DONE - PT 110 Elements ED Lesson 05 Flashcards

1
Q

EASY

With Elastic Audio, you can click on an Event marker with the Grabber tool and time-stretch the audio relative to its start point. This type of warping is called:

a Telescoping warp

an Accordion warp

a Range warp

a Grid warp

A

EASY

With Elastic Audio, you can click on an Event marker with the Grabber tool and time-stretch the audio relative to its start point. This type of warping is called:

a Telescoping warp

an Accordion warp

a Range warp

a Grid warp

EXPLANATION

Applying a warp to an entire clip relative to either its start point or end point is referred to as a telescoping warp.

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2
Q

EASY

Which real-time Elastic Audio processor generally works best for percussive material?

Rhythmic

Polyphonic

Monophonic

Varispeed

A

EASY

Which real-time Elastic Audio processor generally works best for percussive material?

Rhythmic

Polyphonic

Monophonic

Varispeed

EXPLANATION

The Rhythmic processor is designed specifically for percussive material, such as drums.

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3
Q

EASY

True or False. The transient detection that Pro Tools uses is very conservative, to avoid creating excess Event markers at false transients.

True

False

A

EASY

True or False. The transient detection that Pro Tools uses is very conservative, to avoid creating excess Event markers at false transients.

True

False

EXPLANATION

False. The transient detection in Pro Tools is very aggressive, to ensure that all meaningful transients are identified. This can result in Event markers being added at “false transient” locations.

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4
Q

EASY

TRUE or FALSE: The icon shown in the upper right corner of the clip is the Offline Media Indicator.

True

False

A

EASY

TRUE or FALSE: The icon shown in the upper right corner of the clip is the Offline Media Indicator.

True

False

EXPLANATION

False. The displayed icon is the Warp Indicator, showing that the clip has been conformed to the session tempo or otherwise warped using Elastic Audio.

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5
Q

EASY

TRUE or FALSE: Elastic Audio can be auto-enabled for new tracks from the Preferences dialog box.

True

False

A

EASY

TRUE or FALSE: Elastic Audio can be auto-enabled for new tracks from the Preferences dialog box.

True

False

EXPLANATION

To allow audio tracks to automatically be enabled for Elastic Audio processing when they are created, choose Setup > Preferences and check the Enable Elastic Audio on New Tracks option under the Processing tab.

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6
Q

EASY

What is the effect of holding the Option modifier (Mac) or Alt modifier (Windows) while changing a track from sample-based timing to tick-based timing?

All tracks in the session change to tick-based timing

No tracks in the session change to tick-based timing

The track will have solo-safe mode enabled

Pro Tools will analyze the audio on the track and add Event markers at the transients

A

EASY

What is the effect of holding the Option modifier (Mac) or Alt modifier (Windows) while changing a track from sample-based timing to tick-based timing?

All tracks in the session change to tick-based timing

No tracks in the session change to tick-based timing

The track will have solo-safe mode enabled

Pro Tools will analyze the audio on the track and add Event markers at the transients

EXPLANATION

The Option or Alt modifier provides Do-To-All functionality. Holding it while changing one track to tick-based timing will change all tracks to tick-based timing.

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7
Q

EASY

True or False. Elastic Audio plug-ins can be assigned in either the Edit window or the Mix window.

True

False

A

EASY

True or False. Elastic Audio plug-ins can be assigned in either the Edit window or the Mix window.

True

False

EXPLANATION

Elastic Audio plug-ins are assigned in the Edit window only. They cannot be assigned using inserts in the Mix window, like other real-time plug-ins.

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8
Q

MEDIUM

Which of the following best describes what happens when you apply the Quantize function to a selection on an Elastic Audio-enabled track?

Any Event markers that are close to the quantize grid get converted into Warp markers, and the associated transients get aligned to the grid

The start of each audio clip gets aligned to the grid with no change to the audio waveform

The track automatically changes from Sample-based timing to Tick-based timing

Any selected clips will conform to the session tempo

A

MEDIUM

Which of the following best describes what happens when you apply the Quantize function to a selection on an Elastic Audio-enabled track?

Any Event markers that are close to the quantize grid get converted into Warp markers, and the associated transients get aligned to the grid

The start of each audio clip gets aligned to the grid with no change to the audio waveform

The track automatically changes from Sample-based timing to Tick-based timing

Any selected clips will conform to the session tempo

EXPLANATION

Quantizing a selection on an Elastic Audio-enabled track will change any Event markers that are close to the Grid into Warp markers and move them onto the grid, realigning the transients in the underlying waveform.

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9
Q

MEDIUM

What is a draw-back of using the X-Form Elastic Audio processor?

It is rendered-only and can take a long time to process

It links the pitch and speed of playback, so as the speed increases, the pitch goes up, and as the speed decreases, the pitch drops

It places a high demand on the CPU due to real-time processing

The results are generally low quality

A

MEDIUM

What is a draw-back of using the X-Form Elastic Audio processor?

