Forms of The Head And Facial Structure Flashcards

1
Q

This can identify a person, even at a distance.

A

The Outlining Form of The Head

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2
Q

The outlining form of the head takes precedence over the form of the ____________.

  • Perfect models of these will not correct problems caused by the loss of form of the head.
A

Individual Features

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3
Q
  • Injury/Trauma
  • Disease
  • Post Mortem Tissue Changes
    • Embalming
    • Swelling
    • Restoration
A

Loss of Form of The Head May be a Result of These Things.

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4
Q

The form of an individuals head will change __________________.

A

Throughout their lifetime.

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5
Q

If these are outdated, they will not achieve successful results.

A

Photographs

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6
Q

This is something to be aware of when analyzing the form of the head.

  • The purpose of which is to make the head and face resemble the classical oval form of the canon of beauty.
A

Ornamental Cosmetology

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7
Q
  1. Cosmetics
  2. Hairstyles
A

Two ways to Accomplish Ornamental Cosmetology

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8
Q

When performing a restoration, this form is identified first.

A

Profile

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9
Q

Determined by the relationship of the forehead and chin in their alignment with the upper lip (superior integumentary lip).

A

Profile

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10
Q

Described by its direction from the eyebrow upward.

A

Forehead

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11
Q

Is described by its relationship to the upper lip.

A

Chin

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12
Q

Has nothing to do with the facial profile.

A

Nose

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13
Q
  • Convex
  • Concave
  • Vertical (Balanced)
A

Basic Linear Forms (3)

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14
Q

The most common type of profile.

  1. Forehead -recedes from the eyebrows to the hairline.
  2. Chin -recedes from the projection of the upper lip.
A

Convex

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15
Q

The least common type of profile.

  • Forehead- Protrudes from the eyebrows to the hairline.
  • Chin- Protrudes farther than the upper lip.
A

Concave

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16
Q

A profile in which the forehead, upper lip, and chin project to an imaginary vertical line.

A

Vertical (Balanced)

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17
Q

Created by combining pairs.

  • First term: Refers to the description of the forehead.
  • Final Term: Refers to the relationship of the lower lip and chin.
A

Six Variations of The Three Basic Linear Forms

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18
Q
  • Convex-Concave
  • Concave-Convex
  • Vertical-Convex
  • Vertical-Concave
  • Convex-Vertical
  • Concave-Vertical
A

The 6 Variations of the Three basic Linear Forms

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19
Q
  • Forehead- recedes
  • Chin- Protrudes
A

Convex- Concave

20
Q
  • Forehead- Protrudes
  • Chin- Recedes
A

Concave- Convex

21
Q
  • Forehead- Vertical
  • Chin- Recedes
A

Vertical- Convex

22
Q
  • Forehead- Vertical
  • Chin- Protrudes
A

Vertical- Concave

23
Q
  • Forehead- Recedes
  • Chin- Vertical
A

Convex- Vertical

24
Q
  • Forehead- Protrudes
  • Chin- Vertical
A

Concave- Vertical

25
These are suggestive of a geometric shape. There are 7 Major * Oval * Round * Square * Oblong * Triangular * Inverted Triangle * Diamond
Head Form (Frontal View)
26
The most common head form. * Classic Egg Shape * So called "ideal" shape * Cheekbones are wider then the cranium * The cranium is slightly wider than the lower jaw * The entire face appears to be composed of soft, rounded curves
Oval
27
Full convex features. * Short * Full cheeks * Rounded, fuller jawline * Rounded cranium
Round (Infantine Type)
28
Broad with very little curvature, described as the "strong" type. * The forehead, jawline, and cheeks are approximately the same width. * The hairline is often straight.
Square
29
Long and narrow. * The forehead and chin may be rounded or square * The nose is usually long
Oblong
30
The least common form. It is wider between the angles of the jaw than it is across the forhead. * The forehead is the narrowest feature * Eyes are close set
Triangular
31
Wide forehead and narrow jaws. * Jawline is narrower than the cheekbone or forehead * Forehead is the widest feature of the face * Eyes are wide-set
Inverted Triangle
32
Wide cheekbones, narrow in width of the forehead and jaws. * Greatest width is across the cheekbones.
Diamond
33
Seen from two views. 1. Inferior position 2. Superior position
The curvature of the face from side to side
34
Looking upward from the chin. * This is the position seen when approaching the casket.
**Inferior Position** (Curvature of the face from side to side)
35
Looking downward from above the head. * This is the most accessible place for making a restoration. (Important for restorative artists)
**Superior Position** (Curature of the face from side to side)
36
* Cheeks * Forehead * Upper Lip * Chin
Surfaces exhibiting a similarity of bilateral curvature
37
These are the keys to the bilateral forms. * The \_\_\_\_bones marks the change from the front plane of the face into the side of the face.
Cheeks
38
Here the form of the curvature of the cheeks is similarily repeated in smaller scales.
* Forehead * Upper Lip * Chin
39
Based on the anterior segments of geometric forms. (The nose is not included) 1. Oval 2. Angular 3. Round 4. Square
Four Basic Bilateral Forms
40
* Forhead * Crown * Lateral Margins
Psyiognomy of The Forehead
41
Extends from the eyebrows to the frontal eminences.
Forehead
42
The area above the frontal eminences. * Location of the normal hairline.
Crown
43
Created by the lines of the temples.
Lateral Margins
44
* Central Plane (1) * Lateral Planes (2)
Forehead Planes (3)
45
This is gently convex. * Lies directly superior to the nose and the medial ends of the eyebrows. * It extends upward as far as the frontal eminences.
Central Plane
46
These are gently convex * Are narrower planes * From the central plane they recede to the lines of the temples.
Lateral Planes (2)