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INTRODUCTION TO DAW (MUMI-1331-01) > SLIDES CH 9 > Flashcards

SLIDES CH 9 Flashcards

1
Q

Audio signals coming into an audio hardware device, such as the audio interface used for Pro Tools

A

Inputs

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2
Q

Audio signals coming out of an audio hardware device, such as the audio interface used for Pro Tools

A

Outputs

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3
Q

Audio patch points for inserting a signal processor directly into the signal path

A

Inserts

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4
Q

A signal path carrying a mix output of one or more tracks routed for parallel processing

A

Send

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5
Q

A channel or track used to return the processed signal to the mix; typically an Auxiliary Input track in Pro Tools

A

Return

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6
Q
A
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7
Q
A
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8
Q
A
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9
Q
A
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10
Q
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11
Q
A
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12
Q

HOW TO OPEN MIX WINDOW

A

To Open:

  • Choose Window > Mix
  • Press Command+= (Mac) or Ctrl+= (Windows) to toggle between the Mix and Edit windows
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13
Q

TYPES OF CONTROLS TO CONFIGURE THE MIX WINDOW

A

Configuring the Mix Window

  • Controls include:
    • Volume Faders
    • Pan controls
    • I/O selectors
    • Insert and Send selectors
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14
Q

Configuring the Mix Window

Set as needed for tracks receiving input from other sources

A

Input Paths

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15
Q

Configuring the Mix Window

Set as needed to monitor output from your audio interface

A

Output Paths

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16
Q

Inserts and Sends Views

Pro Tools provides 10 track
Insert selectors, in two views: A-E and F-J

A

Inserts View

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17
Q

Inserts and Sends Views

Pro Tools provides 10 track
Send selectors, in two views: A-E and F-J

A

Sends View

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18
Q

Inserts and Sends Views

Choose View > Mix Window Views and select the desired Inserts or Sends view

A
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19
Q

Inserts and Sends Views

Shows all five track Send selectors in
a group simultaneously

A

Sends Assignments View

20
Q

Inserts and Sends Views

Shows only one Send at a time across
all tracks, with send level controls

A

Single Send View

21
Q

Inserts and Sends Views

To toggle between Send Assignments
view and Single Send view:

A 
# Choose View \> Sends A-E
or View \> Sends F-J

Select the desired display mode
from the submenu

22
Q

Configuring Inserts

Adds a software signal processor directly into the signal path

A

Configuring Inserts

  • Plug-In Insert
    • Click on an Insert selector and choose a plug-in option
    • Adds a software signal processor directly into the signal path
23
Q

Configuring Inserts

Routes the signal through an external device connected to parallel inputs and outputs of the audio interface (requires available line-level I/O on the interface)

A

Configuring Inserts

  • Hardware I/O Insert
    • Click on an Insert selector and choose an I/O option
    • Routes the signal through an external device connected to parallel inputs and outputs of the audio interface (requires available line-level I/O on the interface)
24
Q

How to Configuring Sends and Returns

External Send

Click on a Send selector and choose an Output option

A

How to Configuring Sends and Returns

External Send

Click on a Send selector and choose an Output option

25
Q

How to Configuring Sends and Returns

Internal Send

A

How to Configuring Sends and Returns

Internal Send

Click on a Send selector and choose a Bus option

26
Q

Configuring Sends and ReturnsExternal Send

Return to an ______ Input track

A

Configuring Sends and ReturnsExternal Send

Return to an Auxiliary Input track

27
Q

Allows you to record changes to controls in real time

Records enabled parameters whenever session is playing back

A

Recording Automation (Write Mode)

28
Q

How to turn on Recording Automation (Write Mode)

A
29
Q

Viewing and Editing Breakpoint Automation

Displayed in the ________ playlist

Click the Track View Selector; choose desired automation playlist

A

Viewing and Editing Breakpoint Automation

Displayed in the automation playlist

30
Q

Viewing and Editing Breakpoint Automation

How to

A

Click the Track View Selector; choose desired automation playlist

31
Q

Viewing and Editing Breakpoint Automation

  • Use the ______ tool to add, move, or delete breakpoints
A

Viewing and Editing Breakpoint Automation

  • Use the Grabber tool to add, move, or delete breakpoints
    • Click the automation graph line to add a breakpoint
    • Click and drag a breakpoint to adjust its position
    • Option-click (Mac) or Alt-click (Windows) on a breakpoint to delete it
32
Q

Playing Back Automation (Read Mode)

  • ______ mode for tracks
A

Playing Back Automation (Read Mode)

  • Default mode for tracks
33
Q

Playing Back Automation (Read Mode)

  • Plays ___________
A

Playing Back Automation (Read Mode)

  • Plays recorded automation
34
Q

Playing Back Automation (Read Mode)

  • No automation is _________
A

Playing Back Automation (Read Mode)

  • No automation is recorded
35
Q

Playing Back Automation (Read Mode)

  • No risk of ____________
A

Playing Back Automation (Read Mode)

  • No risk of overwriting existing automation
36
Q

Two main plug-in categories

A

Two main plug-in categories:

  • Real-time processing (Native and DSP plug-ins)
  • Non-real-time, file-based processing (AudioSuite plug-ins)
37
Q

Real-Time Plug-In Features

  • DSP Plug-Ins
    • _______
    • _______
A

Real-Time Plug-In Features

  • DSP Plug-Ins
    • Pro Tools|HD or HDX hardware only
    • Use the processing power of DSP chips on PCIe cards
38
Q

Real-Time Plug-In Features

  • Native Plug-Ins
    • _________
    • _________
A

Real-Time Plug-In Features

  • Native Plug-Ins
    • Available on all Pro Tools systems
    • Use the processing power of the host computer
39
Q

Plug-Ins Provided with Pro Tool

  • ____Rack Plug-Ins
A

Plug-Ins Provided with Pro Tools

  • DigiRack Plug-Ins
40
Q

Plug-Ins Provided with Pro Tools

  • __________ Collection Plug-Ins
A

Plug-Ins Provided with Pro Tools

  • Creative Collection Plug-Ins
41
Q

Plug-Ins Provided with Pro Tools

  • Include various ________
A

Plug-Ins Provided with Pro Tools

  • Include various dynamics processors, EQs, reverbs, delays, flangers, choruses, etc.
42
Q

Plug-Ins Provided with Pro Tools

  • _______ – Parametric equalizer in three configurations:
    • 1-Band
    • 4-Band (RTAS only, not available as an AAX plug-in)
    • 7-Band
A

Plug-Ins Provided with Pro Tools

  • Avid EQ III – Parametric equalizer in three configurations:
    • 1-Band
    • 4-Band (RTAS only, not available as an AAX plug-in)
    • 7-Band
43
Q

Plug-Ins Provided with Pro Tools

  • ___________– Suite of dynamics processors:
    • Compressor/Limiter
    • Expander/Gate
    • De-Esser
A

Plug-Ins Provided with Pro Tools

  • Avid Dynamics III – Suite of dynamics processors:
    • Compressor/Limiter
    • Expander/Gate
    • De-Esser
44
Q

Plug-Ins Provided with Pro Tools

  • __________
    • Combines processors in a single interface:
      • EQ
      • Dynamics
      • Filter
      • Gain
    • Uses algorithms based on Euphonix System 5 console channel strip
A

Plug-Ins Provided with Pro Tools

  • Avid Channel Strip
    • Combines processors in a single interface:
      • EQ
      • Dynamics
      • Filter
      • Gain
    • Uses algorithms based on Euphonix System 5 console channel strip
45
Q
A

INTRODUCTION TO DAW (MUMI-1331-01) (35 decks)

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