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Restorative Art > Color Schemes > Flashcards

Color Schemes Flashcards

1
Q

The hue employed should suggest an emotion or association of ideas in harmony with the room’s function.

A

Function of Rooms

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2
Q

Can be developed from some object on hand:

  • A rug
  • Drapes
  • Type and color of furnature
  • A beautiful picture or vase
A

Sources of color schemes- Some object on Hand

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3
Q
  • Nature
  • Fine Arts
  • Home decorating, magazines, trade magazines, literature
A

Sources of color schemes- color combinations

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4
Q
  • Should prevail extensively above any other hue.
  • If more than one hue is used, this hue should be at least 50% of the color scheme.
A

Dominant Hue in a Room Interior

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5
Q

The hues of objects should be selected under the same conditions in which they will be seen.

  • Daylight exposures
  • Incandescent lighting
  • Flourescent
  • Colored lighting
A

Effect of Illumination on a Hue

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6
Q

Natural illumination from different compass points creates suprising effects on the appearance of a hue.

A

Daylight Exposures

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7
Q

Unchangingly cool. Use a warm color scheme.

A

North

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8
Q

Warm and bright, use a cool color scheme.

A

South

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9
Q

Mainly cool, use a warm colorscheme.

A

East

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10
Q

Mainly warm, use a cool color scheme.

A

West

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11
Q

Illumination is high in yellow.

A

Incandescent lighting

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12
Q
  • High in green and blue.
  • Lacking in adequate red.
A

Flourescent lighting

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13
Q

Obtained by either placing a transparency before a white bulb or by painted bulbs.

A

Colored Lighting

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14
Q

Chormatic colors exhibit different degress of aggressive activity associated with the illusions of force and weight.

A

Activities of Hues

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15
Q

Some hues seem to strive for attention while others seem passive, retiring, and quiet.

A

Force

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16
Q

Some hues give the impression of heaviness while others seem light-weight.

  • Pure hues seem heavier than some hue grayed.
  • The shade of a hue seems heavier than its tint.
  • Cool hues seem heavier than warm hues.
A

Weight

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17
Q

Employ each hue (different amounts, values, and intensities) at least 3 times.

A

Principle of Repetition

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18
Q
  • Force
  • Weight
  • Texture
A

Methods of Repetition

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19
Q

A guide for the use of dull colors for expansive areas and intense colors for small areas.

A

Law of Areas (in a room)

20
Q

The larger the area, the duller the color should be.

A

Law of Areas- Large Areas

21
Q

The smaller the area, the more brillant the color should be.

A

Law of Areas- Small Areas

22
Q
  • Should have balance
  • Principals of Weight
A

Floral Arrangements (Group Pieces)

23
Q

The placement of similar pieces in the same position at each side of the casket.

A

Symmetrical- Floral arrangements

24
Q

The placement of dissimilar pieces at both sides of a casket.

A

Asymmetrical- Floral Arrangements

25
Q

If large and heavy, they should be placed low or in the middle, but not up high.

A

Positioning- Floral Arrangements

26
Q

Occurs when the arrangements are large, cool, colored, dark or of pure hues.

A

Illusion of Heavier Weight- Floral Arrangements

27
Q
  • Monochromatic
  • Analogous
A

Related Color Harmonies

28
Q

One hue with its tints, shades, and tones.

  • Example: Red, pink, rose, cherry, coral, burgundy, cordovan, and maroon are all red in hue.
A

Monochromatic

29
Q

Two or more adjacent hues with the same hue in common.

  • Example: Orange, red-orange, yellow-orange (all have orange in common).
A

Analogous

30
Q
  • Scenic wallpaper
  • Tile
  • Stripping-molding
A

Application of related colors in a funeral home

31
Q
  • Place similar colors together as a group
  • Very the size of other similar groupings
  • If there is to much similarity, place a contrast group within.
A

Application of related colors in a floral arrangement

32
Q
  • Complementary
  • Triad
  • Split
  • Tetrad
  • Double-complements
  • Contrast (Non-complementary)
A

Contrasting color harmonies

33
Q

Involving 2 opposite hues on the color wheel.

  • Example: Orange <———-> Blue
A

Complementary

34
Q

In interiors, when both color large areas.

A

Danger of rivalry- complementary colors

35
Q

In adjacent groups it creates a contrast in weight. (example: warm and cool)

A

Greatest effectiveness of complementary colors in floral arrangements

36
Q

3 Hues at least 3 hues apart.

  • Red, Yellow and Blue - perfect
A

Triad

37
Q

3 Hues total, 1 hue plus hues on each side of its complement.

  • Example: Yellow, Red-Purple, Blue- Purple
A

Split

38
Q

4 Hues total, 2 separated colors and their complements.

  • Example: Orange, Yellow - Blue, purple
A

Tetrad

39
Q

Four hues total, two adjacent colors and their complements.

  • Example: orange/ yellow-orange - Blue/ Blue purple.
A

Double- Complements

40
Q

2 Hues that contrast, but not complementary.

  • Example: Orange + Green + Purple
A

Contrast (Non-Complementary)

41
Q

Large areas of color should be quiet in effect while small areas should show strong contrasts.

A

Law of Areas - Using Contrasting Color Harmonies in a Room Interior

42
Q
  • Done to enhance beauty
  • If flowers have no contrast, a ribbon or object is added.
A

Application of Contrasting Color Harmonies in Floral Arrangements

43
Q
  • Monochromatic- Well dressed effect
  • Analogist- A missmatch, an attempt at monochromatic.
A

Application of Color in Clothing

44
Q
  • Triad
  • Split Complement
  • Analogous
A

Color Schemes Involving 3

45
Q
  • Complements
  • Contrast
  • Analogous
A

Color Schemes Involving 2

46
Q
  • Tetrad
  • Double Complement
  • Analogous
A

Color Schemes Involving 4

Restorative Art (37 decks)

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