Photographs Flashcards

1
Q
  • Are very important for success
  • Feature reconstruction is impractical without several photographs.
A

Major Restorations

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2
Q

It is good practice to request photographs on all cases even though major restorative work is not necessary.

  • A photograph can reveal
    • Hairstyle
    • Degree of fullness to the face
    • Expression
A

For a Normal Case

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3
Q

These are valueable because of their size.

  • Be aware of alterations
    • Despite these, this kind of photograph is helpful within its limitations.
A

Professional Portraits

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4
Q
  • Photographer may modify or erase imortant characteristics to flatter the subject.
  • Artistic lighting may be used for different effects.
    • Illusory
    • Dramatic
    • Corrective
A

Alterations of professional portraits to be aware of

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5
Q

Reveal details that will supplement information gained from the professional portrait.

A

Snapshots

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6
Q

Each picture may reveal a certain aspect more clearly than others, therefore, a choice of several pictures is made.

A

The Value of Several Snapshots

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7
Q

Will show the size, length, and width of features in relationship to the face.

A

Frontal View

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8
Q

This is of great value.

  • Reveals projections and recessions important to feature reconstruction.
A

The Profile View

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9
Q

This is a little less valueable than profile view.

  • Will suggest the form of the profile.
  • Reveals the degree of fullness of the cheeks.
  • Appearance of the lips
A

The Three-Quarter View

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10
Q
  • Recent
  • Sharp but not flat-lighted
  • Include no more than one other photo
  • Subject is hatless
  • Subject is not laughing
  • Subject is not smoking
  • Snapshots of someone with their eyes closed will also be of value.
A

Pictures of the Greatest Value

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11
Q

Inspecting the face in this manner will reveal the most accurate information.

  • Being unfamiliar with this view allows concentration on a specific area.
    • You are less likely to be distracted by a smiling mouth or open eyes.
  • Asymmetrical forms are much more easily noted.
  • When modeling, the most convienent position will be above the head of the deceased.
A

Inversion of the photograph

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12
Q

By looking at a photograph in this position, you are observing the face in the same position many embalmers use for restorative art- standing above the head.

  • The unnaturalness of this position can make facial features more recognizable.
A

Upside Down

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13
Q

Surfaces laying at right angles to the source of lighting reflect the maximum amount of light.

A

Highlight

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14
Q

Surfaces which do not receive the full rays of light (or are obscured by other surfaces) reflect little or no light.

A

Shadow

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15
Q

Interpretaion of the highlights and shadows of the photograph in their proper relationship to natural prominences, cavities, and depressions of the face.

A
  • Under normal lighting
  • Under directional lighting
  • Under flat lighting
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16
Q
  • Prominences which have the greatest projection reflect the most light.
  • Deeper areas reflect little light and therefore appear darker.
A

Under Normal Lighting (From Above The Head)

17
Q
  • May falsify the normal light and dark areas.
  • Require interpretation by means of a knowledge of normal relationships and intimate comparison to the balance of the two halves of the face.
A

Under Directional Lighting (For Special Effects)

18
Q

Has the same effect as directional lighting:

  • May falsify the normal light and dark areas.
  • Require interpretation by means of a knowledge of normal relationships and intimate comparison to the balance of the two halves of the face.
A

Under Flat Lighting (Using a Flash)