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Restorative Art > Cosmetic Orientation > Flashcards

Cosmetic Orientation Flashcards

1
Q

The study of the materials and techniques of applying colorant to stimulate the natural appearance of the deceased for viewing in the funeral setting.

A

Mortuary Cosmetology

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2
Q
  • Replaces lost coloring
  • Compensate for the absorptic effect of funeral illumination
  • Present a well groomed appearance
  • Create a memory picture and ease the families grief.
  • Accent or de-emphasize
  • Harmonize complexion coloring with the clothing and casket interior.
  • Conceal discolorations
  • Match the wax with the color of the complexion
A

Purpose of Postmortem Cosmetology

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3
Q

The achievement of a natural non-cosmetic effect, stimulating the appearance of color coming from within the skin.

A

Goal of Postmortem Cosmetology

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4
Q

By artificial Means

A

Goal is Achieved

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5
Q
  • Study people we see each day.
  • Identify the differences of:
    • Complexions
    • Highlight and Shadow Areas
    • Warm color areas
A

To Learn What is Natural

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6
Q

Applies to the cosmetic embellishment of women who wore cosmetics.

A

Ornamental Cosmetology

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7
Q

The medium itself, commercially prepared for female make up.

A

Ornamental Cosmetic

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8
Q

The technique of cosmetic application dealing with the:

  • Manner of treatment of the lips, cheeks, and eyes.
  • Process of creating illusory alterations
A

Ornamental Makeup

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9
Q
  1. Internal
  2. External
A

Coloring Methods

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10
Q

Achieved by arterial injections of a staining dye with the embalming chemical.

A

Internal Coloring

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11
Q
  • Red (more common)
  • Brown
A

Colors Used- Internal Coloring

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12
Q

Spotting (blotching) of the color caused by imprefect circulation and diffusion.

A

Possible Problem- Internal Color

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13
Q

Achieved by surface application of the cosmetic, by means of:

  • Hand
  • Brush
  • Sponge
  • Pad
  • Spray
A

External Coloring

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14
Q
  • Liquid cosmetics
  • Cream Cosmetics
  • Powder cosmetics
  • Aerosol cosmetics
A

Types of External Coloring Media

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15
Q

Those which flow and are not solid.

A

Liquid Cosmetics

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16
Q

Those which are semi-solid

A

Cream Cosmetics

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17
Q

Those which are solid and composed of extremely fine particles which may be loose or compressed.

A

Powder Cosmetics

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18
Q

The kind which are sprayed.

A

Aerosol Cosmetics

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19
Q
  • Are quickly applied
  • Will not come off when touched
  • Dry to the touch, so no powder is needed
  • Will not matte on light facial hair
  • Easily removed from hair, eyebrows and eyelashes.
A

Advantages of Transparent Liquid Cosmetics

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20
Q
  • May dehydrate the tissues
  • Limited color range
  • May collect in wells
  • Not compatible with wax
A

Disadvantages of some Transparent Liquid Cosmetics (Alcohol Based)

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21
Q
  • Prevent dehydration
  • Versatility of color
  • Blend well together
  • Easy to correct faults of color
  • Work well with wax
A

Advantages of semi-opaque cream cosmetics with an oil (or grease)

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22
Q
  • Longer to apply
  • Must be warmed before application
  • May over apply
  • Powder cakes
  • Hair must be removed from face
  • Must be dried
  • Soils the clothing
  • Comes off with touching.
A

Disadvantage of Semi-Solid Cream Cosmetics with an oil (or grease)

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23
Q
  • Clear in container
  • Skin is visible
  • No covering ability
A

Transparent

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24
Q
  • Cloudy appearance in container
  • skin is visible
  • no covering ability
A

Translucent

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25
Q
  • Dense in container
  • some visibility of skin
  • some covering ability
A

Semi-opaque

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26
Q
  • Dense in container
  • no visibility of skin
  • has covering ability
A

Opaque

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27
Q

The determinative pigment of all races.

  • Color range- brown to black-brown
  • Location- in the epidermis and the hair
A

Melanin

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28
Q

The yellow pigment of the skin.

  • A varient- corresponding to provitamin A
A

Carotene

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29
Q

Blood in the veins and arteries which affect skin color by its presence in the capillaries.

A

Hemoglobin and Oxyhemoglobin

30
Q

The cosmetic pigments which simulate skin pigments and are used mainly to alter applied coloring.

  • White
  • Yellow
  • Red
  • Brown
A

Basic Pigments

31
Q

Is used to lighten (raise the value) of the applied complexion value.

A

White

32
Q

Creates the sallow component of the skin.

A

Yellow

33
Q

Reproduces the warm-color areas (rouging).

A

Red

34
Q

Supplies the dark tones of the skin.

A

Brown

35
Q

Combinations of 2 or more of the basic pigments.

A

Compounds

36
Q
  • Caucasion and light African American- 90-95%
  • Dark African American- 33-50%
  • Black-Brown- A mere suggestion
A

Amount of White in a Mixture

37
Q
  1. Unitary
  2. Coordinating
A

Two types of Complexion Compounds

38
Q

A combination of all 4 of the basic pigments.

A

Unitary

39
Q

Where two compounds (a tint and a tone) are needed to supply the correct ratio of all four of the basic pigments.