It is rendered-only and can take a long time to process

It links the pitch and speed of playback, so as the speed increases, the pitch goes up, and as the speed decreases, the pitch drops

It places a high demand on the CPU due to real-time processing

The results are generally low quality

EXPLANATION

X-Form using rendered processing only and can take quite a long time to render. Each clip will be re-rendered every time you make a change that affects the timing of any Elastic Audio clip on the track.

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10
Q

MEDIUM

When do you need to combine tick-based timing with Elastic Audio on a track?

When you want the audio to speed up or slow down according to tempo changes you make in the session

When you want to apply a Telescoping Warp or Accordion Warp to the audio on the track

When you want to conform imported audio to the session tempo

When you want to quantize the audio using the Event > Event Operations > Quantize function

When you want to use Elastic Audio for pitch shifting parts of a performance

A

MEDIUM

When do you need to combine tick-based timing with Elastic Audio on a track?

When you want the audio to speed up or slow down according to tempo changes you make in the session

When you want to apply a Telescoping Warp or Accordion Warp to the audio on the track

When you want to conform imported audio to the session tempo

When you want to quantize the audio using the Event > Event Operations > Quantize function

When you want to use Elastic Audio for pitch shifting parts of a performance

EXPLANATION

Using tick-based timing on an Elastic Audio-enabled track allows the track to speed up or slow down relative to tempo changes that you make on the Tempo ruler (in Tempo Map mode) or in the Transport window (in Manual Tempo mode).

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11
Q

MEDIUM

Which of the following is required to use the Elastic Properties window for adjusting Elastic Audio parameters?

  • One or more entire clips must be selected
  • One or more tracks must be selected
  • One or more MIDI notes must be selected
  • One or more Warp markers must be selected
A

MEDIUM

Which of the following is required to use the Elastic Properties window for adjusting Elastic Audio parameters?

One or more entire clips must be selected

One or more tracks must be selected

One or more MIDI notes must be selected

One or more Warp markers must be selected

EXPLANATION

The Elastic Properties window applies to entire clips. Its parameters are only available when one or more entire clips are selected on an Elastic Audio-enabled track.

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12
Q

MEDIUM

When might you want to use the Transpose window (Event > Event Operations > Transpose) to apply pitch shifting to Elastic Audio-enabled tracks?

When you want to simultaneously apply the transposition to MIDI and/or Instrument tracks in the session

When all of the tracks are tick-based

When all of the tracks are sample-based

When you need to transpose by semi-tones and cents

A

MEDIUM

When might you want to use the Transpose window (Event > Event Operations > Transpose) to apply pitch shifting to Elastic Audio-enabled tracks?

When you want to simultaneously apply the transposition to MIDI and/or Instrument tracks in the session

When all of the tracks are tick-based

When all of the tracks are sample-based

When you need to transpose by semi-tones and cents

EXPLANATION

The Event Operations > Transpose window is useful when you need to create a transposition across tracks that include MIDI performances. This window will apply pitch changes to selected Elastic Audio clips as well as selected MIDI data (on MIDI or Instrument tracks).

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13
Q

HARD

Fill in the blank. Audio can be manually warped using three specific techniques:

    1. Telescoping Warp
    1. Accordion Warp
    1. _______ Warp
A

HARD

Fill in the blank. Audio can be manually warped using three specific techniques:

    1. Telescoping Warp
    1. Accordion Warp
    1. _______ Warp

EXPLANATION

audio can be manually warped using three specific techniques:

  1. Telescoping Warp
  2. Accordion Warp
  3. Range Warp
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14
Q

HARD

Fill in the blank: Pro Tools provides three types of Elastic Audio markers:

  • Event markers
  • Warp markers
  • _____ Event-generated Warp markers.
A

HARD

Fill in the blank: Pro Tools provides three types of Elastic Audio markers:

  • Event markers
  • Warp markers
  • _____ Event-generated Warp markers.

EXPLANATION

Pro Tools provides three types of Elastic Audio markers:

  • Event markers
  • Warp markers
  • Tempo Event-generated Warp markers.
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15
Q

HARD

Which Elastic Audio processors are able to analyze audio in both real-time and rendered modes? (Select all that apply)

The Monophonic processor

The Rhythmic processor

The X-Form processor

The Varispeed processor

A

HARD

Which Elastic Audio processors are able to analyze audio in both real-time and rendered modes? (Select all that apply)

The Monophonic processor

The Rhythmic processor

The X-Form processor

The Varispeed processor

EXPLANATION

The Monophonic, Rhythmic, and Varispeed processors use real-time processing by default.

X-Form is rendered only.

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16
Q

HARD

Fill in the blank. Warp markers can be created with both the Pencil tool and the _________ tool.

A

HARD

Fill in the blank. Warp markers can be created with both the Pencil tool and the _________ tool.

EXPLANATION

Both the Pencil tool and the Grabber tool can create warp markers.