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Restorative Art > Forms of The Head And Facial Structure > Flashcards

Forms of The Head And Facial Structure Flashcards

1
Q

This can identify a person, even at a distance.

A

The Outlining Form of The Head

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2
Q

The outlining form of the head takes precedence over the form of the ____________.

  • Perfect models of these will not correct problems caused by the loss of form of the head.
A

Individual Features

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3
Q
  • Injury/Trauma
  • Disease
  • Post Mortem Tissue Changes
    • Embalming
    • Swelling
    • Restoration
A

Loss of Form of The Head May be a Result of These Things.

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4
Q

The form of an individuals head will change __________________.

A

Throughout their lifetime.

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5
Q

If these are outdated, they will not achieve successful results.

A

Photographs

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6
Q

This is something to be aware of when analyzing the form of the head.

  • The purpose of which is to make the head and face resemble the classical oval form of the canon of beauty.
A

Ornamental Cosmetology

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7
Q
  1. Cosmetics
  2. Hairstyles
A

Two ways to Accomplish Ornamental Cosmetology

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8
Q

When performing a restoration, this form is identified first.

A

Profile

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9
Q

Determined by the relationship of the forehead and chin in their alignment with the upper lip (superior integumentary lip).

A

Profile

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10
Q

Described by its direction from the eyebrow upward.

A

Forehead

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11
Q

Is described by its relationship to the upper lip.

A

Chin

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12
Q

Has nothing to do with the facial profile.

A

Nose

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13
Q
  • Convex
  • Concave
  • Vertical (Balanced)
A

Basic Linear Forms (3)

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14
Q

The most common type of profile.

  1. Forehead -recedes from the eyebrows to the hairline.
  2. Chin -recedes from the projection of the upper lip.
A

Convex

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15
Q

The least common type of profile.

  • Forehead- Protrudes from the eyebrows to the hairline.
  • Chin- Protrudes farther than the upper lip.
A

Concave

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16
Q

A profile in which the forehead, upper lip, and chin project to an imaginary vertical line.

A

Vertical (Balanced)

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17
Q

Created by combining pairs.

  • First term: Refers to the description of the forehead.
  • Final Term: Refers to the relationship of the lower lip and chin.
A

Six Variations of The Three Basic Linear Forms

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18
Q
  • Convex-Concave
  • Concave-Convex
  • Vertical-Convex
  • Vertical-Concave
  • Convex-Vertical
  • Concave-Vertical
A

The 6 Variations of the Three basic Linear Forms

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19
Q
  • Forehead- recedes
  • Chin- Protrudes
A

Convex- Concave

20
Q
  • Forehead- Protrudes
  • Chin- Recedes
A

Concave- Convex

21
Q
  • Forehead- Vertical
  • Chin- Recedes
A

Vertical- Convex

22
Q
  • Forehead- Vertical
  • Chin- Protrudes
A

Vertical- Concave

23
Q
  • Forehead- Recedes
  • Chin- Vertical
A

Convex- Vertical

24
Q
  • Forehead- Protrudes
  • Chin- Vertical
A

Concave- Vertical

25
Q

These are suggestive of a geometric shape.

There are 7 Major

  • Oval
  • Round
  • Square
  • Oblong
  • Triangular
  • Inverted Triangle
  • Diamond
A

Head Form (Frontal View)

26
Q

The most common head form.

  • Classic Egg Shape
  • So called “ideal” shape
  • Cheekbones are wider then the cranium
  • The cranium is slightly wider than the lower jaw
  • The entire face appears to be composed of soft, rounded curves
A

Oval

27
Q

Full convex features.

  • Short
  • Full cheeks
  • Rounded, fuller jawline
  • Rounded cranium
A

Round (Infantine Type)

28
Q

Broad with very little curvature, described as the “strong” type.

  • The forehead, jawline, and cheeks are approximately the same width.
  • The hairline is often straight.
A

Square

29
Q

Long and narrow.

  • The forehead and chin may be rounded or square
  • The nose is usually long
A

Oblong

30
Q

The least common form. It is wider between the angles of the jaw than it is across the forhead.

  • The forehead is the narrowest feature
  • Eyes are close set
A

Triangular

31
Q

Wide forehead and narrow jaws.

  • Jawline is narrower than the cheekbone or forehead
  • Forehead is the widest feature of the face
  • Eyes are wide-set
A

Inverted Triangle

32
Q

Wide cheekbones, narrow in width of the forehead and jaws.

  • Greatest width is across the cheekbones.
A

Diamond

33
Q

Seen from two views.

  1. Inferior position
  2. Superior position
A

The curvature of the face from side to side

34
Q

Looking upward from the chin.

  • This is the position seen when approaching the casket.
A

Inferior Position (Curvature of the face from side to side)

35
Q

Looking downward from above the head.

  • This is the most accessible place for making a restoration. (Important for restorative artists)
A

Superior Position (Curature of the face from side to side)

36
Q
  • Cheeks
  • Forehead
  • Upper Lip
  • Chin
A

Surfaces exhibiting a similarity of bilateral curvature

37
Q

These are the keys to the bilateral forms.

  • The ____bones marks the change from the front plane of the face into the side of the face.
A

Cheeks

38
Q

Here the form of the curvature of the cheeks is similarily repeated in smaller scales.

A
  • Forehead
  • Upper Lip
  • Chin
39
Q

Based on the anterior segments of geometric forms. (The nose is not included)

  1. Oval
  2. Angular
  3. Round
  4. Square
A

Four Basic Bilateral Forms

40
Q
  • Forhead
  • Crown
  • Lateral Margins
A

Psyiognomy of The Forehead

41
Q

Extends from the eyebrows to the frontal eminences.

A

Forehead

42
Q

The area above the frontal eminences.

  • Location of the normal hairline.
A

Crown

43
Q

Created by the lines of the temples.

A

Lateral Margins

44
Q
  • Central Plane (1)
  • Lateral Planes (2)
A

Forehead Planes (3)

45
Q

This is gently convex.

  • Lies directly superior to the nose and the medial ends of the eyebrows.
  • It extends upward as far as the frontal eminences.
A

Central Plane

46
Q

These are gently convex

  • Are narrower planes
  • From the central plane they recede to the lines of the temples.
A

Lateral Planes (2)

Restorative Art (37 decks)

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