John Cage Texture & Melody Flashcards

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1
Q

What is a chord?

A

A chord is when you play 2 or more notes together at the same time.

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2
Q

Give an example of where Cage uses chords.

A

Figure 17 (b52) in piano 1 part.

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3
Q

What is functional harmony?

A

Functional harmony is when chords are used in progressions to build towards a tonal goal. The tonal ‘goal’ will conclude with a cadence. For example V-I is a perfect cadence. Chords relate to one another horizontally, as well as vertically (i.e. the chord that follows sounds like it makes sense following the chord before).

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4
Q

What is non-functional harmony?

A

The opposite of functional harmony. This means the chords are simply used for a textural or expressive effect. They are not there to lead towards a cadential point or emphasise a particular tonal centre/key.

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5
Q

What does Cage use chords for?

A

Cage uses chords in a non-functional harmonic way. An example can be found in piano 1 at Figure 17.

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6
Q

What is the most prominent type of texture used by Cage?

A

4 part texture - one for each hand!

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7
Q

What does monophonic mean?

A

Monophonic literally means ‘one sound’. The word is used to describe music that has a texture of one layer, without any harmony. It was popular with Gregorian monks.

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8
Q

Give an example of Cage using a monophonic texture.

A

This occurs at bar 14 and bar 31.

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9
Q

Where does Cage use 2 part texture?

A

This occurs at figure 6, where the left hand in both piano parts is used.

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10
Q

Where does Cage use 3 part texture?

A

This occurs at figure 7, as the music builds, eventually returning to 4 part texture at figure 8.

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11
Q

Where does Cage use silence - i.e. no parts?

A

This occurs at bar 11 for 2 beats.

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12
Q

Why does Cage vary the texture?

A

This can be to build up the music within a figure towards a climax. It may also be to emphasise a particular phrase or note. To show structural markers. In general terms, it is to keep the music interesting to listen to, especially as it is very percussive/atonal (no sense of key).

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13
Q

Why does Cage use the occasional silence?

A

Silence may be used to show the end of a section or to give extra power and prominence to the section that follows (e.g. bar 210 into 211).

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14
Q

How does Cage distance his music from the typical Western concepts of melody and harmony?

A

By adding components to the piano, Cage has made the music sound non-melodic and largely non-pitch based. Although pianos are playing the music, much of it sounds like a piece for percussion.

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15
Q

Why does Cage want to create the non-Western soundscape?

A

He was very interested and inspired by world music, such as India, Africa and Indonesia. Also, he was living and composing in a post modern era, when composers and artists were pushing the boundaries of art with the desire to create something new and different.

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16
Q

What is an ostinato?

A

An ostinato is a short melodic or rhythmic that repeats within the texture of a piece of music. Some ostinati may repeat continuously or ‘obstinately’ - a word similar in English to the Italian ‘ostinato’. In tonal music a very famous ostinato was written by Maurice Ravel in the piece ‘Bolero’.

17
Q

Explain how Cage organises melody.

A

He uses ostinato figures, rather than longer melodic phrases. These ostinato ideas may recur, making some of them more important than others. At Figure 64, there is more of a melodic feel to the ostinato.

18
Q

What is note addition and subtraction?

A

This is when a note is added/removed from a melodic motif/ostinato when it is repeated. Addition occurs in Cage’s piece at Figure 55-56 RH first piano.

19
Q

What is the point of note addition and subtraction?

A

This technique is a mathematical way of composing. It can create an interesting combination of rhythmic contrast and textural interweaving/layering. It also allows the listener to ‘hang on to something’ - i.e. they recognise an idea and enjoy the familiarity of hearing it again, if slightly varied.

20
Q

Describe the range of the melodic material in the piece.

A

The range used is not extensive for either piano. Some relatively high notes are used but the lower ranges are not explored.