theories of arousal Flashcards

1
Q

define arousal

A

how psychologically alert an athlete is

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2
Q

describe Hull’s drive theory of arousal

A
  • as motivation inscreases so does arousal
  • as arousal increases, performance increases
  • linear relationship between performance and arousal
  • performance = habit strength x drive
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3
Q

explain Hull’s Drive Theory of arousal

A
  • increase in arousal causes the dominant repsonse to occur
  • experienced athletes are more likely to give the correct dominant response so performs better with high levels of arousal e.g. expert dancer scores their best score in their dance exam
  • congitive learners/ begginners are more likely to give the incorrect dominant response so need low levels of arousal as they need time tomake the decisions. e.g. a novice rounders player tries to impress friend but misses the ball
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4
Q

describe the Inverted U Theory of arousal

A
  • initially as aorusal increases so does performance but only to a certain level
  • optimum performance occurs at moderate levels of arousal - if maintained then peak flow experience occurs
  • over-arousal causes a decrease in performance e.g. a footballer misses the target when take a penalty in an important shoot out as they are trying too hard
  • peak flow - focused on task, skill is effortless, without thought, automatic, goal-directed in the zone
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5
Q

explain the Inverted U Theory of arousal

A

optimum performance can depend on 3 key factors:
1. the nature of the task: fine & complex skills need low levels of arousal whereas gross & simple skills need high levels of arousal
2. skill level of the performer: elite need high levels of arousal whereas a novice needs low level of arousal
3. personality of the performer: intorvert needs low levels of arousal whereas an extrovert needs high levels of arousal

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6
Q

describe the Catastrophe Theory of arousal

A
  • initially as arousal increases so does performance
  • over-arousal can cause catastrophe & performance decreases
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7
Q

explain the Catastrophe Theory of arousal

A
  • a somatic arousal increases the quality of performance increases
  • optimal performance will only be achieved if cognitive arousal is kept low
  • high cognitive arousal and high somatic arousal causes sudden dramatic drop in performance (catastrophe) * e.g. a footballer putting in a dangerous tackkle in the first 5 minutes of an important cup game *
  • if arousal continues to rise performance drops more or if cognitive arousal can be lowered the performance can start to recover
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8
Q

describe peak flow experience

A
  • a phrase used to describe those achieving optimum performance levels and associte with a particular response.
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9
Q

decsribe the strengths of Hull’s Drive Theory of arousal

A
  • simple to understand
  • made more reliable by relating arousal to dominant response
  • for some performers this is an accurate representation of what happens when arousal increases
  • it helps teachers/ coaches to understand effect of arousal on performance
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10
Q

describe the problems with Hull’s Drive Theory of arousal

A
  • quality of performance does not always increase as levels of arousal increase
  • too simplistic view of the relationship between arousal and performance
  • doesn’t take into account individual differences/ level of performer/ personality/ type of skill
  • doesnt explain the decline in peformance at high arousal
  • doesn’t explain why some people/ experts/ extroverts perform well at low arousal
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11
Q

describe the strengths of the Inverted U Theory of arousal

A
  • seen to be more relaistic than Hull’s drive theory - it is true that there is a certain optimum point of arousal
  • simple/ easy to understand
  • helps coaches to understand effect of arousal on performance
  • the optimal point of arousal can shift higher or lower for different personalities/ skill types
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12
Q

describe the problems with the inverted U theory of arousal

A
  • still too simple a view of the relationship between arousal and performance
  • doesn’t consider the effect if different types of arousal on performance
  • it could be said to be too even a distribution/ relationship may not be U shaped
  • it doesnt say what happens after peoplen under perform when over aroused
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13
Q

describe the strengths of the catastrophe theory of arousal

A
  • shows a sudden decrease in performance, which is more likely then a gradual decline
  • takes into account the relationship of both cognitive & somatic types of arousal
  • shows that a performer can recover by lowering arousal resulting in performance improving again
  • currently the more accepted explanation
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14
Q

describe the problem with the catastrophe theory of arousal

A
  • not all performers will have sudden decline in performance when over aroused
  • optimum arousal may not be at a mid-way point
  • doesn’t take into account personality/ level of performer/ type of skill
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