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History > 17th C. > Flashcards

17th C. Flashcards

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1
Q

Early 17th C

A

Dominated by modal system
Polyphonic
Prima practicca

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2
Q

17th C. Developments

A

Vertical harmony
Melody and bass (basso continuo)
Ornamentation
New forms

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3
Q

Musical developments

A

Stile recitativo
Basso continuo
Tonal System
Idiomatic instrumental writing

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4
Q

Aesthetic changes

A

Primacy of words

Moving the passions

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5
Q

Social/cultural changes

A

Patronage
Private music making
Concert life in London

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6
Q

Development of tonal system

A

Moving through keys
Suspensions
Circle of fifths
Expressivity

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7
Q

Emotion?

A

Emotion

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8
Q

Opus V, sonata 3

A

Arcangelo Corelli
1700
Sonata for violin

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9
Q

Sonata 3 structure

A

Structured around changes in tonality

Suspensions and circle of fifths

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10
Q

Sonata 3 exploiting violin

A

Virtuosic
Double stopping
Melody and bass

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11
Q

Sonata 3 emotion

A

Chains of 7ths build tension

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12
Q

New opera

A

Move from stile rappresentativo to stile recitativo

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13
Q

Stile rappresentativo

A

Expressive/dramatic

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14
Q

Stile recitativo

A

Ordinary rhythms of speech

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15
Q

II Combaltimento di Toncredi e Clarinda

A

Eight book of madrigals
Stile recitativo
Instruments used to represent battle
Claudio Manteverdi

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16
Q

Lamento della Ninfa

A

Between 1614-1638

Eigth book of Madrigals

17
Q

Eighth book of Madrigals

A

1638

Claudio Monteverdi

18
Q

Lamento della Ninfa music

A

Solo over a ground bass
Modrigal style writing
3-part male voices

19
Q

Lamento della Ninfa expressivity

A

Dissonances
Range of approaches
Text at forefront

20
Q

Henry Purcell

A

1659-1695
Meaning of individual words
Expressive

21
Q

Hail! Bright Cecelia

A

1692
Text by Nicholas Brady
Honour of the feast day of the patron Saint of musicians

22
Q

Purcell using a mixture of old and new

A

Some movements focuss on solo and accompaniment

Others employ contrapuntal writing

23
Q

Le Nuovo Musiche

A 
1602
Di Giulio Caccini
'the new music'
Developments of tonal harmony
Centred around the text
24
Q

Example of ‘the new music’

A

Amarilli mia bella

25
Q

How was Amarilla mia bella new

A

Just melody and bass

Scope for individual expression

26
Q

Seconda practicca

A

Words before polyphony
Driven by harmony
Easy tk understand and emotional

27
Q

Example of early 17th C. Music

A

Jestorum anime

Text unclear and not aimed at emotion

28
Q

Example of 17th C. Music developing

A

Sichio Vorreu Marire
Monteverdi
Simpler polyphony - can hear words
Stronger Suspensions = emotion

29
Q

Example of want of emotion in music

A

From harmony to heavenly harmony
Poem by John Dryden
You should feel something when you hear music

30
Q

Claudio Monteverdi developments in 6th book of Madrigals

A

Slow development
Formal structure dictated by the music
Basso continuo
Words are the mistress kf harmony

31
Q

Crisis of the 17th century

A

Economic crisis
Social conventions collapsing
Political confusion
Catholics vs protestants

32
Q

How did the crisis lead to a revolution in music

A

Music open to the public as expression of political authority
Propoganda and representation
Disintegration of old social procedures

33
Q

Where does Concerto come from

A

Latin ‘con-certore’ meaning to compete or struggle together

34
Q

Monteverdi use of concerto in title of book 7

A

Highly indicative of the variety, mixture and plurality of the different music ingredients

35
Q

Lamento della ninfa division

A

3 parts

Nymph lamenting her fate in the middle and the choir of pastori on either side

36
Q

Monteverdi intro notes for lamento della ninfa

A

‘sing according tk her emotions’

Shows the development of emotions

37
Q

Hail! Bright Cecilia structure

A

8 keys opening in D major

Much fugal material

38
Q

Monteverdi textures

A

Contrasts e.g somber bass solo vs full chorus

39
Q

Monteverdi hail ceclia representation

A

Highly symbolic e.g ‘soul of the world’ is a grand chorus as it represents the creation of the world

History (20 decks)

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