

Fusel Oils - A group of heavy, oily and generally unpleasant alcohols: butanol, propanol and amyl alcohol. Fusel is a German word for bad booze or rotgut. However, in small amounts, these can benefit a spirit’s body.

Acetic Acid - An acid that is best known for giving vinegar its familiar penetrating aroma.

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26
Q

A Bit More About Esters

A

A Bit More About Esters
Esters play an integral role in the flavor profile of many spirits so I thought I’d spend just a bit more time on them.

As I said above, esters are a class of organic compound that have varying fruity and floral aromas. Esters can be created during fermentation when an alcohol molecule and an acid molecule combine - both of which are plentiful of in a fermentation batch.

What I think is really cool about this is that two compounds with unappealing or even repulsive qualities can yield one that’s delicious. My favorite example is with the ester called Ethyl Butyrate, which I found described on cocktailwonk.com, a wonderful site for cocktail/spirits nerds, written by Matt Pietrek. In his words: “Ethyl Butyrate is formed when ethyl alcohol molecules combine with butyric acid. Butyric acid by itself has the smell of human vomit. But combine it with ethyl alcohol, and the resulting Ethyl Butyrate molecule smells of fruit and pineapple.”

So, human vomit flavor: eliminated. Pineapple flavor: created. Esters FTW!

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27
Q

Some Common Esters Found in Booze:

A
Some Common Esters Found in Booze:
Propyl acetate (Pears) 
Octyl acetate (Oranges) 
Isoamyl acetate (Banana) 
Butyl acetate (Apple) 
Methyl trans-cinnamate (Strawberry) 
Ethyl cinnamate (Cinnamon)
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28
Q

Apart from the strain of yeast being used, what other methods have producers used which influence the result of fermentation?

A

Time
A shorter fermentation - 3-4 days - will generally create fewer congeners and, thus, a milder tasting product because there will be less time for congeners to develop and react with one another. On the flip side, longer fermentations - 5 days and beyond - will develop more intense and diverse flavors. In extreme cases, fermentation will go on for 1-3 weeks, or even longer. In these cases, bacteria will eventually begin to form which adds another congener producing variable to the mix that further expands the flavor range - for better or worse.

Temperature and Oxygen
Warmer temperatures will increase the rate of fermentation and thus the development of congeners, while lower temperatures stretch out the process offering more control of microbial growth and avoiding the potential for spoilage. Access to oxygen, or lack thereof, is also key in how the yeasts behave. The result depends on the strain of yeast and the style of spirit being made.

Fluctuating the temperature and oxygen levels will cause the yeasts behave in abnormal ways, producing different congeners, notably esters. This is commonly known as intentionally “stressing” the yeast. If done wrong it can ruin a batch, but if done right it can give spirits wonderful depth and complexity. Note, for beer-makers stressed yeast is typically a bad thing because all the congeners created will remain in the final product. Brewers call these off flavors. But remember, distillers have the ability to remove, purify, and/or modify, congeners during and post-distillation.

Additives: Backset, Bacteria, Dunder
Sometimes other ingredients will be manually added to a fermentation batch to cultivate congeners or maintain a certain environment. One example of this is famously done in American whiskey production where it is known as the sour mash process. Dead yeast cells leftover in the still from a previous batch, also known as the backset, are introduced to the next fermentation batch to creates an acidic environment which is beneficial to the yeast. This method is also traditional with many Jamaican rums, where the backset is called “dunder “. Dunder is sometimes stored in pits called dunder pits or “muck” pits which helps to cultivate acid-producing bacteria that can be turned into esters when the dunder is added to the fermentation batch. This latter technique yields some of the most unique flavors you’ll ever encounter in a spirit.

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29
Q

How distillation works

A

Distillation is the second major stage of spirits production, after fermentation. To distill something means to purify or concentrate it. In booze terms, this means taking a lower proof fermented beverage, such as wine or beer, and extracting only the alcoholic elements. This is easily done thanks to physics.

Alcohol (or more specifically, ethanol) boils at a lower temperate, about 175º F, than water, 212º F. So when a wine is heated to a temperature in within that range, the alcoholic molecules will vaporize while everything else remains a liquid. This alcohol-rich steam can then be collected and condensed back into a liquid, which will have a higher alcoholic content. Now it will be on its way to being brandy.

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30
Q

The Still: The Pot and The Column

A

The Still
The Pot and The Column
A “still” is the instrument used to conduct distillation. There are two basic types: the pot still and the column still. The pot still is the basic, traditional model - you can see a crude example of one above - while the column still is more industrial, complicated, and capable of much higher volume. Broadly speaking, pot stills are used produce spirits that are fuller - both in flavor and body - whilst column-distilled spirits are tapped for purer, lighter, and cleaner tasting spirits. One still better than the other - despite what some may claim. They have different strengths and serve different purposes. In fact, today many craft distillers use what’s called a hybrid still, which blurs the line between the two and offers benefits of both. On this page, we’ll examine how both stills work and how they differently shape a spirit’s flavor. But first, let’s look at where a spirit’s flavor actually comes from…

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31
Q

A spirit’s flavor is determined by its congeners.

