chapter 11-music and speech perception Flashcards

1
Q

musical notes

A

sounds of music extend across a frequency range from about 25 to 4500 Hz (range we’re most sensitive to)

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2
Q

pitch

A

the psychological aspect of sounds related mainly to the fundamental frequency; the perceptual connection of frequency

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3
Q

octave

A

the interval between two sound frequencies having a ratio of 2:1; relationship between frequency

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4
Q

example of octave

A

perceive doubling as higher, but its still the same thing; mathematical relationship

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5
Q

tone height

A

the sound quality corresponding to the level of pitch, monotonically related to frequency

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6
Q

chords

A

created when three or more notes with different pitches are played simultaneously

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7
Q

consonant chords

A

have simple ratios of note frequencies; 2:1, 3:2 (perfect 5th), 4:3

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8
Q

dissonant chords

A

less elegant ratios of note frequencies; complex ratios, 16:15, 45:32

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9
Q

cultural differences in chords

A

western: heptatonic
javanese: pentatonic, fewer notes

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10
Q

infants and octaves

A

can detect inappropriate notes on both scales, culturally learned

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11
Q

melody

A

arrangement of notes or chords in succession; twinkle twinkle little star

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12
Q

a melody is not a sequence of specific sounds but a ___ between successive notes

A

relationship

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13
Q

melodies can change ___ or keys and still be the same

A

octaves

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14
Q

tempo

A

the perceived speed of the presentation of sounds

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15
Q

rhythm

A

repeated pattern; humans are natural rhythm detectors

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16
Q

bolton experiments

A

sequence of identical sounds, perfectly spaced in time, but no rhythm; listeners reported hearing first sound of group as accented, while the rest remain unaccented; humans will put rhythm in naturally

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17
Q

syncopation

A

deviating from the regular rhythm

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18
Q

complex sounds of music (__ created by changing frequencies over time) are processed where

A

melodies; belt and parabelt regions

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19
Q

music in the limbic system

A

amygdala-fear/emotion

hippocampus-memory formation/retrieval

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20
Q

music can trigger

A

memories and motor patterns

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21
Q

mental movies occur in

A

medial prefrontal cortex

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22
Q

dance moves occur in

A

lateral premotor cortex

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23
Q

humans are capable of producing many speech sounds

A

5000 different languages, over 850 different speech sounds

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24
Q

vocal tract

A

the airway above the larynx used for the production of speech; flexibility is important in speech production

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25
3 concepts of speech production
respiration, phonation, articulation
26
respiration
lungs, push air out
27
phonation
process through which vocal folds are made to vibrate when air pushes out of the lungs; vocal cords, produce the basic aspects
28
articulation
the act or manner of producing a speech sound using the vocal tract (mouth, tongue)
29
resonance characteristics of articulation created by
changing size and shape of vocal tracts to affect sound frequency distribution
30
formants
peaks in speech spectrum; resonance of the vocal tract, specified by their center frequency and denoted by integers that increase with relative frequency peaks in the speech spectrum
31
formants are labeled by number from lowest to highest
concentrations in energy occur at different frequencies, depending on length of vocal tract
32
spectrogram
pattern for sound analysis that provides a 3D display plotting time on the horizontal axis, frequency on the vertical axis, and intensity in color or grey scale; speech is messy but brain cleans it up
33
categorical perception
for speech and other complex sounds and images, the phenomenon by which the discrimination of items is no better than the ability to label items; categorical boundaries
34
researchers can manipulate sound stimuli to vary from bah to dah to gah
however, people perceive sharp categorical boundaries between them
35
F1 is always
ascending
36
F2 is ___ for bah, ___ for dah, and ___ for gah
ascending, descending, descening
37
F3 is __ for bah, ___ for dah, and ___ for gah
ascending, descending, ascending
38
F2 and F3 for bah, dah, gah
F2: ascending, descending, descending F3: ascending, descending, ascending
39
coarticulation
the phenomenon in speech whereby attributes of successive speech units overlap in articulatory or acoustic patterns; position tongue etc in preparation for next word
40
spectral contrast
accentuation the difference between the formants now and those that precede them
41
perception of coarticulated speech is explained by fundamental ways auditory system enhances ___ between successive sounds
contrast
42
contrast enhancement is a general property of ___ and occurs in many forms
perception; how you perceive the presence of 2 sounds
43
both ascending corarticulation sounds
bah
44
both descending coarticulation sounds
dah
45
mcgurk effect
what someone sees can affect what they hear; cue combination
46
cue combination
formants have ambiguity, other things influence speech thats produced, reliability matters to discriminate cues
47
learning to listen comes from
experience; preferences
48
becoming a native listener
sound distinctions are specific to various languages
49
r and l are not distinguished in
japan
50
if not exposed to speech sounds as they grow
babies lose ability to distinguish between them
51
learn where one word ends and another beings by
exposure
52
speech: brain damage follows patterns of
blood vessles
53
what scans help to learn about speech processing
PET and fMRI
54
what parts of brain are active when listening to peech
left and right superior temporal lobes
55
as sounds get more complex, what regions of the brain are activated
anterior and ventral regions of superior temporal lobe
56
speech has a bias for what hemisphere
left
57
electrical recordings are taken only when
before surgery
58
neural responses in brain ___ behavioral responses by the subjects
matched
59
sounds that people labeled as the same had ___ neural response
same
60
sounds that people labeled as different had ___ neural response
different