Handel Flashcards

1
Q

Music and society in the late baroque era: how does he describe baroque

A

Period of inventiveness and new styles which is hard to define

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2
Q

Music and society in the late baroque era: what does he think baroque grew from?

A

Venetion music and the concerto

Conviction of small intellectuals in France and Italy

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3
Q

Music and society in the late baroque era :what does he see as the most important development?

A

Emotion

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4
Q

Muso and and society in the late baroque era: how was opera influential

A

Joining of styles

Attention of public

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5
Q

Music and society: which country was most influential?

A

Italy, especially Rome and the sistine chapel

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6
Q

Music and society: his belief on religion

A

Played a major role in music

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7
Q

Music and society: why did he believe England had a free evolution of music

A

Lack of absolute power

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8
Q

Music in society: what did rich London life result in?

A

Growth in ameature music making
Handel gained money from public music making
London turn away from opera led him to write the English Oratorio

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9
Q

Music and society: what does he believe about most baroque composers?

A

Had an Italian sound

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10
Q

Music and society: what developed during baroque?

A

Instrumental music

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11
Q

Music and society: vivaldi influence

A

Popularized solo instrumental music
Standardised the 3 movement concerto
Synonymous with Italian style

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12
Q

Music and society: legacy of baroque music

A

Gave birth to modern music
Variety of genres
Emotion
Italian dominated

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13
Q

Music and society: Handel in England

A

Icon of respectibility and nationalism

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14
Q

Music and society: Handel in Germany

A

Wrongly cast in companion role with Bach

Only composer continuously celebrated

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15
Q

Music and society: Bach

A

Greatest impact on music
Led the way for German instrumental music
Formed by society and forned society

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16
Q

When and where did Handel write his early Operas

A

1703

Hamburg

17
Q

Where did Handel meet nobles

A

1707

Italy

18
Q

When was Handel appointed Kapellmeister

A

1710 to the Elector of Hanover

19
Q

What does Kapellmeister mean

A

In charge of music making

20
Q

When did Handel arrive in London

A

1710

21
Q

When did Handel write first Italian opera

A

1711

Rinaldo

22
Q

Vo’ for guerra

A
Ronaldo Aria
ABA
Particular Ritornello
Solo for harpsichord
Female soprano
23
Q

How was Handel able to write opera

A

Stipent of £200 a month from Queen Anne

24
Q

Handel first hint to oratorio

A

Acis and Galatea

English narrative

25
Q

Who did Handel compose for when opera collapsed

A

James Brydges

26
Q

How did Handel accidentally invent the Oratorio

A

Esther written when the Duke asked him to set passage of the old testiment to English

27
Q

Esther

A
First Oratorio
1718
Biblical but not religious
Reuses music from the Broches Passion
Performed by Handel opera singers at the Kings theatre
28
Q

Oratorio

A

Large musical compositional work for orchestra, choir and soloist

29
Q

Differences between oratorio and opera

A
English
No Castrato
Unstaged
Other Arias
Large choruses
30
Q

Alexander’s feast

A

1776

Written for Saint Cecelias day

31
Q

Alexander’s feast final chorus

A

About who’s better, Timotheus or Cecilia
Starts with recitative
Dialogue
Contrapuntal figures respond to the text

32
Q

Handel Contrapuntal writing in final chorus of Alexander’s feast

A

Line 2 = ‘divide’ so Handel writes division of semi quavers
Line 3 = ‘raised’ ascends
Line 4 = ‘down’ descends

33
Q

Handel overall

A

Used political connections for money
Able to turn his skills to the needs of his patrons
Defined by his situation

34
Q

Esther instrumentation

A

2 sopranos
3 tenors
4 bass
1 alto

35
Q

What form drive opera?

A

ABA