A

A spirit’s flavor is determined by its congeners.
As explained on the fermentation page, about 75% of a fermented liquid, aka wash, is water and alcohol - both of which have no flavor. The remaining 25% is made up of a variety of organic chemical compounds such as alcohols, aldehydes, acids, esters, etc. These are collectively known as congeners. They are what provide alcoholic beverages with their flavors, both good and bad.

So while the central goal of distillation is to extract alcohol, an equally important task is navigating the congeners. A distiller needs to keep the ones they want and remove the ones they don’t want (and in the right amounts) to achieve their desired flavor profile. They can’t simply cherry-pick their favorites either. Congeners exist in different parts of a distillation batch, aka “run”. Distillers choose congeners by keeping certain parts of the run and discarding (or recycling) others. So distillation is not really about flavor creation, but rather flavor separation.

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32
Q

3 Key Points to Remember about congeners in distillation

A
  1. How the congeners are separated depends on the type of still being used.

Pot Still: By Time
Column Still: By Position

Congeners all have different weights and thus will vaporize at different temperatures during distillation. How they are separated and selected by a distiller is different in a pot still than it is in a column still. Harold McGee explains it best - as he always seems to do - in his amazing book On Food and Cooking: “in a pot still, it’s done by time. In a column still, it’s done by position.” I know that makes no sense now.

  1. A spirit’s proof coming off the still corresponds with its congener levels. And thus, flavor.

Higher Proof = Lighter Flavor
Lower Proof = Fuller Flavor

If a spirit comes off the still at a higher ABV it will be purer in alcohol (ethanol) and have relatively fewer congeners, meaning it’ll have relatively less flavor. On the flip side, a spirit that comes off at a lower proof will have retained more congeners and, naturally, be more flavorful. To two prime examples: vodka, which is flavorless by design, is typically distilled to 94% ABV, and cognac, which is jam-packed with flavor, is never distilled higher than 72.4% ABV.

To be clear, less flavorful doesn’t mean the spirit is inferior in any way, nor does more flavorful mean superior. It’s just a question of a spirit’s style. Note, this fact about proof does not apply to bottles of booze at the liquor store. Nearly all spirits are diluted with water after before they are bottled, so the proof on their label will not be an indicator of congener content.

  1. “Reflux” is key to quality distillation, and spirit purity.
    Reflux is a phenomenon that happens inside a still. It refers to the repeated cycle of molecules (water, ethanol, and congeners) vaporizing, condensing, and vaporizing again before exiting the still. This cleanses the distillate of more congeners and leads to a greater extraction of alcohol, resulting in a more refined spirit. So the more reflux there is - as in, the more times this cycle of vaporizing and condensing is repeated - the purer and cleaner a spirit will be.

Different stills produce different levels of reflux, and all good spirits require some reflux. However, at certain levels the amount of reflux becomes stylistic choice.

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33
Q

The Pot Still: How it Works

A

The pot still is the prototypical design of the still and was the only way to make spirits for the first 1500 years (give or take a few centuries) of their existence. It is essentially configured as a kettle with a tube sprouting out of the top. The basic process is very simple. The fermented liquid, aka “wash” or “mash”, is placed in the pot. The pot is heated to somewhere between 175º F and 212º F, and the alcohol vaporizes. The alcoholic steam rises up and flows into the tube which is called a lyne arm or swan’s neck. The lyne arm is then run through what’s called the condenser which is often by being submerged in water. This cools and, naturally, condenses the steam back into a liquid, which is now much higher in alcohol content. The newly concentrated “spirit” then drips out of the still and is collected. Incidentally, the word distill comes from the Latin word “distillare” which means “to drip down”.

After one run through a pot still, a spirit’s strength will be about 20-25% ABV, this is often referred to as the “low wines”. A second, or sometimes even third, run is needed to get the spirit to an ideal 65-85% ABV (which will be diluted with water before bottling, of course).

Separation by Time
The run of a pot still, which, again, means it’s output, is categorized into three sections: the heads, hearts, and tails. These make up the beginning, middle, and end of the run, respectively. Each stage is characterized by what types of congeners the distillate contains. This is what I meant above when I said the congeners in a pot still are separated by time.

Making the Cut
The part of the run that is selected for aging or bottling is called the cut, which is determined by the distiller. Sometimes they will keep the just hearts, other times a bit of the heads and tails will be retained to give a spirit a more flavor and character. It all depends on the type and style of spirit being made. A quality pot-still spirit is like a quality cut of meat, it requires a quality butcher.

