Schumann - Instrumentation Flashcards

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1
Q

What instruments play in a piano trio?

A

Piano, Violin, Cello

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2
Q

How is the role of the piano in Schumann’s piano trio slightly different to lots of other piano trios?

A

The instruments are given fairly equal roles in this movement, unlike many piano
trios, where the piano dominates.

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3
Q

What does virtuosic mean?

A

Music that is very difficult to play, often involving lots of notes within a very short space of time and technically challenging passages.

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4
Q

Is the CS’s trio virtuosic?

A

Although not without difficulty, none of the parts here are particularly virtuosic. However, it would be easy to play it badly!

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5
Q

Why do you think CS made the trio not too virtuosic.

A

Perhaps it was intended for performance by capable amateurs, as well as by
professional musicians.

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6
Q

Both the cello and the violin use double stopping in the piece. What does this mean?

A

When the string player plays 2 notes together at the same time - i.e. the bow strokes 2 strings simultaneously.

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7
Q

Give an example of double stopping used in the trio

A

It happens both at loud dramatic moments (bars 284–286)

and to fill in the texture during quieter passages (bars 73–77).

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8
Q

What is the “range” of an instrument part?

A

This is the distance between the lowest and highest note it plays.

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9
Q

Describe the range of the violin in CS’s trio.

A

The violin plays mainly in the two octaves above its lowest string (G below middle C), but it does have
music that stretches nearly another octave above this at times.

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10
Q

Describe the range of the cello in CS’s trio.

A

The cello uses both its resonant low range and its powerful upper range, up to an
octave above middle C at times.

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11
Q

What are the roles the instruments share equally?

A

Melodic, filling the texture/harmonies, bass line, counter melodies, melodic dialogue between one another.

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12
Q

What does the cello use its powerful lower range for?

A

To support the bass line, often through playing pedal notes.

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13
Q

What does the cello use its “tenor like” mid range for?

A

Bringing out inner parts of the texture and “singing” some melodic ideas. An example is bars 37-41.

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14
Q

Give an example of where the cello uses material in its higher register.

A

Bars 134–138; note that the notation here is in

the treble clef, but written an octave higher than it sounds..

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15
Q

The piano music in CS’s trio is typically romantic, but how is it different to Beethoven and some other romantics?

A

It can be more intimate

and less virtuosic at times.

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16
Q

How does Schumann present important melodic material in the piano?

A

Important melodic material is often presented in a single octave (without
doubling) (e.g. bars 9–14).

17
Q

Which range of the piano does Schumann often favour?

A

The middle range of the keyboard is favoured, especially in the right-hand
material – the highest note is the G two and a half octaves above middle C.

18
Q

Schumann is always sensitive to the balance between the instruments. What does this mean?

A

Ensuring that the instruments do not overpower one another and when one is doing a more important part, then the others go more into the background.

19
Q

Give an example of how Schumann might avoid the piano overpowering the strings.

A

She might place some

of the piano material in a lower register to avoid masking the strings.