Popular Music Genre Definitions Flashcards

1
Q

Whats wrong with attempts to define pop music?

A

Not enough
Too vague
Fit other genres

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2
Q

Theadore Adorno

A

Doesn’t see pop music as creative or critical
Society has created a generation who don’t understand music
Result of capitalism

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3
Q

Theadore Adorno views on rock

A

Standerdised and repetitive
Commercial product
Psedo-individualisation

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4
Q

Psedo-individualisation

A

Impression of something new but isn’t

Control/suppression

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5
Q

Exclusion

A

1527 France gave music publishing the same rights as music but not pop
Not seen as worth protecting

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6
Q

Why didn’t France include pop music in 1791 law or penal code of 1810

A

Seen as dangerous

Vehicles of subversion

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7
Q

Late 50s and musical language

A

Education increased

Especially higher education - new subjects

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8
Q

Birmingham school Central college for cultural studies

A
Studying what people do and how xukture affects the lives of the working class
Broadening the notion of culture - descriptive rather than proscriptive
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9
Q

Issues with 50s critical language

A

Still seen as a symptom of revolt

Still only useful due to what is said about society

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10
Q

Priority in genre and style

A

Cultural studies = priority to genre

Musicology = priority to style

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11
Q

Alan Moore and genre/style

A
Genre = form
Style = characteristics/tone
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12
Q

Genre types

A

Technical
Retrospective
Tribal
Functional

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13
Q

Technical

A

Distinctions musicians describe in what they do

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14
Q

Retrospective

A

Descriptions collectors/archives used

Apparent after the event

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15
Q

Tribal

A

Acquires it’s identity through association with extra musical definitions

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16
Q

Functional

A

Music that’s identified according to function E.g dance

17
Q

Franko Fabbri

A

Genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules

18
Q

Franko Fabbri rules

A
Formal and technical
Semiotic
Behavioural
Social and ideological
Economic and judicial
19
Q

Formal and technical rules

A

Each genres typical form

Explicit or traditional/inherited

20
Q

Semiotic rules

A
Communication 
Referential 
Emotional 
Imperative 
Phatic 
Metalinguistic 
Poetic
21
Q

Behavioural rules

A

Practitioners and audience

E. G jazz clap after solos

22
Q

Economic and judicial rules

A

Copyright

Performability

23
Q

Negus music genres and corporate cultures

A

Music industry likes genre as it defines a market
How music relates to social distinctions - who will buy it?
Culture can take industry by suprise

24
Q

Industry produces culture

A

Attempts to identify its market
Who will buy it?
Assumptions define the genre
Audience

25
Q

Culture produces industry

A

Popular culture of the time
Factors of creation
Commercial potential

26
Q

Style and Genre in Rock - Allen Moore

A

Style and Genre imposed by society

Genre more fixed than style

27
Q

A theory of music genres - Franko Fabbri

A

Conzone music genre in Italy show the different styles and how rules create the styles
Conzone d’autore developed from an old system-similar rules but new genre

28
Q

Fabbri and musical community

A

Social function and classes

Don’t have to be present at the musical event