34
Q

The Three Stages of a Pot Still Run

A
  1. Heads (and Foreshots)
    The foreshots are the very first vapors to come off the still and are always discarded. The rest of the heads contain large amounts of higher alcohols and off-tasting congeners, such as the toxic methanol, acetaldehyde - which is often blamed for hangovers - and acetone, which smells like paint thinner. Much of the heads are discarded. However, there is some good stuff worth retaining, notably esters, which are fruity, floral compounds.
  2. Hearts
    This is the good stuff. The hearts are primarily ethanol and largely congener free. This is the purest, cleanest, and safest to drink part of the run.
  3. Tails (Feints)
    The tails, aka feints, are lower in alcohol and high in heftier congeners like fusel oils and fatty acids. Much of the tails are discarded, though some distillers rely on them for their oily texture to give a spirit more body. They also contain certain compounds which can assist in developing desired flavors during barrel maturation. Additionally, tails are rich in phenols, which among other things, are the compounds responsible for smoky aromas. For this reason, more tails are retained by distillers who make single malt scotch and mezcal.
35
Q

Is the pot still a better method of distillation?

A

A More Traditional Method, But is it Better?
Many still view the pot still as a superior method of distillation, particularly for fine barrel-aged spirits. One reason for this is pot-distilling is a slow, linear process, which gives distillers more hands-on control of the congener selection. Also, pot-distilled spirits generally retain more congeners than column-distilled spirits, particularly heavier ones. This is why you can count on spirits made in a pot still to generally be fuller flavored, which can mean rich and decadent, or rustic and rough around the edges. Again, it’s not about good or bad, just the desired flavor profile.

I personally don’t feel that pot stills are universally better than column stills, but there is no question that a large chunk of the world’s best spirits are indeed pot distilled. Though I’ll also point out that many of those spirits are required to be pot-distilled by law.

36
Q

Spirits that are still made in a pot still

A

Single Malt Scotch - Must be made pot still
Cognac - Must be made pot still
Most high quality tequilas and just about all mezcals
Many fuller bodied aged rums

37
Q

Disadvantages of a Pot Still

A

Disadvantages of a Pot Still
A pot still has a few operational drawbacks. For one, it is far less efficient at extracting alcohol than a column still, as we’ll see below, and thus they produce less volume. They also take much longer to operate, and the still needs to be cleaned after each run. In effect, making pot-distilled spirits is much more time consuming, and thus, much more expensive.

38
Q

The Importance of Copper in Pot Stills

A

The Importance of Copper
Pot stills are usually made from copper because is a superior heat conductor and stips out unpleasant sulfurous congeners. This is possible because copper reacts with sulfur compounds to form copper sulfate, which will stick to the inside of the still and effectively be removed from the distillate.

39
Q

How a Pot Still’s Shape Influences Reflux and Flavor

A

How a Pot Still’s Shape Influences Reflux and Flavor
When selecting or constructing a pot still, a distiller will consider a myriad of factors such as size, shape, and height, which will all have a bearing on what kind of congeners are captured, the amount of reflux created, and how the spirit ultimately will taste.

Generally shorter, squatter stills will capture more heavy congeners and induce less reflux because vaporized molecules don’t have to travel as far to reach the lyne arm. This produces fuller bodied spirits. Tall, narrow stills produce relatively lighter spirits because fewer congeners can make it all the way to the top before condensing and falling back into the pot. This creates more reflux and excludes more congeners, thus producing a lighter spirit. The angle of the lyne arm will have an impact on these factors as well.

Even seemingly minor details like how the still is heated - directly or indirectly - and how the vapor is condensed - tubes or a worm - will extert an influence on the distillate.

40
Q

The Column Still

A

The Column Still
When it was invented in the 1820s, the column still revolutionized the spirits industry (you can read more about the history of its development here). It is vastly more efficient and cost-effective than a pot still. A column still can be run continuously, so no cleaning between batches, and a single run can produce a spirit of far greater purity, up to a whopping 95% ABV!

The design is rather ingenious, and much more complicated than a pot still. Column stills are composed, as you may have guessed, like a column. Inside the column is a series of perforated plates - often made of copper - spaced apart like steps in a ladder. Each of these plates is essentially a mini-still that filters out congeners as the alcoholic vapor passes through. In essence, a column still is like several pot stills stacked on top of one another.

41
Q

How the column still works

A

How it Works
The wash is introduced into a column still towards the top, rather than being heated from the below, as in a pot still. At the bottom of the column hot steam is injected. This heats the descending wash and eventually vaporizes and strips out the alcoholic and other volatile molecules. As the vapor flows upwards, the plates provide a surface which compels heavier molecules to condense and drip back down the column to be vaporized again (reflux!), while the lighter molecules continue up the ladder. Confused? Check out the diagram on the right, it gives a clearer illustration of the journey the wash/vapor takes inside the still.

42
Q

The Column Still: Separation By Position

A

Separation By Position
Because the lighter molecules are able to rise higher in the column and heavier ones can only make it so far, the same types of congeners will collect at the same position. This is what I meant above when I said “separation by position”.

This brings us to the key difference between the pot still and column still. In a column still, the separation of heads, hearts, and tails happens inside the still, they don’t flow out on a linear timeline. So instead of waiting for the heart of the run, a distiller can easily access it directly at a certain position, or plate.

Additionally, many column stills are equipped with the ability to draw off collections of unwanted congeners residing at other points in the still and run them through again for further purification, allowing for maximum productivity and minimal waste.

