PE | 1 Flashcards

1
Q

HIPHOP TYPES:

A

Breakdancing
Boogaloo
Locking
Krumping
Popping
Lyrical hip-hop

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2
Q

an activity which can take take many forms and fill many different needs

A

dance

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3
Q

the art of body movement

A

dance

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4
Q

It can be recreation, entertainment, education, therapy, and religion

A

dance

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5
Q

An aesthetic or even entertaining experience

A

Dance

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5
Q

Dancing was taught as an aid to military education among boys in Athens and Sparta

A

Greek

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5
Q

It was only during the pre-Christian era that the real knowledge of dance came about within the Great Mediterranean and Middle Eastern civilations.

A

Egypt

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6
Q

Types of dance:

A

Traditional
Cheerdance
Modern and Contemporary
Hip-hop
Ballroom
Festival

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7
Q

BENEFITS OF DANCE:

A

Strengthens cardiovascular fitness
Increases muscular strength and endurance
Improves motor control
Builds confidence and better social skills
Relieves stress
Promotes culture

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8
Q

are dances that reflect the country’s cultures

A

Tradional Dance

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9
Q

comes from the word “bird”. It is a tribal dance of Bontoc that portrays the hunting ritual of the tribe. The men use “bahag” as a costume.

A

Idaw

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9
Q

Luzon traditional folk dances:

A

Banga
Idaw
Idudu
Ragsaksakan
Sayaw sa Banko
Subli

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10
Q

It means “pot”. It is a dance of the Igorot and Kalinga from Mountain Province. It makes use of pots and portrays the women fetching water from the river. Dancers lift and balance up to eight pots while dancing.

A

Banga

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11
Q

It means “fun”. It is a dance performed by Kalinga women as a celebration of a succesful hunt or a peace between tribes. They make use of colorful blankets and baskets full of rice.

A

Ragsaksakan

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11
Q

Tribal dance of the Itneg/Tinggian from Abra, Cordillera. The dance portrays a day in a life of a family - the mothers taking care of the children while the father is working and vice-versa.

A

Idudu

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12
Q

A dance that originated in Lingayen, Pangasinan. It is a dance that involves some acrobatics as a pair dances while balancing themselves on top of a “banko” or a long chair.

A

Sayaw sa banko

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13
Q

Came from the words “subsub” (falling on head) and “bali” (broken). It is a dance from Bauan, Batangas which is performed usually on May as worship to the Holy Cross of Alitagtag.

A

Subli

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14
Q

Also known as “magbabao” is a dance from Binan, Laguna that portrays a war for coconut meat or “latik”. The dance is usually performed by men and uses coconut shells as props.

A

Maglalatik

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15
Q

VISAYAS TRADITIONAL FOLK DANCES:

A

Tinikling
Gapnod
La Berde
Kuradang
Itik itik
Mananguete

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16
Q

A dance from Leyte Province, is inspired by the movements of the bird tikling that hops over stems and bamboo traps set by farmers. It is danced by a pair with another pair beating and sliding the bamboo poles on the ground.

A

Tinikling

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17
Q

A Cebuano word that means “flotsam”. It is a dance of the people of Negros Oriental that portrays the reenactment of the discovery of the image of St. Anthony of Padua.

A

Gapnod

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18
Q

Which means “green” is a dance from Talamban, Cebu. It portrays courtship of usually two girls and a boy.

A

La berde

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19
Q

a dance originated in Bohol, is an upbeating wedding dance. It is performed with rondalla accompaniment.

A

Kuradang

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20
Q

A dance that portrays the movements of flying ducks also known as itik. It originated from Surigao Del Sur.

