Women In 17th C Flashcards

1
Q

Usurping the muses: Why were people against female music making?

A

Against moral and social contradictions

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2
Q

Usurping the muses: Where females expected to have a musical understanding?

A

Yes but only amateur

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3
Q

Usurping the muses:×When women be able to become professional?

A

If their family were musicians

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4
Q

Usurping the muses: When women be able to become professional?

A

If their family were musicians

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5
Q

Usurping the muses: where did female musicians flourish?

A

Sacred institutions

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6
Q

Usurping the muses: example of social status allowing a female composer

A

Francesca Caccini was a daughter of a composer and received opportunities other female composers wouldn’t

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7
Q

Usurping the muses: What provided opportunities for women?

A

Printing presses

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8
Q

Usurping the masses: how did Barbra Strozzi gain musical knowledge?

A

Access to her fathers centre of musical powe4

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9
Q

Usurping the muses: giullo Strozzi role with Music

A

Wrote libretto and madrigals

Large part in Venetian Opera

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10
Q

Giulio Strozzi group

A

Unisonil = musical

Subgroup of the Academia degli Incogniti

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11
Q

Usurping the muses: why was Barbara’s virtue called into question?

A

Central roll in her fathers gatherings e.g performing

Unmarried woman and musician

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12
Q

Barbra Strozzi music

A

8 volumes of vocal music

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13
Q

Usurping the muses: Why was Barbra able to publish her music?

A

Her father controlled the publishing world

First publication = set to her fathers poetry

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14
Q

Stylistic variety of Barbra compositions

A

Solo and ensemble
Cantatas and arias
Improvisational and organised passages
Sudden changes

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15
Q

Hallmark of Barbra ability

A

Extended malismatic passages exploiting lower and upper ranges
Streams of pure sound without interruption

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16
Q

What’s interesting about the unknown goddess

A

Only volume not dedicated to a prominent patron

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17
Q

Meaning of the unknown goddess

A

Fleeting nature of beauty and life

Consequence of female luxury and self ornamentation

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18
Q

Example of Barbra having complete control over her writing

A

Stops the motion on ‘blessed death’

19
Q

What is there a strong sense of in her writing

A

Compositional control and skill
Wit
Sensitivity to poetic and dramatic nuance

20
Q

Example of gentle parody of womens self adornment by Barbra

A

Moralita amoroso

21
Q

Example of erotix interweaving of two voice by Barbra

A

Begli occhi

22
Q

Example of analytic view of love expressed by Barbra

A

Cor donato, Cor rubato

23
Q

Usurping the muses: How does Strozzi interpret her texts?

A

Rich vocabulary of contemporary musical devices

24
Q

Usurping the masses: what’s unique about Barbra?

A

Penetrated the male-dominated circles of the venetian academies and presented a unique model of female eloquence

25
Bible Paul Gospel
Let women keep silent in churches
26
Example of two books constraining women's roles
Baldassare Castiglione, the Book of the Courtier | John Essex, The Young Ladies conduct
27
Examples of women as syrens
King Arthur by Henry Purcell | The Fair Singer by Andrew Morrell
28
Opportunities in Italy
Convents, Ospedali, Court
29
Vivaldi Ospedali
Ospedale della Pieta
30
Francesca Caccini
First women to write Opera | Refused to let daughter become a musician
31
La Liberaziane Di Ruggiero
Francesca Caccini Comic opera performed in four scenes Celebrate the visit of prince Wladyslaw of Poland Stile recitativo No Castrato 6 sops, 2 altos, 7 tenors, 1 bass, 3 recorders
32
Barbara Strozzi
Considered a Courtisan | 8 volumes of music = most prolific composer of the c.
33
Primo libro de madrigali
Barbra Strozzi | Duet from first book of madrigals
34
Moralita amarosa
Strozzi Solo singer and harpsichord Unknown goddess
35
Begli Occhi
Unknown goddess Duet Sop. And mezzo. Sop Baroque guitar
36
France
Fewer composers due to central court system
37
Elisabeth Jacquet de la Guerre
Family of musicians Patroned by Louis after she played at court aged 5 Dedicated pieces to Louis XIV
38
Cephale et Pocris, Tragedie mise en musique
Elisabeth Jacquet 7 publications Unusually wide range of genres Ranked amongst the most important men
39
Violin sonata no. 3 in F major
Elisabeth Jacquet Paris 1707 5 movements
40
Harpsichord suite No. 1 in Dm
Elisabeth Jacquet Prelude is v ornamented and chordal Allemande has lots of trills and is scalic
41
England
No evidence of female composition | Heirachal society
42
3 examples of female composers in England
Mary 'Moll' Davis Arabella Hunt Anne Bracegirde All had aristocratic or Royal links
43
Summary
Opportunities constrained by social roles | Depend on country but never the same as men