43
Q

The Column Still:The “Industrial” Method

A

The “Industrial” Method
The advantages column still made large scale distillation possible. To quote Paul Pacult, “when running at full capacity, a column can do in 12 hours what a pot still can do in a week.”

Not only are they faster and more efficient, but they encourage a high level of reflux (reminder: congener cleansing) which is why they can produce spirits that are exceptionally pure and clean tasting, far beyond what is possible in a pot still no matter how many runs you do. So for lighter spirits like vodka, grain whiskey, and certain styles of white rum, the column still is the natural, and in many ways, the only option.

But this is not to say that columns stills are only good for making make lighter spirit at high volumes. There are plenty of complex, full-bodied spirits made in column stills such as American whiskey and Armagnac. More on this below in the “Pot vs. Column” section below.

44
Q

Varieties of Column Still

A

Varieties of Column Still
Like pot stills, column stills are not one size fits all. Some have multiple columns, some just one. Some column have a handful of plates, others have 60. Again, it depends on what’s being made. With a spirit like vodka, the goal is to make the lightest, purest spirit possible, so there may be several individual columns each with 50-60 plates. For fuller bodied spirits like American whiskey or Armagnac there will only be one column with far fewer plates so some of those heavier congeners are retained.

On top of that, a distiller has the option of opening some of the plates and allowing the vapor to bypass them without condensing. They could even bypass a whole column. This offers great flexibility and autonomy. As Dave Broom notes when discussing a particular column still in his 2003 book “Rum”: “a distiller can make a huge number of marks [styles] with this system. In Guyana, for example, D.D.L. [a distillery] makes nine different marks on its three column stills.”

45
Q

Spirits that are typically made in a column still:

A

Spirits that are typically made in a column still:
Vodka
Gin
Lighter style rums.
Grain whiskey for blended scotch, Canadian, and Irish whiskey.
Most large scale American whiskeys - bourbon and rye.
Armagnac - usually made in a hybrid still, see below.

46
Q

Hybrid Still

A

Hybrid Still
As distilling technology has improved, the still has become a much more pliable tool, and the line between the pot and column styles has become increasingly blurred.

Case in point, nowadays many distillers and use what’s called a hybrid still, which is composed of a pot with a column on top, or connected to it. This allows for great versatility. It can be run with the efficiency of a column still but gives a distiller the option of opening up all, or some, of the plates so the vapor flows unimpeded making the still behave more like a traditional pot. These types of still are especially useful for craft distillers who are making small batches of multiple styles of spirit. They are redefining how stills are thought of as we know it.

47
Q

Pot vs Column - Is One Better?

A

No. Both stills can be used to make excellent spirits, as well as substandard ones. It can be tempting to broadly characterize pot-distilled spirits as heavier and more complex and column still spirits as often lighter and purer, but that’s oversimplifying things.

Sure, there are examples that support this generalization. For instance, the best tequilas are made in a pot still, whereas lower quality mass-market brands generally use column stills. I’m not saying every type of spirit could be replicated on any type of still, it’s not that black and white. Each still has its pros and cons.

The type of still used by a distiller - pot, column, or hybrid - will depend on the style of spirit being made, the legalities governing that spirit’s category, and the commercial size of the distillery. But regardless, in the end, quality will always rely on the skill of the distiller and the quality of the base ingredients, not from the still itself.

48
Q

Overview of Barrel Maturation

A

Aging a spirit in a barrel is one of the most transformative, and romanticized, methods in all of spirits production. The basic concept is straightforward: after distillation, a spirit is placed in a barrel, typically made of oak, which over time imparts the spirit with a brownish amber color and “oak-y” flavors like vanilla and toffee. The longer a spirit ages, which can be anywhere from few a months to over half a century, the more pronounced these effects will be.

But contrary to popular belief, barrel aging is not just about time (and longer isn’t necessarily better). Several other elements have an impact including the barrel’s size, shape, and condition, the species of oak it is made from, and the climate that surrounds it. For this reason, I prefer the term “barrel maturation” for this process. Aging is strictly linear, whereas, for maturity, age is only one of many factors.

Barrel maturation is employed across virtually every spirit category from whiskey to tequila to gin (sometimes).

49
Q

Spirits Will Mature Even without Barrels

A

Spirits Will Mature Even without Barrels
Before we get into barrels, it’s important to note that spirits will change and mature over time even if there’s no wood involved. This is particularly true right after distillation when the slew of organic compounds within a spirit (which you can read more about here) are especially active. For this reason, many clear unaged spirits are rested in neutral containers, which are typically made from stainless steel, before being bottling. This allows harsher flavors to soften and disparate ones to harmonize. It doesn’t add color or new flavors, but for many spirits, it is a very important step. Sometimes they’ll rest for just a few weeks, but it can be much longer. For example, a component of Yagurara Cachaça’s Blue blend rests in a neutral container for 10 months before blending.

