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History > Politics 16th C > Flashcards

Politics 16th C Flashcards

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1
Q

Why did politics effects music

A

Skilled composers always worked in the church. Changes in leader and religion effected music

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2
Q

Roman Catholic Liturgy

A

Office
Mass (ordinary and proper)
Para-litergical observances (about mary)

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3
Q

Catholic music

A

Plain chant
Polyphonic (one voice to a part)
Melismatic
Latin

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4
Q

Eton choir book

A

Para-litergical
Marion antiphons
Works of John Browne

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5
Q

John Browne - Stabat Mater Dolorosa

A 
Catholic 
Late 15th C.
Grieving mother
Mary crying at foot of cross
Polyphonic, Melismatic, latin
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6
Q

Church of England liturgy

A

Two offices and communion
Eucharistic replaces mass
Syllabi and English

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7
Q

Thomas Tallis

A

1505-1585

Catholic but had to write protestant music for catholics

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8
Q

If ye love me

A 
Thomas Tallis
1565
Protestant
Simple - homophonic
Four part setting of a passage from gospel of John
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9
Q

Spem in alium

A

Thomas Tallis
1570 (after if ye love me)
Hope for any other
40 - part motet for 8 choirs of 5 voices

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10
Q

Why does Spem in alium show Tallis true religion

A

Written after some of his protestant music
In Latin
Shows hes only writing protestant for politics

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11
Q

William Byrd

A

1540-1623
Studied with Thomas Tallis
Recusant

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12
Q

William Byrd Catholic leanings

A

Dedicated music to leading Catholics
Chose texts with cathi and references
E.g ‘Babylon captivity’ = persecution of catholics

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13
Q

How did Byrd claim his music wasn’t Catholic

A

Just texts from the bible but often Catholic ones

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14
Q

Example of Byrd walking close to the line

A

Cantiones, quae ab argumento sacrue vocaitor’

Dedicated to Elizabeth but listed Catholic composers

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15
Q

How did Byrd get away with his Catholic sympathies

A

Genuine supporter of Elizabeth e.g ‘O lord make they servant Elizabeth’
Protected due to this and his skill

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16
Q

Edmund Campion

A

Jesuit who studied in Rome then was killed by Elizabeth

17
Q

Campion and Byrd

A

Byrds ‘Deus Venerunt Gentes’ = Martyrdom of Edmund Campion?

Poem ‘why do i use my paper, ink and pen’ frkm psalms, sonnets and songs 1588

18
Q

Music and politics: Why is Byrd now important

A

Musical studies focus on ideology and reception rather than text or intention

19
Q

Music and politics: Byrds position

A

Established in the queen Elizabeth’s Anglican Chapel Royal and patent

20
Q

Music and politics: How is Byrd clearly influences by Jesuits?

A

Devoted to the Latin motet
Inspired by Jesuits as texts are biblical excerpts that are staple to Jesuits
His music promoted their cause

21
Q

Music and politics: What showed Byrds acceptance of the minority status of Catholics

A

Byrd retreated to Essex
Wrote masses from Catholic Liturgy
Gradialia waa designed to politicise the liturgy

22
Q

Music and politics: How is music linked to politics?

A

Byrd used his musical talent to protect himself from politics
Used his music to promote his politics

23
Q

Liturgy

A

Religious text

24
Q

Antiphon

A

Prayer

25
Q

Marion Antiphon

A

Setting kf text honouring the Virgin Mary, separate from Mass or Office

26
Q

Recusant

A

Refuse to attend Anglican Church services

27
Q

Music and politics: what does the author believe catholics options were

A

Concert or hide

Some people working for an overthrow

28
Q

Music and politics: what shows the reception of byrds music

A

Poem by Fitzherbert
Motet shows a need to rise up
Private singing shows his work is being used for Catholic service

29
Q

Music and politics: why does he believe Byrd got away with his Catholic sympathies

A

Connections and pride in his work

Diplomatic skill

30
Q

Music and politics: why did Byrd move out of London

A

Laws got stricter as Elizabeth felt threatened

31
Q

Music and politics: why were byrds works useful to catholics

A

Small forces

Feast days and catholic celebrations

32
Q

Music and politics: why are byrds works important

A 
Rhetoric writing (ability to highlight emotion)
Conveyed secret messages

History (20 decks)

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