Vivaldi Instrumentation Flashcards

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1
Q

The piece is written for the ‘standard trio sonata group’. What instruments are in this group?

A

2 Violins and 1 Cello

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2
Q

Other than the trio sonata group, who else plays in the piece?

A

String orchestra and a ‘continuo’.

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3
Q

What instruments are in a Baroque string orchestra?

A

Violin I & II, Viola, Cello, Double Bass

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4
Q

What instruments play the continuo part?

A

Bass (cello or double bass) and harpsichord.

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5
Q

Why was the harpsichord used in the Baroque period?

A

The piano was not invented fully by this point.

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6
Q

What was the role of the continuo part in Baroque music?

A

The continuo filled the harmony. Often the orchestra was quite small, so having a harpsichord and strong bass instrument helped to fill the texture.

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7
Q

Name 2 instruments, other than the harpsichord, that could have played the chordal role in the continuo part.

A

Organ or Lute

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8
Q

What was the concertino and ripieno?

A

The concertino group were the soloists. This involved the ‘trio sonata group’, along with accompaniment from the continuo.
The ripieno is the string orchestra, who also had the continuo.

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9
Q

How did the continuo players know what to play?

A

They had a bass line with figures to tell them what chords to play. They improvised the voicings to some extent (the order in which the notes are stacked above the bass note).

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10
Q

What is notable about the cello part?

A

The cello has some virtuoso passages (this means it is technically challenging/lots of notes in a short space of time).

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11
Q

Name a section where the cello has to play a virtuoso passage.

A

A good example is towards the end of the first section where the cello breaks away from the harmonic bass line of the continuo to do its own thing!

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12
Q

What is unusual about the use of the 2 concertino violins at the beginning of the piece?

A

They are the only 2 instruments playing.

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13
Q

Who plays at the beginning of the second movement of the piece (adagio)?

A

Tutti (all the players).

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14
Q

Explain the bowing technique ‘spiccato’.

A

This is when the player bounces the bow on the string to make it sound detached. It is a bit more bouncy sounding than staccato - you get less of the note.

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15
Q

Where does Vivaldi use ‘spiccato’?

A

In the opening of the second movement (adagio).

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16
Q

What does ‘ritornello’ mean?

A

This means ‘little return’. In musical terms it is when a melodic idea keeps coming back, interspersed by ‘episodes’. In ‘ritornello form’ the soloist(s) would play the episode music and the tutti orchestra would play the returning melody.

17
Q

Where does Vivaldi use a ‘ritornello’ type instrumentation?

A

In the fugal/allegro section of the second movement - it begins tutti, then at bar 23 we have a solo section, then tutti returns at bar 32.

18
Q

How is the use of instrumentation different in the third section (Largo e Spiccato)?

A

The continuo drops out, the cello is not used, and the viola plays the bass line! This happens from bar 3 to 17

19
Q

Who has the most significant part in the ‘Largo e Spiccato’

A

Violino 1.