Tehran Class Flashcards
Tehran Product Context
- Israeli spy drama thriller series created for the Israeli Public Broadcasting Corporation (IPBC)
- Tehran was released internationally on Apple TV+, becoming the first non-English series on the platform
- Majority of the dialogue is in Hebrew and Persian, with English subtitles available
Behind the scenes
- Directed by Daniel Syrkin, created and written by Moshe Zander, also know for his work on Fauda
- Niv Sutlan underwent Persian Language lessons and Krav Maga training for her role
- Tehran premiered in Israel and gained global attention, similar to Fauda on Netflix
Tehran plot summary
- Tehran follows Tamar Rabinyan, a hacker agent for Mossad, on an undercover mission to disable an Iranian nuclear reactor
- The series explores the tension between Iran and Israel regarding Iran
- Season 1 depicts Rabinyan mission in Iran, her birthplace
Recognition and renewal
- Tehran won and Emmy for best drama series, the first Israeli series to achieve this
- Apple TV+ renewed Tehran for a second series, released in May 2022
Spy thriller genre
- Spy thrillers focus on fictional espionage, often featuring solo undercover agents
- Popular for providing escapism with exotic locations, fast-paced action, and a clear protagonist
- Tehran adheres to genre conventions, with a narrative set in the context of the Iran-Israel proxy conflict
Genre evolution
- Spy thriller TV genres have evolved from theatres to TV screens over the past two decades
- Tehran shares similarities in structure, fast-paced narrative, and real-life context
- Tehran reflects current tensions between Iran and Israel, making it culturally relevant
Breaking gender norms
- Tehran features a female protagonist, Tamar, breaking the traditional male spy character stereotype
- Reflects audience demands for more dynamic and original characters
- Similar to Killing Eve, Tehran places a woman at the centre of the narrative
Media Language - Visual Codes
- Dress codes play a crucial role in establishing character identity and ideological stance in Tehran
- The use of dress codes helps anchor the cultural context of the show for the audience
Media Language - Technical codes
- Handheld camera use at the beginning of episode 1 creates an immediate sense of action and tension
Media Language - Audio codes
- Tehran uses a mixture of languages, including Persian, Hebrew, and English
- Mark Eliyahu’s enigmatic score, incorporating Iranian instruments, contributes to the show’s identity
Theoretical approach - Todorov
- Tehran’s first episode throws the audience into the critical stage of the mission without a traditional build-up
- Immediate immersion in the action chosen over a more traditional narrative structure
Theoretical approach - Neale
- Neale’s theory of repetition and difference applies to Tehran, balancing traditional spy thriller conventions with a unique spin
- Tehran establishes itself as a contemporary example of a spy thriller drama series
Theoretical approach - Levi Strauss
- Tehran is set within the factual context of a political conflict between Israel and Iran
- The media language reinforces a binary opposite between Iranians as the enemy and Tamar (Israelis) as the protagonist
Social and cultural context
- Viewer understanding of Iran-Israel is crucial for a comprehensive interpretation of Tehran
- Independent research is recommended to grasp historical context, influencing the representation of events, individuals, and social groups
Selection and combination in representation
- Tamar’s journey in Tehran showcases diverse aspects of Iranian culture
- Scenes of contemporary lifestyle and public execution are juxtaposed, prompting reflection on the producer’s political positioning
Versions of reality through Re-presentation
- The show begins with a disclaimer of fictional content, but research reveals parallels with real events, particularly Israel’s opposition to Iran’s nuclear program
- The blurring of lines between fiction and reality emphasises the importance of understanding the political context
Producer’s choices in Representation
- Influences the portrayal of Iranian culture
- Consideration of the historical and political context of Israeli-Iran tensions is essential to understanding representations in Iran
Underrepresentation and Misrepresentation
- Tehran represents a shift in diversity on streaming platforms
- Variety Magazine notes the show’s reflection of the present-day American stance towards Iran, emphasising the need for thorough research into representations
Claims about realism in representation
- The inclusion of the public execution scene in Tehran could be seen as damaging, but reports confirm similar events in Iran
- The series portrays real-life issues amidst political tensions
Historical context in representation
- The history of the hijab in Iran, compulsory since the 1979 Islamic revolution, is significant in contextualising ideologies and beliefs - Different dress codes reflect cultural values, and recent events, such as burning hijabs as a symbol of rebellion, are relevant
Feminist theories - bell hooks
- Tamar challenges and conforms to aspects of the theory
- While empowering as a strong female character, violence towards women in the narrative reflects the cultural context
Feminist theories - Van Zoonen
- Reinforcing gender roles
- Tamar, though portraying alternative representations, sometimes conforms to stereotypical feminine characteristics for disguise
UN Commission on the Status of Women
- Removed Iran due to oppressive actions against women, including the death of Mahsa Amini
- The UK’s statement emphasises the inconsistency of Iran’s actions with the commission’s objective
Production teams and organisations
- The production team includes Israeli industry veterans: Maor Kohn, Omri Shenhar, and Daniel Syrkin
- Donna Shula Productions and Paper Plane Productions co-produced Tehran
- Paper Entertainment, created by Julien Leroux, and Channel 4’s Indie Growth Fund also involved