The Best Story Wins - Matthew Luhn Flashcards

1
Q

What percent of information is retained by someone if you give them stats and data without a story?

A

An average of 5%

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2
Q

How much more likely are facts to be remembered IF part of a story?

A

Facts are 22 times more likely to be remembered

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3
Q

Why did we evolve to tell and retain stories?

A

Stories are useful to survival. Often stories were told as warnings or guides to our primal ancestors to keep them safe.

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4
Q

What physically happens to the human body when it hears or sees people laughing, smiling, or sharing stories of suspense?

A

Dopamine and endorphins are released.

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5
Q

What physically happens to the human body when it hears or sees people sad or somber?

A

Oxytocin is released.

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6
Q

What do you have to do to tell a memorable story that moves people to act?

A

Take your audience on a roller coaster of emotions. Decisions are triggered by emotions.

Must include both happy and sad to be most powerful.

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7
Q

What is the average attention span of a human?

A

Eight seconds. You have eight seconds to before losing their attention.

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8
Q

What are the 4 potential characteristics of a great hook?

What causes hooks to work like magic?

A

1 - Unusual
2- Unexpected
3 - Action driven
4 - Raises clear conflict.

Hooks that set up an intriguing question work like magic.

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9
Q

What are the 4 components of a logline or elevator pitch?

A

1 - Hero
2- Goal
3- One or more obstacles
4- Transformation

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10
Q

How do you effect change on people?

A

By employing a character or characters in a story that goes through change.

When a story teller and the listener develop a “neural coupling”, the listener has the same experiences as the characters in the story.

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11
Q

When stories are done right, what should they do?

A

Create a powerful dose of empathy. The deeper you take the listener into someone’s life story, the more powerful the empathy.

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12
Q

What are the three components of a character arc?

A

1- Starts on a normal day
2- Character launched into unfamiliar world or obstacles that change them
3- Character returns to where they are started, but are notably changed.

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13
Q

What is the time allocation you should give for the A, B, and C components or character arcs in an overall story?

A

A - 60%
B - 30%
C - 10%

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14
Q

What % of people are risk-takers or early adopters?

A

15%. The rest require motivation to change.

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15
Q

What do you do to make sure a story resonates with an audience?

A

Research the hell out of the audience before crafting the story.

Look, observe, relate.

Research first hand through immersion.

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16
Q

What are the six “universal themes” that can be used for any general story?

A
1- Love and belonging
2- Safety and security
3- Freedom and spontaneity
4- Power and responsibility
5- Fun and playfulness
6- Awareness and understanding
17
Q

How do you bring authenticity into a story?

A

Be vulnerable and honest. Share obstacles as well as triumphs.

18
Q

How is being vulnerable different than being self depricating?

A

Self depreciation includes sharing personal shortcomings. Audience doesn’t want this.

Vulnerabilities include sharing how you tried something, failed, and learned.

19
Q

What does directly telling the audience the moral of the story do?

A

It kills the intent of the message. You need to allow the audience to put together the pieces for themselves, to find the moral on their own.
The storytellers job is to provide clues, but not the full picture.

20
Q

What are the six stages of a story?

A
1- Exposition
2- Inciting incident
3- Progressive complications
4- Crisis
5- Climax
6- Resolution
21
Q

What is involved in the exposition stage of a story?

A

Story setup. The who, why, when, and where.

22
Q

What is involved in the inciting incident stage of a story?

A

Where you learn the one thing that the protagonist is most passionate about and either take it away or give it to them.

This causes empathy for the main character.

23
Q

What is involved in the progressive complication stage of a story?

A

Trials the protagonist must endure as they try to adapt to the inciting incident. Must happen in stages with severity increasing to keep audiences engaged. Stages of severity going from 1-10.

24
Q

What is involved in the crisis stage of a story?

A

Where the main character must choose to act on lessons learned in the story, or turn their back on them.

Many times the protagonist is motivated by a mantra.

25
Q

What is involved in the climax stage of a story?

A

Newly changed character faces and defeats the antagonist or villian. This is the payoff, the most exciting part.

The protagonist must be the one to initiate the final blow after the character investment.

26
Q

What is involved in the resolution stage of a story?

A

Tying up loose ends, leaving the audience with no questions.

27
Q

What are the 8 components of the “Incomplete Story Spine” used to design a story?

A

1- Once upon a time…..Exposition
2- And every day…..Exposition
3- Until one day….Inciting incident
4- Because of that…..Progressive complications
5- Because of that…..Progressive complications
6- Because of that…..Progressive complications
7- Until finally….Crisis and Climax
8- And since that day…..Resolution

28
Q

How do you foster creativity in a story?

A

1) Physical environment - design playful floorplan that promotes interactions
2) Eliminate the fear of failure
3) Deliberately encourage innovation

29
Q

What are the execution steps I should use when writing a story?

A

1) Create an outline, considering principles of great story telling and something I have intimate experience with
2) Read authors you want to sound like (minimum 2 books all day long)
3) Write the story
4) Iterate multiple times
5) Send to editors (4x cheap ivy league college editors)

30
Q

5 Tips for being a better story teller

A

1) Write everyday
2) Read all the time
3) Schedule writing time, 10-30 min best
4) Get to action as quickly as possible
5) Use everything to tap into emotion

31
Q

What are 8 tips for how to use your words when storytelling?

A

1) Use active vs. passive voice
2) Short long short sentences (mix it up)
3) Paragraphs too long exhaust, too short distract
4) Big fancy words are like purfume on a flower
5) Adjectives and adverbs used sparingly
6) Don’t tell readers what to feel, seduce them with your words
7) Cut work in half, see if it improves
8) Good writing is re-writing

32
Q

How do you edit a story?

A

Edit the….

1) Story - improve flow
2) Brevity - trim prose
3) Clarity - write simply
4) Voice - make consistent, believable, inviting
5) Words - smaller, more direct is better
6) Cliches - use rarely
7) Tenses - consistent tenses
8) Adverbs - do more with less
9) Adjectives - dilute story
10) Structure - every scene builds to next, all build to final