A

Itik itik

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21
Means "Coconut Wine Tapper". A dance Tolambugan, Lanao that portrays the process of making coconut wine.
Mananguete
22
MINDANAO TRADITIONAL FOLK DANCES:
Singkil Kini kini Pangalay Asik
23
A dance from the Maranao, was inspired by the Indian epic Ramayana. It makes use of colorful costumes and fans. It portrays the escape of a princess from a demon. It is danced by a royal blood signifying that she is now ready for suitors.
Singkil
24
also known as "Royal Walk". This is the most sophisticated dance by Maranao women. It is a dance that shows the women's social status. It makes use of colorful umbrellas and scarves that are waved in a graceful manner.
Kini kini
25
also known as the "fingernail" dance of the Tausug group from the Sulu archipelago and Sabah is a very delicate dance. It is usually performed by Badjaos or sea gypsies.
Pangalay
26
a solo dance by a maiden. Portrays slavery of a girl willing to give herself to a master. She makes use of long beads amd colorful scarves.
Asik
27
Performed as an art expression. They evolved from the choreography of ballet.
Modern and Contemporary dances
28
A type of dance that involves artistic and expressive movements. It was made to believe from the strict rules of ballet.
Modern dance
29
Involves the movements of most parts of the body. It has choreography of jumps and acrobatics.
Modern dance
30
Patterns itself from the choreography of ballet such as stretching, pulling up, and tip toeing and is influenced by jazz and classical music.
Contemporary dance
31
Are dances performed in a pair or group of pairs for socializing or competitions.
Ballroom dance and Social dance
32
came from the words "ball" which means a large room and "ballare", which means to dance. It was popular among the rich people from England in the 18th and 19th century.
Ballroom
33
flowy steps, uses entire dance floor
Smooth
34
energetic steps, stays in one pot
Latin
35
TYPES OF BALLROOM DANCE:
Smooth Latin
36
BALLROOM DANCES:
Waltz Tango Foxtrot Quickstep Cha cha Samba Rumba Paso Doble Jive
37
an elegant and graceful dance characterized by flowing movements and continuous turns and glides.
Waltz
38
a sensual dance influenced by the Spanish and African culture.
Tango
39
a simple, not so refined, and a versatile dance. It can be danced in a variety of tempo when not in competition.
Foxtrot
40
a faster version of Foxtrot. It involves quick-stepping and running.
Quickstep
40
a popular Brazilian ballroom dance that can be danced in solo or in pairs.
Samba
41
characterized by lively and energized synchronized movements.
Cha cha
42
is danced in a dramatic, arrogant, and lively way. It means "double step"
Paso doble
42
is the most passionate ballroom dance. It is characterized by sensual choreography.
Rumba
43
a lively dance that came from jitterbug, a kind of Swing dance.
Jive
44
SOCIAL DANCES:
Salsa Mambo Bachata Manila Swing
45
a dance that involves a lot of shaky movements and hip actions. It is a fusion of African and European dance steps.
Salsa
46
a sensual and emotional dance that involves slow hip movements and facial expressions. It is very much similar to Salsa except that Salsa has more turns and is more shaky.
Mambo
47
a dance that involves three-step movement followed by a tap and then a hip movement, which is often emphasized.
Bachata
48
A group dance that is intended to give support to a sports team
Cheer dance
48
also known as the Four-step Hustle, is the Filipino version of hustle. It is a disco dance performed in pairs.
Manila Swing
49
Elements of CHEERDANCE:
Yells/Chants Jumps Stunts Pyramids Tumble Formation
50
should be done by shouting using your diaphragm to produce louder sounds. It helps boosting the team you are cheering for and the whole cheer dance team.
Yells/chants
51
are done to get the attention of the audience or to set before tumbling.
Jumps
52
There are five basic jumps that you need to learn:
Tuck Jumps Spread Eagle Toe Touch Hurdle Pike
53
also gets the attention of the crowd. This is done by flyers and bases.
Stunts
54
add extreme thrill and excitement to the dance.
Tumble
55
a term for the stunt were the cheer dancers stack themselves in layers. It involves a lot of different techniques to form this.
Pyramids
56
a modern type of dancing performed by a group
Hip-hop
57
are celebrated in different places in the Philippines to celebrate their patron saints.
