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Restorative Art > Rouges and Rouging > Flashcards

Rouges and Rouging Flashcards

1
Q

Any red colorant to be applied to the warm color areas of the face and hands.

A

Rogue

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2
Q

Reds used for the lips only because they are usually unsatisfactory for the other warm color areas of the face and hands.

A

Lip Rouge

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3
Q
  • Replace blood color
  • Increase the red in the complexion coloring for florid or ruddy complexion.
  • Intensify the red in the complexion coloring to compensate for warm color illumination or the color of the casket interior and clothing.
  • Reinstate warm color areas.
  • Correctively shape the cheeks and lips
A

Reasons for Applying Rogue

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4
Q
  • Colors- A wide variety
  • Types- Many
A

Availability of Rouges

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5
Q

Each type of rouge can be classified as a:

  • Liquid
  • Cream
  • Powder
  • Aerosol
A

Classification of Rouges

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6
Q

Only a few mortuary types available.

  • Transparent
  • Opaque
A

Liquid Rouges

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7
Q
  • Colors- few
  • Types:
    • Transparent paints
    • Spray rouges
A

Transparent Liquid Rouges

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8
Q

A masking type of mortuary rouge with an evaporating vehicle.

A

Opaque Liquid Rouge

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9
Q

Greater number of types and colors

  • Paste rouges (mortuary, ornamental, theartical)
  • Soft cream rouges (mortuary, ornamental, theatrical)
A

Cream Rouges

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10
Q

An opaque cosmetic in a jar.

A

Mortuary Paste Rogue

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11
Q

A semi-opaque cream cosmetic in 2 textures (firm and soft).

A

Ornamental Paste Rogue

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12
Q

A firm semi-opaque cosmetic called “moist rogue.”

A

Theatrical Paste Rogue

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13
Q

Appears very dense but can be applied as a transparent film.

A

Mortuary Cream Rogue

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14
Q

Is vivid in color and is packaged in a small plastic jar or compact.

A

Ornamental Cream Rogue

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15
Q

Is vivid in color and is warmed and applied by hand.

A

Theatrical Cream Rogue

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16
Q

Composed mainly of a clay or some similar inert solid.

  • Dry (cake)
  • Fluff
  • Cake Foundation
A

Powder Rouges

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17
Q

A compressed powder cosmetic packaged in a small, flat, round container with a rouge-puff for application.

A

Dry (Cake) Rouge

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18
Q

Use a soft brush

A

For a controlled application of a dry (cake) rouge.

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19
Q

Tap the brush against your hand.

A

To determine the quantity to be applied (dry rouge)

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20
Q

Apply the rouge with your finger or brush while the cosmetic is still moist.

A

Fusing the dry rogue into an applied complexion cosmetic.

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21
Q

This is one in which the vehicle has evaporated.

  • Use a damp sponge
A

Application of a dry rogue on a dry cosmetic

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22
Q

Compressed ornamental powder cosmetic.

  • Commonly known as a “Blusher”
  • Similar to dry (cake) rouge but is softer and less vivid.
  • Packaged in a small container with a soft round brush.
A

Fluff Rouge

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23
Q

The time to apply a fluff rouge.

A

After Powder

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24
Q
  • Source- Theatrical
  • Color- vivid reds
A

Cake Foundation

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25
Q

Applied only on the lips.

  • Liquid or cream
A

Lip Rouge

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26
Q
  • Lip tints
  • Lip Rouges
A

Types of Mortuary Liquid Lip Rouges

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27
Q

Clear solutions in bottles with an evaporating vehicle; come in sets.

A

Lip Tints

28
Q

Transparent lip-colorants that appear cloudy in the bottle; come in sets.

A

Lip Rouges

29
Q

Semi-opaque lip colorant packaged in a plastic tube and applied with a brush.

A

Ornamental Liquid Lip Rouge (Lip-Liner)

30
Q
  • Lipstick
  • Lip jelly
A

Types of Cream Lip Rouge

31
Q
  • Difficult to apply on cold tissues
  • For easier application- warm and mix with a solvent.
A

Lipstick

32
Q

Is must softer than lipstick.