50
Q

What Happens When a Spirit Goes into a Barrel

A
  1. Flavor Extraction
  2. Flavor Creation
  3. Evaporation and Flavor Concentration
51
Q

Barrel Flavor Extraction

A

Flavor Extraction - This is the most obvious impact of barrel maturation and it is a big one indeed. When a spirit comes in contact with wood, flavor compounds such as vanillin (vanilla), oak lactones (peach, coconut), guaiacyl (smoke, barbeque) and eugenol (clove-like) seep out of the wood and dissolve into the booze, imparting the “oaky” flavor we associate with barrel-aged spirits.
Wood also imparts tannins, which are compounds that add astringency and a touch of bitterness, both of which is important to a well-rounded aged spirit. Tannins are also found in grape skins and are a key component in wine.

While flavor extraction will continue throughout a spirit’s maturation time, it is frontloaded. A large portion of extraction occurs within the first year of aging.

52
Q

Barrel Flavor Creation

A

Flavor Creation - A spirit doesn’t just obtain flavors from the barrel, they are created inside it as well.
​​
Esterification - When compounds extracted from the wood and compounds in the spirit react with one another, it results in the formation of new compounds and thus, new flavors. The primary example of this is the creation of esters, known as esterification, which are derived through the joining of an alcohol and an acid, both a which are numerous in a barrel full of booze. As discussed on the fermentation page, these are responsible for a variety of fruity and floral aromas.

Oxidation - Since wood is porous, air can freely make it inside the barrel, and when oxygen interacts with the spirit and wood compounds, it causes a flurry of redox reactions (aka oxidation) that further influences the creation of flavors. For example, the oxidation of an alcohol molecule will often yield carboxylic acid, which is the most common acid involved in the aformentioned esterification.

53
Q

Barrel Evaporation and Flavor Concentration

A

Evaporation and Flavor Concentration - In addition to oxygen getting in, things can evaporate out of a barrel too, be it alcohol, water or some other compound. This means the amount of liquid in a barrel will decrease over time, usually between 2-5% per year. This lost product is famously known as the “angel’s share” and it is one of the primary reasons older booze is more expensive. Because the longer it sits in a barrel, the less of it there will be.
Which parts of a spirit are lost to the angel’s share depends largely on humidity. In drier climates, more water evaporates than alcohol so the spirit’s proof goes up, and the inverse is true in more humid climates. There’s more on this below, in the environmental factors section. Outside of water and ethanol (alcohol), lighter compounds are also susceptible to evaporation, so the amount of heads (see the distillation page) in a spirit, such as acetaldehyde, are usually be reduced in a barrel.

The loss of these various components means whatever flavor compounds are left behind will be more concentrated and thus, more potent. This impact will intensify the longer a spirit ages for.

54
Q

Why oak? (in barrel maturation)

A

Why Oak?
Virtually all barrels used for aging spirits, as well as wine, are made from oak. Other woods have been experimented with over time, but oak was widely adopted because it possessed several benefits. The primary advantage, initially, was that it made casks that were airtight. But in a kind of serendipitous perk, producers soon realized that oak also imparted a pleasing range of complex flavors that were balanced and not overwhelming.

55
Q

Different Spiecies of Oak

A

Different Spiecies of Oak
There are hundreds of species that fall under the oak genus, Quercus. But only a few are used to make barrels for spirits maturation. The most common species are American white oak (quercus alba) and French oak (quercus robus). This doesn’t just mean oak from the United States or France, they can grow anywhere, though they are generally native to the parts of the world they are named after. All oak barrels will offer broad flavors of vanilla, fruit, and spice, though there are deeper complexities that distinguish one species from another.

56
Q

American white oak

A

American white oak (Quercus alba) - American white oak tends to be sweeter with more flavors of coconut, dill, peach, and toffee. Naturally, it makes up the majority of barrels made in America, most of which are used to age American whiskey, notably bourbon. By law, bourbon can only be aged in brand new barrels which is why much of the rest of the world ages their spirits in ex-bourbon barrels (more on that below).

57
Q

French oak

A

French oak (Quercus robur) - French oak lends more nuanced flavors of dried fruit, spice, and tannins to spirits. It tends to have a tighter grain which means it is more porous and allows more oxygen to pass through, thus creating more oxidation. The tighter grain also means the French oak staves must to be split, rather than sawn like the wider grained American oak. This added labor makes French oak barrels more expensive. French oak is best known for aging Cognac.

58
Q

Sessile oak

A

Sessile oak (Quercus petraea) - This is another common type of European oak. It is used more for wine and less for aging spirits, though it is notably utilized for some longer aged Cognacs. Sessile has an even tighter grain than French oak so it is even more porous and gives off relatively subtler flavors and tannins.

59
Q

Japanese Mizunara oak

A

Japanese Mizunara oak (Quercus crispula) - This variety of Mongolian oak has seen increased use in aging Japanese whiskeys and is beginning to expand further. Mizunara has high levels of vanilla, honey, and floral spice flavors. The wood is knotty, and more difficult to make into barrels, which makes it more expensive.

60
Q

The Composition of Oak

A

The Composition of Oak
Oak is largely composed of 3 basic substances: cellulose, hemicellulose, and lignin. The rest of it is a variety of organic compounds and tannins. Cellulose and hemicellulose are the actual wood cells and account for 65%-80% of the wood’s total structure. They are composed of long chains of simple sugars. Cellulose is harder and is mostly insoluble so it does not supply much flavor, if any at all. Hemicellulose will partially break down into simpler sugars when heat is applied, which can add sweetness and body to a spirit.