  • By altering the proportions of each, all unitary colors can be made.
A

Coordinating

40
Q
  • Pre-warm the cosmetic in your palm.
  • Avoid contamination- Use a spatula to transfer cosmetics.
    • Discard left over cosmetic
    • Clean brushes between cases
A

Softening Cream Cosmetics Before Application

41
Q
  • Blend- On the face of the deceased
  • Pre-mix- On your palm (gloved) when matching is necessary
A

Localities for Blending and Pre-mixing Cosmetics

42
Q

Transparent and semi-opaque cream cosmetics are often over applied.

  • Blot with a cleaning tissue
  • If the vehicle has dried- Make a second application of the cosmetic and blot immediately.
A

Reduction of excessive cosmetic to maintain transparency.

43
Q

This will absorb the excess, reducing the cosmetic to a transparent quality.

A

Blot with a Cleaning Tissue

44
Q
  • Supplies a base for cream cosmetics having an oil or grease vehicle
  • Warm cream on your palm, then blend with your fingers avoiding the hair.
  • Wipe excess cream off so only a film of oil remains.
A

General Use- Massage Cream

45
Q
  • Most cosmetics can be removed by massage cream.
  • Exception- volatile paint
A

Cosmetic Removal

46
Q

Use a mortuary dry cleaner for hair.

A

Solvent removal of traces of massage cream

47
Q
  • When using oil or grease type cosmetics that have to be pre-warmed (on the palm of your hand).
  • Where hair or wax is to applied (wax will not adhere).
  • When applying liquid cosmetics (required dry surface).
  • When opaque cosmetics are to be used (reduces the covering power).
A

When Not to Use Massage Cream

48
Q
  1. Cleaning
  2. Creaming
  3. Blackheads
  4. Color rinse for the cranial hair
  5. Shaving
  6. Trim Facial Hair
  7. Trim sideburns and temples
  8. Trim a mustache
  9. Hand treatments
A

Preliminary Grooming

49
Q
  • Clean, bathe and disinfect the deceased
  • Shampoo Hair
A

Cleaning

50
Q
  • Face and hands
  • Done prior to embalming
A

Creaming

51
Q
  • Small- anytime
  • Large- after embalming- May cause leakage if done before.
A

Blackheads

52
Q

Usually applied before embalming.

A

Color rinse for the hair

53
Q
  • Common problem- razor burns
  • Safety razor- with the growth
  • Electric razor- Against the growth
A

Shaving

54
Q
  • Ears and Nose
  • Females- upper lip and chin (depends on the family)
A

Trim Facial Hair

55
Q
  • Nails Scrubbed
  • Stains Removed- Nicotine (lemon juice or 5% bleach).
A

Hand Treatments

56
Q
  • The complexion in coloring
  • Alteration of the complexion coloring
  • Corrective shaping
  • Reinstatement of the warm color areas
  • Powdering
A

General Procedure for cosmetic application on the normal case

57
Q
  • Cheeks
  • Glabella
  • Chin
A

Put the mass of the cosmetics on:

58
Q

____ cosmetic out.

A

Spread

59
Q
  • The cream is thinned out
  • The hairline is lighter than the rest of the face.
A

Start at the forehead and work toward the hairline

60
Q
  • Lips
  • Cheeks
  • Chin
  • Base of the nose
  • Ears
  • Frontal eminences (males only)
A

Fill in the Warm areas

61
Q

Will exhibit a slight sheen.

A

Natural Skin Appearance

62
Q

Will create a dulled (matte) finish.

A

Powder, as a finishing step of makeup

63
Q
  • Typical- or an ornamental makeup
  • Unnatural- On persons who did not use cosmetics.
A

A matte Finish is Considered:

64
Q

Gently touch a damn tissue against the powdered make up, hair spray or emollient spray.

  • Removes and excess powder
  • A slight sheen now appears
A

To erase a matte finish

65
Q

Powder should be removed from tiny ________.

A

Character Lines

66
Q
  • Corners of the mouth
  • Inner corners of the eye
  • Nasal sulcus beside the wing of the nose
A

Removal of superfluous powder- Special Care should be given to:

67
Q
  • Powder Brush
  • Texturizing or stipple brush
A

Brush used- Removal of superfluous powder

68
Q
  • Eyebrows, eyelashes may be brushed with brown or black cosmetics for better contrast
  • Cosmetic application on facial and cranial hair may be used on extensive restorations when solvent use may result in damage.
A

Treatment of Hair with Cosmetics

69
Q
  • Funeral home procedures differ
  • Ideally- the deceased should be dressed and casketed and placed in the viewing environment before applying cosmetics.
    • casket lining and pillow should be covered
    • the deceased clothing:
      • protect the collar and cuffs by using a towel.
      • Place a towel beneath the hands
A

Dressing, Casketing and Cosmetizing

70
Q
  • Powder and cosmetics which have contaminated the hair may be removed by using:
    • a small cotton swab
    • a small stiff brush
    • an eyebrow brush
  • This removal may be accomplished two ways:
    • dry removal
    • Solvent removal
A

Final Grooming of the Cranial and Facial Hair

71
Q

Simply wipe the areas to be cleaned.

A

Dry Removal

72
Q

Use a mortuary dry cleaning chemical, being careful not to drip it on the cosmetized face.

A

Solvent Removal

Restorative Art (37 decks)

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