CLASS: Oct 19, 2018 - COMPLETE Flashcards

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1
Q

How does the development of the madrigal relate to Renaissance humanism?

A
  • More intense expression
  • Actual tangible love stories. Not Courtly love from the Middle Ages.
  • Text Painting. Madrigalisms.
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2
Q

What is courtly love? Give an analogy.

A

You are in love with a Pop star that you are never going to meet.

Middle Ages

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3
Q

Why are Francesco Petrarch and Pietro Bembo important?

A
  • Composers set texts related to them
    • Petrarch is contemporary with Machaut, late middle ages
    • Bembo compiled and published Petrarch’s work. Brought them to light.
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4
Q

What is a madrigalism? Give an example.

A
  • Text-painting
  • Word painting
  • Tone Painting

Examples:

  • The music imitates the emotion you are feeling at the time
  • Fast cheery notes = happy
  • Descending line = sad
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5
Q

How does the use of madrigalisms change from generation to generation?

A
  • It gets easier to hear the madrigalisms, much more on the surface
  • The music gets HARDER to sing.
    • Dissonance
      • Dissonance to dissonance without resolution
      • Consonance sticks out like a sore thumb
    • Chromaticism
      • Lots of it
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6
Q
A
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7
Q
A
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8
Q

concerto delle donne

A
  • Wealthy Italian Courts
  • Performers: Female singers
    • Well trained, well rehearsed
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9
Q

Musica Transalpina

A
  • English borrowed Italian music and translated into English
  • Music from northern Italy
  • William Byrd and Thomas Talles had a monopoly on music printing
  • This volume credits the Italian composers
  • Music by Italians, especially Luca Marenzio, third generation madrigalist
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10
Q

How is music financed in 16-17th century?

A
  • Dedications
    • Flowery language
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11
Q

Political Implications: Thomas Morley’s Dedication of The Triumphes of Oriana (1601) to the Earle of Nottingham

A
  • How political contexts shifts our understanding of music
    • Contains genuine English madrigals, not ripped off Italian works
    • Tag at the end of the madrigal “long live”
    • Confusion of the photo
    • Coupe
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12
Q

Political

A

*

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