Lignin has the most flavor potential. It is the binding agent of the wood cells and contains several desired flavor compounds that impart aromas like clove, vanilla, toffee, smoke, and roasted coffee. When treated with heat, lignin breaks down making those yummy smelling compounds more available for extraction. Prolonged aging will produce further breakdown of lignin, resulting in more complex and extractable deliciousness.

61
Q

Barrel Size

A

Barrel Size
Barrels vary in shape and size. In larger barrels, extraction takes longer because there’s less wood in direct contact with the spirit. Smaller barrels have a higher wood to spirit surface area ratio, so extraction will happen more quickly. But this doesn’t mean a small barrel will produce the same result as a large barrel in less time. Other reactions like esterification and oxidation occur at the same rate no matter how the barrel size. So a small barrel-aged spirit in a may resemble like an older one in some respects, but it won’t be fully mature.

62
Q

Standard American Barrel

A

Standard American Barrel, 53 gallons - These are the most common barrel size. They are predominantly made with white oak and many consider them to be the ideal barrel size for whiskey.

63
Q

Hogshead

A

Hogshead, 63 gallons - These are 5 American barrels, dissembled and reassembled to be 4 slightly larger barrels.

64
Q

Sherry Butt

A

Sherry Butt, 132 gallons - These are taller and more slender and, as you might imagine, used for aging sherry. Ex-sherry casks are popular in the whiskey industry, particularly those made in the British Isles (Scotch and Irish whiskey). Often they are produced exclusively for whiskey and seasoned with sherry for 3 years before being shipped to the producer.

65
Q

Quarter Cask

A

Quarter Cask, 13 gallons - These are a quarter of the size of an American barrel. They are often used for “finishing” a spirit for a short period at the end of the aging process.

66
Q

How Barrels are Made

A

How Barrels are Made
Barrels are crafted from the inner heartwood of the tree, which is the dry center that supports the green outer layers. It is cut into staves which are then dried before being formed into barrels. How they are dried - naturally, indoors, outdoors, in a kiln - and for how long, will have different impacts on the character of the wood and the flavors that it will impart. Generally speaking, longer natural drying periods (as in, no kilns) is said to produce better and more complex flavors. Also, drying outdoors, which subjects the wood to the elements, is believed to remove some tannins that can cause unwanted astringency. That being said, many of your (and my) favorite spirits are aged in kiln-dried barrels indoors. To see a barrel being formed check out this nifty video from Jack Daniel’s.

67
Q

Toasting vs. Charring

A

Toasting vs. Charring
Once barrel assembly is complete, the inside will be subjected to heat - as you’ll see in the video link above. This opens up the wood’s pores, allowing for greater contact with the spirit, and breaks down the hemicellulose and lignin into sugars and other desirable flavor compounds for easier extraction. How a barrel is heated, toasted or charred, will greatly influence the types of flavors it will give off. Toasting is more delicate. It is done at a lower temperature and takes 5-6 minutes, resulting in more delicate flavors that are less sweet overall. Charring basically means to burn a barrel with an open flame for about 30 seconds, creating a layer of black char. This further caramelizes the sugars which gives spirits more intense flavor, sweetness, and color. Char also works as a filter to remove unwanted compounds like sulfur, and other heavier tails elements. Traditionally, French oak barrels are toasted whilst American whiskey barrels are charred.

68
Q

New vs. Used Barrels

A

New vs. Used Barrels
Whether a barrel is new or used (meaning it previously aged a spirit), is one of the most telling indicators of the flavors it will contribute. New barrels give off stronger flavors of toffee and vanilla, while used barrels have already had those flavors tapped out, so their effect is softer and more subdued. It’s like reusing a tea bag, each time a barrel is used, or “filled”, it’s potency will decrease. A barrel can be generally be used 4 or 5 times before it no longer has any flavor to give.

New barrels versus used barrels isn’t a question of better or worse. It’s about the profile you’re after. A used barrel may impart less intense flavors, but that will allow other flavors to come through that wouldn’t have otherwise. As I mentioned above, American whiskey is routinely aged new oak barrels, particularly bourbon, which gives bourbon much of its trademark flavor. Because a barrel is only new once, the bourbon industry churns out most of the world’s used barrels, which are relatively inexpensive. Scotch, rum, and tequila all typically are aged in ex-bourbon casks. Other types of used barrels the see some action are ex-rum, sherry, Port, Madeira and other types of wine casks. Cognac typically uses a combination of new and used barrels, they rarely use ex-bourbon casks.

Used barrels may also be “rejuvenated” by scraping off their inner layer then being re-charred or toasted. This makes more extractives available, though a rejuvenated barrel will still not be quite as potent as a brand new one. Still, it is an effective method of prolonging the a barrel’s lifetime.

