Bach Flashcards

1
Q

The mature vocal works: what should bachs pieces be regarded as

A

Musical sermons

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2
Q

The mature vocal works: what were his cantatas associated with

A

The controlling biblical teaching

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3
Q

The mature vocal works: what is the function of the cantata?

A

Frame the sermon

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4
Q

Cantata

A

Medium length piece of music got voices and instruments

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5
Q

The mature vocal works: how did Bach parody his music?

A

Reused secular music for sacred and visa versa

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6
Q

The mature vocal works: why does he suggest Bach doesn’t write with divisions

A

The use of S.D.G at the end of all his works (Soli De Gloria)

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7
Q

The nature vocal works: when we’re cantatas performed in Leipzig

A

Morning Eucharist and afternoon Vespers

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8
Q

The mature vocal works: christmas oratorio

A

13 day span

6 cantatas

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9
Q

The mature vocal works: the passions

A

Good Friday Vespers

Replaced the Cantata

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10
Q

The mature vocal works: the magnificat transposition

A

Transposed a semitone from Eb to D - celebratory

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11
Q

The mature vocal works: sanctus

A

Series or works composed 1723-46
6 different settings
Only example of 6 part writing in his vocal works

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12
Q

The mature vocal works: how did Bach rework the chorus to fit the occasion

A

Ocasison = establishing his rights to the Leipzig Council

Reworking of a cantata which was originally used for the inauguration of the leipzig city Council

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13
Q

The mature vocal works: Bm mass

A

Music between 1714-1749

Parodied music

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14
Q

The mature vocal works: Bm mass intention

A

Complete mass for the Roman Liturgy? - Bach describes it as the great Catholic mass

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15
Q

Bm mass fundamental Christian doctrines

A

Incarnation and Atonement

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16
Q

Bm mass usage

A

Not sure if meant to be heard serperately or as a whole

Bach never heard it as a whole

17
Q

Bm mass 4 sections

A

Missa
Symbolic Nicenum
Sanctus
Osanna to Dona nobis Pacem

18
Q

When was Cantata Jesu, der su meine Seele written for

A

14th Sunday after Trinity

19
Q

Jesu der du meine Seele readings

A

Epistle: Galatians 5: 16-24
Gospel: Luke 17: 11-19

20
Q

Chorale

A

A Stately hymn, especially associated with the Lutheran Church

21
Q

What did Bach engage with?

A

Taking the developments of the 17thC and putting them together

22
Q

What were the popular styles of 17th C?

A
Basso Continuo
Solo voice and accompaniment
Opera
Sonata
Idiomatic writing
National styles
23
Q

What was significant about Bach being Cantar at St Thomas Leipzig?

A

Responsible for music across 3 churches

New cantata weekly

24
Q

How did Bach learn the Italian style

A

Converted Vivaldis works to keyboard

25
Q

How many cantatas did he produce?

A

5 complete cycles which cover every week of the year

26
Q

Jahrgang

A

Five annual cycles for all Sundays and festivals

27
Q

Jesu, der meine seele BWV 78

A

Chorale cantata
14th Sunday after Trinity
Leipzig, 10th September 1724

28
Q

Mov 1 of Jesu, der meine seele

A

Chorale concerto

Shows Bachs ability to bring together all different genres and national styles

29
Q

Mov 1 concerto

A

Italian style

Ritornello

30
Q

Mov 1 passacaglia

A

From French opera

Lamento bass

31
Q

Lamento bass

A

Descends chromatically by a 4th

32
Q

What were the two texts of the day about (Jesu, der meine seele)

A

Jesus saving the leppers and sins/jesus death

33
Q

How are the texts shown in Jesu

A

Cries for help

Refernece to Christ’s crusafiction

34
Q

Duet: wir eilen mit scwachen

A

Da Capo form
Lightens the mood
Hurrying
Cries for help

35
Q

Recitative: Die Wanden Nagel, Kron und Grab

A

Accompanied recitative
Intervals and Harmony
String accompaniment

36
Q

Christmas Oratorio

A

1734
Story like narrative
6 sequential cantatas

37
Q

Christmas Oratorio part V

A

Sunday after New Year’s day

Fear and trepidation of King Herod at the birth of Jesus

38
Q

Christmas Oratorio part V orchestration

A

2 oboes d’amore
Strings
Continuo