Schumann - Texture Flashcards

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1
Q

Chamber music is a “discursive form”. What does this mean?

A

This is where musical ideas are traditionally passed around the ensemble, as if in conversation

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2
Q

What impact does this “discursive form” have on the texture of the music int he trio?

A

The textures change frequently.

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3
Q

Why do the textures change frequently in the trio?

A

Because it is chamber music, which has a “discursive form”, meaning musical ideas are passed around the instruments.

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4
Q

In the opening 8 bars the violin plays the opening 2 first subject melody ideas whilst accompanied by the piano. What type of texture is this?

A

Homophonic.

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5
Q

From bar 9 onwards the piano now plays the melody in the RH. The texture is essentially homophonic, but how is it different to the homophony of the opening 8 bars?

A

The melody is accompanied by broken chords in the left hand, but the texture is augmented by
counter-melodies in both violin and cello.

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6
Q

The texture from bar 9 can be described as “polyphonically animated homophony”. Explain what this means.

A

The music has characteristics of polyphony (multiple layers of equal importance). The texture at bar 9 of the trio has some polyphonic character due to the
counter-melodies in both violin and cello.

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7
Q

What type of texture involves multiple layers of equal importance and imitation between the instruments?

A

Polyphony, sometimes known as “counterpoint”.

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8
Q

Why could you describe the texture at b115 in the development section as being busily polyphonic?

A

It contains passages of close imitation (bars 115–130) between cello and violin, and this, with the quaver figurations in the piano part.

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9
Q

Give an example of interplay/dialogue between the piano and violin.

A

Bar 34-38.

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10
Q

What is a pedal note?

A

A lower pitched note that is repeated for a period of time, whilst musical material moves above it.

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11
Q

What is the purpose of a pedal note?

A

(1) Emphasise a particular note within the texture to help with reinforce the key or approaching key
(2) Generate excitement and a sense of build.
(3) Allow elaborate music to take place above a stable bass.

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12
Q

What is the difference between the pedal note at bar 73 and bar 155?

A

Bar 73 dominant pedal in cello only, whereas dominant pedal in violin and cello (two octaves apart) at bar 155

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13
Q

What type of texture does the left hand does use in the lower register at bars 99–104?

A

Doubled octaves.

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14
Q

How would you describe the texture at bar 45?

A

Block chord textures.

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15
Q

What type of texture is used in the piano at bar 73?

A

Octave doubling between the hands.

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16
Q

What is the distance between the 2 notes in the right hand of the piano at bar 74?

A

6th

17
Q

What textural feature in the piano give the music added drama in the development section at bar 107?

A

Exciting rising and falling arpeggio figures (reminiscent of the last movement of Beethoven’s ‘Moonlight’ Sonata).

18
Q

Name 3 types of texture used for accompanying the melodic material in the trio.

A

(1)  rocking quavers (bars 1–4);
(2)  light, offbeat chords in the right hand, against left-hand notes on the beat (bars 5–6);
(3) arpeggio textures (bars 139–145).