Festivals/feasts
58
is performed as an offering to St. Nino in Cebu City.
The Sinulog Festival Dance
59
this extravagant dance performance is usually performed in the streets as part of the celebration.
Festivals/feast
60
is performed by wearing tribal costumes of the people in Kalibo, Aklan. Dancers carry torches and images of Jesus while dancing.
Ati-atihan Festival Dance
61
performed to showcase Baguio as the "City of Flowers" in the month of February.
Panagbenga Festival Dance
62
performed while chanting along with the sounds of percussion instruments. The festival is celebrated in Iloilo City.
Dinagyang Festival Dance
63
can also be performed as a theatrical act. It features Pontius Pilate and how he punished Jesus Christ. Performers wear "morion" which means helmet or visors.
Moriones Festival Dance
64
is performed by dancers who look like tattoed men. It is done to celebrate their ancestor's courage.
Pintados Festival Dance
65
is done to showcase Davao City as a colorful and peaceful place. It promotes the culture of Davao.
Kadayawan Festival Dance
65
A dance performed in Bacolod, the "City of Smiles", thus the smiling masks.
Masskara Festival Dance
66
ELEMENTS OF DANCE:
Body Energy Space/Level Action Time
66
is comprised of various body motions that express feeling and emotion. Our bodies move in ways to express ourselves using locomotor and non-locomotor movements.
Body
66
It is how we move or how the movement happens. It is the representation of the quality of movement which can tell about the meaning of the dance. It can be sharp, strong, soft, powerful, or rich.
Emotion
67
Shows variation and movement, we need to use our surroundings well. We zig, zag, move high and low. We use the entire space around us and below us.
Space/Level
68
It is the movement that the dancers perform and it is how a dancers move. It includes small movements like facial expressions or gestures and can be larger movements like lifts.
Action
69
One should take care to receive proper nutrition by taking care to eat well and regularly, The caloric daily requirement of an average teenager is approximately 2200 calories a day. This should come from choice foods that will provide proper sustenance for the body.
EATING BEHAVIOR
69
Is the key to any dance. We follow the rhythm or beat to match our actions with the sound of the music. When working with others, we sometimes mimic another using time. 
Timing
70
three types of warm up:
PASSIVE WARM UP GENERAL WARM UP SPECIFIC WARM UP
70
Health Behaviors that affect our health:
Eating behavior Sleep Stress Management
71
Rest, sleep, and relaxation are important in maintaining one's health as well. An approximate of eight hours of sleep is needed by an individual, although young children tend to sleep a bit more and even take short naps, while older people tend to have shorter sleeping hours.
SLEEP
71
is experienced when demands are placed on someone who finds it hard to comply with these demands. Events such as death in the family, divorce, job-related concerns, and other problems.
STRESS MANAGEMENT
72
is when one elevates body temperature through the use of heat packs or hot showers.
PASSIVE WARM UP
73
also helps the exerciser prepare mentally as the warm up movements serve as practice for the actual techniques or moves to be performed.
SPECIFIC WARM UP
73
involves light movement of major muscle groups. There is an increase in heart rate, deep joint fluids, blood flow, and perspiration. With increased temperature, there is also an increase in flexibility. The specific warm up mimics actual moves of the sport or activity that will be engaged in, in very light levels of intensity.
GENERAL WARM UP
74
TYPES OF STRETCHING: (2)
Ballistic Static Dynamic
75
is performed in order to maintain or increase flexibility.
STRETCHING ROUTINE
76
makes use of rapid and jerky movement. It has now been discovered that _________ practice is wrong and that this type of stretching is almost phased out.
Ballistic
77
the stretch and hold, increases range of motion as well as relaxes the muscles. This type of stretching is performed best as a cool down stretch.
Static
78
is similar to ballistic stretching, but the movement is not jerky and uncontrolled. This avoids bouncing and sometimes include movements which are sport-specific. It is best for starting an exercise program after warm up.
Dynamic