69
Q

Aging Factors Outside the Barrel: Heat

A

Heat
When alcohol warms up, it expands. So in hotter climates, if a barrel is filled to the brim, the spirit will be pushed into the pores of the wood, which extracts more flavor and creates more breakdown of lignin, thus creating even more extractable compounds.

In climates that have large seasonal fluctuations in temperature, a spirit will be in a cycle of being pushed into the barrel in the summer and then trickling out in the winter. The bigger the swing in temperature, the more dramatic this cycle will be.

This is important to remember when considering a spirit’s age relative to where it was made. For example, in the temperate climate in Scotland single malt scotch is often aged for a bare minimum of 8-10 years before being considered ready for bottling, whereas in the much hotter Caribbean, aged rum can be ready in just a few years. As the saying goes, three years in Scotland is one in the Caribbean.

70
Q

Aging Factors Outside the Barrel: Humidity

A

Humidity
The level of humidity will determine whether more water or alcohol will evaporate out of a barrel as part of the angel’s share, and thus whether the proof of the spirit goes up or down as it ages. In more humid climates, more alcohol evaporates than water so the proof of the spirit goes down. This is the case with scotch, Japanese whiskey, cognac, and many rums. In drier climates, more water evaporates and the proof goes up. American whiskey made in Kentucky is a primary example. So again:

High Humidity - Proof goes down
Low Humidity (dry) - Poof goes up
71
Q

Aging Factors Outside the Barrel: Warehouse Positioning

A

Warehouse Positioning
Amazingly, the type of warehouse a barrel is stored in and how will have an effect on the resulting spirit. Barrels can be stacked high, lined in rows, kept in the cellar, and a whole host of other options that will change the result. Even where a spirit is positioned in the warehouse makes a difference. For example, in American whiskey rickhouses where the barrels are often stacked very high, the barrels on top will age differently than the ones on the bottom because it is warmer towards the ceiling.

Managing the environment within an aging facility is a key area of concern for a spirits producer. Temperature, ventilation, insulation, air circulation, barrel rotation, and other factors are all taken into account and manipulated as needed.

72
Q

The Importance of time in barrel maturation

A

Age is probably the biggest value consumers place on spirits, and it’s easy to understand why. Time is a tangible, and easy to measure commodity. But older is not always better. In many cases it is, especially on the front end. A 4 or 5-year-old whiskey will always be better than a 1 or 2 year. But once you get into a decade and beyond age becomes a less reliable indicator of quality. Not every spirit is better at 20 than it was at 12. It is absolutely possible to overage at which point a spirit becomes dominated by wood and has muted flavors that lack nuance.

Regardless of this, older spirits will always cost more because the producer has invested more time in them. So remember that while price correlates with age, it doesn’t not necessarily correlate with quality.

Extreme Aging
That all being said, many spirits that are aged for 15-20 years or more are among the best you will ever taste. This or a variety of reasons. The superior qualities of ultra-aged spirits are largely due to prolonged oxidation and take a long time to develop (contrary to popular assumption, flavor extraction, while key, is front-loaded. After the first 12 months it will begin to taper off). For example, the heralded rancio aroma in Cognac, which occurs when fatty acids oxidize into ketones, doesn’t begin to appear for at least 10 years.

Another reason ultra-aged spirits are so special is that they stood out from the crowd. Every barrel reaches its “peak” at a different point. Only a small handful of barrels will keep improving after 20, 30 years. The producer needs to be paying attention to find that diamond in the rough that can go another extra decade. Concurrently, they also need to know when to pull the plug and bottle something when it’s ready before it begins to decline.

So yes, many of the best Cognacs, single malt scotches and bourbons are very old, but it is not solely because someone has the patience to wait that long. It’s because the producer overseeing the maturation has a keen understanding of all the elements discussed above and knows how to nurture that spirit to reach its full potential, whenever that may be.

73
Q

Solera System

A

Solera System
A solera is a style of blending spirits from barrels over a very long period of time. It is often employed in sherry, port and some rums productions, among others. Barrels are stacked in rows on top of one another and the barrels on the bottom row are the ones drawn from for bottling. But typically no more than 30% is taken at any given time, so the barrel it is never fully drained. After drawing the spirit, the barrels are then be topped off with contents from the row above, and those barrels are filled from the next row up, and so on. Any newly made product is be added to the top row. So barrels used for bottling contains elements of every batch that came before it. Some soleras have been going on for over 100 years, and in theory, today’s bottles will still contain traces of the very first batch. Sure it’s in very small amounts. But who cares, it’s super cool

74
Q

Multiple Barrels and Finishing

A

Multiple Barrels and Finishing
While many spirit categories have specific regulations on aging, which will be covered on each spirit’s individual page, there is often plenty of room for variety. For example, many spirits don’t just see one barrel in their maturation lifetime. Sometimes a combination of casks are used. Cognac will often start aging in a new barrel and then transfer to a used one after a year or two.

Finishing is another common technique that involves putting the spirit into a new barrel for a few months up to a couple of years to add a final layer of complexity. A finishing cask will usually have some distinguishing characteristic, ex-rum, port, madeira and sherry casks, among others, are commonly used.

