Vivaldi - Rhythm & Metre Flashcards

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1
Q

Name a typical rhythmic feature of Vivaldi’s melody.

A

The use of continuous quavers (as at the beginning) or continuous semiquavers in many of the solo passages, such as the first cello solo (bars 19–27).

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2
Q

What is the metre of the 1st movement?

A

Simple triple time (3/4).

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3
Q

What is the metre of the 3rd movement?

A

Compound quadruple time – 12/8

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4
Q

True or false – simple time means that the beats are divisible by 2?

A

True

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5
Q

True or false – compound time means that the beats are divisible by 3?

A

True

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6
Q

How long would a beat be if the time signature was 3/4?

A

A crotchet.

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7
Q

How long would a beat be if the time signature was 9/8?

A

A dotted crotchet.

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8
Q

Which time signature is an example of compound time – 3/4 or 9/8?

A

9/8

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9
Q

How many beats in a bar are there in 9/8 time?

A

3 dotted crotchets

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10
Q

How many beats in a bar are there in 3/4 time?

A

3 crotchets

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11
Q

What is the metre of the second movement?

A

Simple quadruple time – 4/4.

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12
Q

What is “syncopation”?

A

When the weaker beat of a bar is made stronger, giving the music a rhythmic kick.

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13
Q

Give an example of syncopation in the concerto.

A

At the end of the fugal subject, just before the answer enters in the fugue in bar 7 in the second movement.

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14
Q

What type of dance is the 3rd movement based on?

A

It uses the typical dotted rhythm of the siciliano dance.

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15
Q

Describe the rhythm of the “siciliano” dance.

A

Dotted.

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16
Q

What is “common” time?

A

4/4 – 4 crotchet beats per bar. The symbol in the score for common time is sometimes written as “C”, rather than 4/4.

17
Q

Which movement is in “common time”?

A

The finale (movement 4).

18
Q

What is an anacrusis?

A

An upbeat. This is when a phrase/melody begins on the last beat of a bar. It is used when a composer wants to make the second beat of the melody strong/emphasized.

19
Q

Give an example of an anacrusis in the concerto.

A

The finale (mvt. 4) begins with an anacrusis.