Quiz 4 Flashcards
What model does Guillaume Dufay integrate into his Missa se la face ay pale?
a. The original chant tunes: Kyrie, Gloria, Credo, Sanctus, Agnus Dei
b. A chanson tune by another composer
c. Dufay’s own chanson tune
What model does Guillaume Dufay integrate into his Missa se la face ay pale?
a. The original chant tunes: Kyrie, Gloria, Credo, Sanctus, Agnus Dei
b. A chanson tune by another composer
* *c. Dufay’s own chanson tune**
What mass compositional strategy does Dufay use in his Missa se la face ay pale?
a. Paraphrase Mass
b. Cantus Firmus Mass
c. Motto Mass
d. Parody Mass
What mass compositional strategy does Dufay use in his Missa se la face ay pale?
a. Paraphrase Mass
* *b. Cantus Firmus Mass**
c. Motto Mass
d. Parody Mass
***Only in the TENOR VOICE. Restates the melody in 3:2:2:1.
Where were prominent composers of the fifteenth century educated?
a. Germany and Austria
b. Spain and Portugal
c. Northern Italy
d. Northern France
Where were prominent composers of the fifteenth century educated?
a. Germany and Austria
b. Spain and Portugal
c. Northern Italy
d. Northern France
*They would travel back to Northern France because that’s where the jobs were.
Which mass compositional strategy makes use of a polyphonic model?
a. Cantus Firmus Mass
b. Paraphrase Mass
c. Motto Mass
d. Parody Mass
Which mass compositional strategy makes use of a polyphonic model?
a. Cantus Firmus Mass
b. Paraphrase Mass
c. Motto Mass
d. Parody Mass
What characteristic(s) should you listen for in Josquin’s compositions?
a. Sensitivity to text
b. Paired voices
c. Alternating sections of homophony and imitation
d. None of the above
e. All of the above
What characteristic(s) should you listen for in Josquin’s compositions?
a. Sensitivity to text
b. Paired voices
c. Alternating sections of homophony and imitation
d. None of the above
* *e. All of the above**
*Sorrow and descending melodic lines (sensitivity to text)
Who called Josquin the “master of the notes”?
a. Johannes Ockeghem
b. The Pope
c. Martin Luther
d. Hercules, Duke of Ferrara
Who called Josquin the “master of the notes”?
a. Johannes Ockeghem
b. The Pope
c. Martin Luther
d. Hercules, Duke of Ferrara
*Luther was a huge Josquin fanboy
What is the genre of the work in Example 1?
a. Lied
b. Motet
c . Chanson
d. Mass movement
What is the genre of the work in Example 1?
a. Lied (German)
* *b. Motet (Latin)**
c . Chanson (French)
d. Mass movement (You would see the Mass Texts, Kyrie, Gloria, etc)
What is the texture of the music at the opening of Example 1?
a. Monophony
b. Homophony
c. Stratified Voices
d. Imitation
What is the texture of the music at the opening of Example 1?
a. Monophony
b. Homophony
c. Stratified Voices
d. Imitation
What is the form of Example 1?
a. Rondeau
b. Ballade
c. Through Composed
d. Strophic
What is the form of Example 1?
a. Rondeau
b. Ballade
c. Through Composed (Motet by definition is Through Composed)
d. Strophic
Who is the composer of Example 1?
a. Guillaume Dufay
b. Martin Luther
c. Josquin
d. Guillaume Machaut
Who is the composer of Example 1?
a. Guillaume Dufay (Would not see as much imitation)
b. Martin Luther (In German)
c. Josquin
d. Guillaume Machaut (Quite a bit before)
