Football Romeo - Act One Scene Five Lines Flashcards

1
Q

Line 1
(After “I’m not afraid of nothing.”)

A

“Anything, Rick. I’m not afraid of anything. If you’re going to
be a brain surgeon you have to speak properly.”

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2
Q

Line 2
(After “No I’m not! I’m not afraid of nothing. Anything. Leave me alone!”)

A

(sing-songy) “Ricky is afraid.”

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3
Q

Line 3
(After “Shut up!”)

A

“So, what did you think of my speech?”

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4
Q

Line 4
(After “Huh?”)

A

“What did you think of my speech? My audition piece. You
were listening weren’t you?”

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5
Q

Line 5
(After “Huh? What? Yes!”)

A

“Do you want to go over yours?”

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6
Q

Line 6
(After “Huh? What? No.”)

A

“Don’t worry about it. You’re perfect for the part. I’m sure
Ms. Kavendish will take one look at you and cast you on the spot. Romeo should be handsome and dashing, just as Juliet should be sweet and pretty. It’s a lock. Who else would she cast? I’m sure Brittany and Felicity and Apollo will get great parts too. Now. (she hands a book to RICK) I want to go over some of this in case we have to do a reading.”

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7
Q

Line 7
(After “OK.”)

A

“We’re going to make such a stunning couple onstage. Ready?”

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8
Q

Line 8
(After “Uh huh.”)

A

“Romeo, Romeo, wherefore art thou Romeo?
Deny thy father and refuse thy name,
Or if thou wilt not be but sworn my love
And I’ll no longer be a Capulet.”

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9
Q

Line 9
(After NICOLA keeps up her pose hoping he will come to.
When he doesn’t, she swats him with her script.)

A

“It’s your line!”

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10
Q

Line 10
(After “Huh?”)

A

“It’s your line!”

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11
Q

Line 11
(After “Shall I hear more, or shall I speak at this?”) he sounds dead

A

“Rick!!!”

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12
Q

Line 12
(After “What?”)

A

“You need to put more feeling into it. More oopmh!”

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13
Q

Line 13
(After “But –”)

A

“Let’s pick it up a little further down.”

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14
Q

Line 14
(After “But –”)

A

“What’s in a name? That which we call a rose
By any other word would smell as sweet;
So Romeo would, were he not Romeo called,
Retain that dear perfection which he owes
Without that title. Romeo doff thy name,
And for thy name which is no part of thee,
Take all myself.”

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15
Q

Line 15
(After “I take thee at thy word.
Call me but love and I’ll be new baptized;
Henceforth I never will be Raymeo.”)

A

“What man art thou, that thus bescreened in night
So stumblest on my counsel?”

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16
Q

Line 16
(After “By a name I know not how to tell thee who I am.
My name, dear saint, is hateful to myself,
Because it is an enemy to thee.
Had I it written, I would tear the word.”

A

“Never mind. (she takes in a deep breath) I know I’m going
to get this part. (she starts to gather her things) So, you’re going to meet me at the audition tomorrow at four o’clock. Can you remember that or should I write it down?”

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17
Q

Line 17
(After “Four o’clock. I got it.”)

A

“Good.” (she gives RICK a peck on the cheek)

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18
Q

Line 18
(After “Why?”)

A

“Why what?”

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19
Q

Line 19
(After “Why do I have to meet you at the audition? (a thought comes to him) Oh I get it! You want moral support. You want me to cheer you on. Maybe I should borrow a set of pompoms from Brittany – “Go Niki!” (He laughs to himself at his own cleverness. Then he notices NICOLA staring at him.) What?”

A

“Rick. We’ve been practicing speeches for days now.”

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20
Q

Line 20
(After “You’re great Nik. I know you’re going to get the part.”)

A

“We’re both going to get the part.”

21
Q

Line 21
(After “I’m going to be Juliet?”)

A

“Try to stay with me. We’ve talked about this. Planned this.
We’ve been practicing so we can audition together and get parts together and be on stage together.”

22
Q

Line 22
(After “On stage?”)

A

“You – Romeo. Me – Juliet.”

23
Q

Line 23
(After “On stage?”)

A

“Yes.”

24
Q

Line 24
(After “In front of people?”)

A

“That’s how it’s usually done.”

25
Q

Line 25
(After “You never told me that!!!”)

A

“Rick…”

26
Q

Line 26
(After “Uh uh, no way, no can do. It’s fine behind closed doors where no one can see us but there’s no way I would ever stand…”)

A

“Rick?”

27
Q

Line 27
(After “Tights…”)

A

“Rick, what’s the matter?”

28
Q

Line 28
(After “This guy, this Ray –”)

A

“Romeo.”

29
Q

Line 29
(After “He wears tights! Shakespeare’s always done in tights.”)

A

“No it’s not.”

30
Q

Line 30
(After “Niki, you want me to embarrass myself in front of the entire football team looking like a ballerina?”)

A

“Don’t football players wear tights?”

31
Q

Line 31
(After “Don’t you even joke about that! It’s not the same thing. Not the same thing at all.”)

A

“There aren’t going to be any kind of tights in the show. Ms.
Kavendish is doing a modern version. No tights.”

32
Q

Line 32
(After “No?”)

A

“Jeans and t-shirts.”

33
Q

Line 33
(After “I still can’t do it.”)

A

“Ricky…”

34
Q

Line 34
(After “I play football. I take other football players by the head and slam them to the ground.”)

A

“And you’re very good at that. But don’t you want to be more
than a football player?”

35
Q

Line 35
(After “No.”)

A

“Don’t you want to be something else?”

36
Q

Line 36
(After “No.”)

A

“Don’t you want to fully experience the wonder, the thrill, the
excitement that is William Shakespeare?”

37
Q

Line 37
(After “No!”)

A

“Fine. I see.” (she picks up the script and moves away)

38
Q

Line 38
(After “You’re mad.”)

A

“No. Not at all. I’m perfectly – (RICK moves in to hug her)
Don’t touch me!!”

39
Q

Line 39
(After “I’m sorry Niki. It’s just not going to work.”)

A

“I understand.”

40
Q

Line 40
(After “Good.”)

A

“So I guess you’ll be OK with the kissing scenes.”

41
Q

Line 41
(After “What?”)

A

“You’ve been reading the play Rick; surely you noticed there
are at least two kissing scenes.”

42
Q

Line 42
(After “I wasn’t really paying attention.”)

A

“If you’re not playing Romeo that means I’ll be kissing
somebody else.”

43
Q

Line 43
(After “Give me that!”)

A

“I’m impressed Rick. I never thought you would be so open
about this. You are really growing as a human being.”

44
Q

Line 44
(After “I can’t read this. I hate this guy! Why can’t he
write English like everybody else. Where is it? Where is it?”)

A

“Saints do not move though grant for prayers’ sake.”

45
Q

Line 45
(After “Saints do not move though grant for prayers’ sake.”)

A

“Then move not while my prayer’s effect I take.
Thus from my lips, by thine, my sin is purged.”

46
Q

Line 46
(After “Then move not while my prayer’s effect I take.
Thus from my lips, by thine, my sin is purged.”)

A

“Then have my lips the sin that they have took.”

47
Q

Line 47
(After “Then have my lips the sin that they have took.”)

A

“Sin from my lips? O trespass sweetly urged!
Give me my sin again.”

48
Q

Line 48
(After “Is that Shakespeare for kissing scene?”)

A

“Big time.”

49
Q

Line 49
(After “When did you say the auditions were?”)

A

(with a big smile) “Four o’clock.”