Popular Music Genre Definitions Flashcards

1
Q

Whats wrong with attempts to define pop music?

A

Not enough
Too vague
Fit other genres

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2
Q

Theadore Adorno

A

Doesn’t see pop music as creative or critical
Society has created a generation who don’t understand music
Result of capitalism

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3
Q

Theadore Adorno views on rock

A

Standerdised and repetitive
Commercial product
Psedo-individualisation

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4
Q

Psedo-individualisation

A

Impression of something new but isn’t

Control/suppression

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5
Q

Exclusion

A

1527 France gave music publishing the same rights as music but not pop
Not seen as worth protecting

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6
Q

Why didn’t France include pop music in 1791 law or penal code of 1810

A

Seen as dangerous

Vehicles of subversion

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7
Q

Late 50s and musical language

A

Education increased

Especially higher education - new subjects

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8
Q

Birmingham school Central college for cultural studies

A
Studying what people do and how xukture affects the lives of the working class
Broadening the notion of culture - descriptive rather than proscriptive
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9
Q

Issues with 50s critical language

A

Still seen as a symptom of revolt

Still only useful due to what is said about society

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10
Q

Priority in genre and style

A

Cultural studies = priority to genre

Musicology = priority to style

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11
Q

Alan Moore and genre/style

A
Genre = form
Style = characteristics/tone
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12
Q

Genre types

A

Technical
Retrospective
Tribal
Functional

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13
Q

Technical

A

Distinctions musicians describe in what they do

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14
Q

Retrospective

A

Descriptions collectors/archives used

Apparent after the event

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15
Q

Tribal

A

Acquires it’s identity through association with extra musical definitions

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16
Q

Functional

A

Music that’s identified according to function E.g dance

17
Q

Franko Fabbri

A

Genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules

18
Q

Franko Fabbri rules

A
Formal and technical
Semiotic
Behavioural
Social and ideological
Economic and judicial
19
Q

Formal and technical rules

A

Each genres typical form

Explicit or traditional/inherited

20
Q

Semiotic rules

A
Communication 
Referential 
Emotional 
Imperative 
Phatic 
Metalinguistic 
Poetic
21
Q

Behavioural rules

A

Practitioners and audience

E. G jazz clap after solos

22
Q

Economic and judicial rules

A

Copyright

Performability

23
Q

Negus music genres and corporate cultures

A

Music industry likes genre as it defines a market
How music relates to social distinctions - who will buy it?
Culture can take industry by suprise

24
Q

Industry produces culture

A

Attempts to identify its market
Who will buy it?
Assumptions define the genre
Audience

25
Culture produces industry
Popular culture of the time Factors of creation Commercial potential
26
Style and Genre in Rock - Allen Moore
Style and Genre imposed by society | Genre more fixed than style
27
A theory of music genres - Franko Fabbri
Conzone music genre in Italy show the different styles and how rules create the styles Conzone d'autore developed from an old system-similar rules but new genre
28
Fabbri and musical community
Social function and classes | Don't have to be present at the musical event