A

Lip Jelly

33
Q

The color of rouge or lip rouge should identifiy with the complexion color and not the color of the hair and clothing.

A

The Choice of Red

34
Q

Ornamental rouge for medium (average) Caucasian women.

A

Pure Red

35
Q

Ornamental rouge for fair Causasian women

A

Less Vivid Red

36
Q

Rouge for dark Caucasian women

A

Dark Red (Brown Added)

37
Q
  • Light and medium complexion: Pure red
  • Dark complexion- Pure red on the lips only
A

Rouge for African American Women

38
Q

Rouge for Asian women

A

Pure red on the lips only

39
Q

A combination of a complexion compound and the basic pigment (pure) red.

A

Complexion Red

40
Q

Employed for natural, non-ornamental makeup.

A

Use of Complexion Red

41
Q

Over a three-day viewing period the complexion tends to appear grayed.

  • Treatment- Red pigment applied to the face will offset this “ashen” appearance.
A

Dark African-Americal Complexion

42
Q

Those areas of the skin surface which during life are naturally reddened.

  • These areas are not highlights as the coloring is not a lighter complexion coloring.
A

Warm Areas of the Face and Hands

43
Q
  • Lips
  • Ears
  • Nose
  • Cheeks
  • Chin
  • Forhead (Males)

Note: The ears and nose are interchangable

A

Natural Sequence (most to least)

44
Q
  • Lips
  • Cheeks
  • Ears
  • Chin
  • Nose
A

Ornamental Sequence (Most to least)

45
Q
  • Ears
  • Chin
  • Nose
  • Hands
A

Areas of Similar Treatment for all Subjects

46
Q

All parts except the tragus are tinged in red.

A

Ears

47
Q

Tint the prominence.

A

Chin

48
Q

Lower parts are tinted.

A

Nose

49
Q

Apply red to the knuckles, nails, and cuticles.

A

Hands

50
Q
  • Foreheads of males
  • Nostrils
  • Capillary flush of the cheeks
A

Areas of Special Rouge Treatments

51
Q

Between the upper and lower eminences.

A

Forehead of Males

52
Q

Inside that is delicately chiseled and sensitive in appearance.

A

Nostrils

53
Q

Used on someone who had a great number of superficial capillaries.

A

Capillary Flush of the Cheeks

54
Q
  • 3/4 of the population do not show redness in the cheeks.
  • To restore the “picture of health” it has become traditional to add a tinge of redness to the cheeks.
  • Study people with natural redness in the cheeks- so you are better able to simulate it.
A

Rouging of the Cheeks for Natural Appearance

55
Q

Flood the entire area with pink.

A

Infant

56
Q

Upper part of the font plane.

A

Child

57
Q

Triangular space, slightly lateral to that of a child.

A

Adolescent

58
Q

Upper part of the cheekbone, where it recedes inward toward the lower eyelid.

A

Young Adult

59
Q

Narrow band running frmo the wing of the nose to the lobe of the ear.

A

Middle-Age Adult

60
Q

Drops to the lower part of the cheek, occupying the triangular space above the jawline.

A

Aged Adult

61
Q

The main goal is the stimulation of the classic oval head shape.

A

Rouging the cheeks for ornamental effect

62
Q

The most vivid of all warm color areas.

  • Are comprised of a combination of the four basic pigments with the red predominating.
  • Lack a distinct marginal color.
A

Lips (Mucous Membranes)

63
Q

Done when replacing the color to the lips.

A

Balance the Lips

64
Q
  • Warm a cream rouge on the palm of the hand and apply using a flat lip brush.
  • Maintain a flat chisel edge on the brush.
  • Applying cream rouge to the lips.
    • Lining and filling
    • Vertical
    • Horizontal
A

Techniques of Rouging the Lips

65
Q

Parallel paint the lip-lines beyond the natural limits.

A

Thickening

66
Q

Normally the lips disappear from sight before reaching the ends of the line of closure; they can be made wider by extending the color to the extreme ends.

A

Widening

Restorative Art (37 decks)

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