75
Q

Filtration

A

Filtration
Many spirits are filtered to remove impurities to render a softer and cleaner spirit. Charcoal is the most common filter, particularly with vodka. Sometimes a spirit will be will be aged in a barrel to give it a richer flavor and then filtered to remove the color - this is common amongst many of the best white rums. Tennessee whiskey is famously filtered through sugar maple charcoal, aka the Lincoln Country Process, which imparts a mellowness that’s lightly sweet.

Side note: though it has many tangible benefits, I think it’s fair to say that filtration’s effect can sometimes be over-stated in marketing, particularly in the premium vodka market. A fancy, extensive filtration process won’t make as big of a difference as is sometimes claimed.

76
Q

Chill Filtration

A

Chill Filtration - Many barrel-aged spirits contain heavier compounds that are not soluble in water, which means if you put an ice cube into them they will become slightly cloudy. Chill filtration is a method that solves this problem. The spirit is chilled to freezing temperatures at which point these compounds can be filtered out.

This is done purely for aesthetic reasons, as cloudy booze doesn’t look as nice. Some whiskey purists disapprove of this practice because they say it sacrifices texture and flavor. From what I’ve tasted I think there may be something to that, but the jury is out. It should also be noted that if a spirit is above 46% ABV cloudiness will not appear, regardless of chill filtration. Regardless, many high proof whiskeys will still proudly state that they are non-chill filtered primarily because it is perceived as being more authentic.

77
Q

Coloring

A

Coloring
Though it may sound like the epitome of inauthenticity, the use of coloring is very common across all barrel-aged spirit categories, and not just lower quality ones. Many of the most highly respected Single Malt Scotches and Cognacs contain coloring, as do most dark rums.

Coloring is primarily done for two reasons: consistency, so each bottle within a brand looks the same, and to make a spirit appear older to consumers. The latter is not as nefarious as it may sound, some spirits don’t acquire as much color as you’d think during aging, particularly when used barrels are used. So coloring is more to cater to consumer’s expectations, not to deceive them outright.

The type of coloring that’s used is called caramel coloring which, despite its name, doesn’t add any sweetness. The types of caramel used are E150a (typically used for Scotch) and E150b (typically used for Cognac). They actually taste bitter in their concentrated form and are not meant to affect the flavor of a spirit. Some argue it does affect flavor, actually, some say it has the positive effect of bringing blends together. But I think any impact it is minimal at best.

My general view of coloring is that while it seems a bit disingenuous, I don’t think it degrades the product, so I don’t oppose it outright. But I do think there’s something to be said for letting spirits exist as they are, and not worrying about appearances.

78
Q

Blending

A

Blending
Blending occurs across all spirit categories and can refer to two different things. One is mixing different batches of the same spirit to ensure each bottle is consistent from the next as is very common with all mass market spirits. The other type of blending is mixing spirits with different characteristics to create something new, such as blended scotch and many rums. In the case of the latter sometimes scores of different spirits will be used in a blend. It’s a bit like making a cocktail in a bottle.

79
Q

Flavoring

A

Flavoring
Flavoring is a loaded word in the spirit-making world. It often brings to mind products like whipped cream vodka, salted caramel whiskey, and sour cherry rum. It probably goes without saying that I am not an avid fan of these types of spirits. Not that I’m above it, I just don’t think they taste good. But a flavored spirit isn’t an inherently bad thing. What generally sets them apart is whether the flavors come from natural or artificial sources.

80
Q

Natural Flavoring

A

This can mean two things: infusing real whole ingredients - either by putting them in the still during distillation or steeping them afterward - or adding naturally derived essences. Many of these products are wonderful. Plantation’s Pineapple Rum, for example, is one of the tastiest beverages I’ve ever had. You could even make a case that the entire category of gin is a flavored spirit. It’s basically a vodka that is infused with botanicals during distillation.

81
Q

Artificial Flavoring

A

These are the flavored vodkas and rums you see lining every backbar in America. Their flavors are usually provided by flavor compounds assembled in a lab meant to mimic a natural flavor. They are also usually heavily sweetened. To be fair, these products are not always bad tasting, though many flavors these days venture into the absurd. but they generally lack the nuances that make for a good cocktail ingredient. I like my rum to taste like rum. If I want some cherries along with it, I’ll add them myself.

82
Q

Dilution

A

Dilution
Most spirits are diluted with water before they are bottled, this step is also called “proofing”. After distillation spirits are typically between 60% and 95% ABV while anything you’ll find on the shelf of a liquor store is generally taken between 40-50% (the minimum spirit strength in the United States is 40% ABV, in Europe it’s 37.5% ABV). This step is another key decision for the distiller. Alcohol intensifies flavor and even a degree of proof can make a big difference.

Some barrel-aged spirits are diluted before they go into a barrel, some after, some gradually over time, or a combination of all of the above.

Only a handful of spirits see no dilution. Some whiskeies are released at “cask strength” and some spirits are “distilled to proof”, meaning the still is kept running until enough tails come through to bring the proof down to the desired level. Chilean pisco is one example of this.